‘ER’ Creator Michael Crichton’s Estate Sues Warner Bros. Over Upcoming Hospital Drama ‘The Pitt’ 

Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
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‘ER’ Creator Michael Crichton’s Estate Sues Warner Bros. Over Upcoming Hospital Drama ‘The Pitt’ 

Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)

The estate of Michael Crichton, who wrote the screenplay for what became the pilot episode of “ER,” has sued Warner Bros. Television over a dispute about an upcoming medical drama it says is a rebranded version of an unauthorized reboot.

After Crichton’s estate, led by his widow, Sherri, could not reach an agreement with the television studio to produce a reboot of the famed medical procedural, the lawsuit alleges Warner Bros. proceeded to develop and produce a series based on the same premise without consent.

The upcoming series, titled “The Pitt,” will be a medical drama set in Pittsburgh, as opposed to “ER’s” Chicago setting, and will feature Noah Wyle in a starring role. Wyle is best known for playing John Carter on “ER” in over 250 episodes.

“The Pitt” is also set to include several “ER” alums behind-the-scenes, including John Wells as the executive producer and R. Scott Gemmill as the showrunner. Wyle, Wells and Gemmill are each named defendants in the suit.

“The lawsuit filed by the Crichton Estate is baseless, as ‘The Pitt’ is a new and original show. Any suggestion otherwise is false, and Warner Bros. Television intends to vigorously defend against these meritless claims,” the studio said in a statement.

Because of Crichton’s success with projects including “Jurassic Park” and “Westworld” before “ER” was developed, he secured a coveted “frozen rights” provision in his contract for the series. The provision prohibits Warner Bros. from proceeding with any sequels, remakes, spinoffs or other productions derived from “ER” without Crichton’s consent, or his estate’s consent after his death from cancer in 2008.

“If Warner Bros. can do this to Michael Crichton, one of the industry’s most successful and prolific creators who made the studio billions over the course of their partnership, no creator is safe,” a spokesperson for Sherri Crichton said in a statement to The Associated Press. “While litigation is never the preferred course of action, contracts must be enforced, and Michael Crichton’s legacy must be protected.”

The estate, which filed the lawsuit Tuesday in Los Angeles Superior Court, is asking the judge to issue an injunction that would force the studio to stop production on the new series, and they are also seeking punitive and compensatory damages.

Warner Bros. began developing a reboot of “ER” for HBO’s streaming service, Max, in 2020 without Sherri’s knowledge, according to the lawsuit.

In 2022, when Sherri Crichton was informed of the developing project, she and the estate engaged in negotiations with the studio, through which she says she was promised that Crichton would get a “created by” credit, backed by a $5 million guarantee for the estate in the event the credit was not given. Ultimately, the term was revoked and negotiations stopped, which the lawsuit states should have ceased all development of the series.

Development continued on, and “The Pitt” was announced in March. A release date has yet to be announced.

“The Pitt is ER. It’s not like ER, it’s not kind of ER, it’s not sort of ER. It is ER complete with the same executive producer, writer, star, production companies, studio, and network as the planned ER reboot,” lawyers representing Crichton’s estate wrote in the lawsuit.

The lawsuit also alleges that Warner Bros. had previously tried to “erase” Crichton from derivatives for his work by downgrading his credit in the 2016 series based off his movie, “Westworld,” from “created by” to “based on,” which they say started “a disturbing pattern.”



Mariah Carey’s Mother and Sister Died on Same Day, Singer Says Her ‘Heart Is Broken’ 

Mariah Carey. (Reuters)
Mariah Carey. (Reuters)
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Mariah Carey’s Mother and Sister Died on Same Day, Singer Says Her ‘Heart Is Broken’ 

Mariah Carey. (Reuters)
Mariah Carey. (Reuters)

Mariah Carey’s mother Patricia and sister Alison both died on the same day, the singer said Monday.

“My heart is broken that I’ve lost my mother this past weekend. Sadly, in a tragic turn of events, my sister lost her life on the same day,” the Grammy-winning singer said in a statement.

“I feel blessed that I was able to spend the last week with my mom before she passed,” the statement continued. “I appreciate everyone’s love and support and respect for my privacy during this impossible time.”

The Times Union reported Monday that Alison, who was largely estranged from Carey, died at 63 from complications with her organ function and that she had been in hospice care.

People Magazine first reported the news of their deaths and Carey’s statement.

Patricia was a Juilliard-trained opera singer who Carey credits as an inspiration to her from a young age.

“I would sing little tunes around the house, to my mother’s delight. And she always encouraged me,” she wrote in her 2020 memoir, “The Meaning of Mariah Carey.”

Patricia was previously married to Alfred Roy Carey, the singer’s father. The parents divorced when the “Vision of Love” singer was 3. Carey grew up in Suffolk County on Long Island and lived primarily with her mother after her parents’ divorce. Her father died of cancer in 2002 at age 72.

Carey detailed her complicated relationship with her mother and her sister in her memoir, in which she wrote that she and her mother often clashed, causing her to feel “so much pain and confusion,” and accused her sister of putting her in unsafe situations as a child.

“Like many aspects of my life, my journey with my mother has been full of contradictions and competing realities. It’s never been only black-and-white — it’s been a whole rainbow of emotions,” Carey wrote in the book. “Our relationship is a prickly rope of pride, pain, shame, gratitude, jealousy, admiration and disappointment. A complicated love tethers my heart to my mother’s.”

Carey maintained contact with her mother and even recorded a duet of “O Come All Ye Faithful/Hallelujah Chorus” for the singer’s second Christmas album in 2010.