Hip-Hop Artist Fatman Scoop Dies at 53 after Collapsing on Stage in Connecticut

DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
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Hip-Hop Artist Fatman Scoop Dies at 53 after Collapsing on Stage in Connecticut

DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)

Fatman Scoop, the hip-hop artist who topped charts in Europe with “Be Faithful” in the early 2000s and later lent his distinctive voice and ebullient vibe to hits by artists including Missy Elliott and Ciara, died after collapsing on stage at a show in Connecticut, according to officials and his family. He was 53.

The cause of his death wasn't immediately clear.

He was performing at Hamden Town Center Park when he collapsed Friday evening, town chief of staff Sean Grace said Saturday. Mayor Lauren Garrett posted on Facebook that he had a medical emergency. Concertgoers and paramedics tried to aid the artist, who was taken to a hospital, she said.

His family said in an Instagram post that “the world lost a radiant soul, a beacon on stage and in life.”

With a gravelly voice and dance-floor-friendly sensibility, Fatman Scoop was a mainstay of club playlists around the turn of the millennium. But if the world knew him as the “voice of the club,” his family cherished him as “the laughter in our lives, a constant source of support, unwavering strength and courage,” his relatives said.

“His music made us dance and embrace life with positivity. His joy was infectious and the generosity he extended to all will be deeply missed but never forgotten,” they added, saying he leaves a legacy “of love and brightness.”

Born Isaac Freeman III, Fatman Scoop was from New York City’s Harlem neighborhood and broke out with 1999’s “Be Faithful.” What started as a minor success in the US took off in Europe with a 2003 re-release, hitting No. 1 on the singles charts in the UK and Ireland.

The next year, he appeared on the UK television series “Chancers,” in which musicians mentored artists who wanted to make it in the US, the BBC reported. He also was a contestant on “Celebrity Big Brother 16: UK vs USA,” which was filmed in the UK and aired in 2015.

Scoop — sometimes stylized as Fat Man Scoop or FatMan Scoop — collaborated with Elliott on “Lose Control,” a 2005 song of the summer that also featured Ciara. The track won a short-form music video Grammy at the 2006 award show.

The same year as “Lose Control,” he was featured on Mariah Carey’s “It’s Like That.” He also was featured on tracks from Timbaland, David Guetta, The Situation and Skrillex, among other artists. In 2018, he reunited with Elliott and Ciara for a remix of the latter’s “Level Up.”

Elliott praised Scoop's “VOICE and energy” Saturday on X, saying he had contributed to many songs that made people happy over more than two decades.

“Your IMPACT is HUGE & will be NEVER be forgotten,” she added.

His longtime booking agency, MN2S, described him as an artist with “boundless enthusiasm,” a passion for music and a voice and personality that "made an indelible mark on the industry.”

His MN2S representative, Sharron Elkabas, said in a statement Saturday that she had spoken to him a few days earlier.

“He was in such good spirits. It’s hard to believe he is no longer with us,” she said.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.