Trump Film ‘The Apprentice’ Finds Distributor and Will Open before the Election

 Republican presidential nominee former President Donald Trump gestures after speaking at a campaign event, Friday, Aug. 30, 2024, in Johnstown, Pa. (AP)
Republican presidential nominee former President Donald Trump gestures after speaking at a campaign event, Friday, Aug. 30, 2024, in Johnstown, Pa. (AP)
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Trump Film ‘The Apprentice’ Finds Distributor and Will Open before the Election

 Republican presidential nominee former President Donald Trump gestures after speaking at a campaign event, Friday, Aug. 30, 2024, in Johnstown, Pa. (AP)
Republican presidential nominee former President Donald Trump gestures after speaking at a campaign event, Friday, Aug. 30, 2024, in Johnstown, Pa. (AP)

After struggling to drum up interest following its Cannes Film Festival premiere, “The Apprentice,” starring Sebastian Stan as a young Donald Trump, has found a distributor that plans to release the film shortly before the election in November.

Briarcliff Entertainment will release “The Apprentice” on Oct. 11 in US and Canadian theaters, just weeks before Americans cast their ballots on Nov. 5.

Director Ali Abbasi, the Danish Iranian filmmaker, had prioritized getting “The Apprentice” into theaters before voters head to the polls. After larger studios and film distributors opted not to bid on the film, Abbasi complained in early June on X that “for some reason certain power people in your country don’t want you to see it!!!”

Steven Cheung, communications director for the Trump campaign, in a statement Friday called the film’s release “election interference by Hollywood elites right before November.”

“This ‘film’ is pure malicious defamation, should never see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire,” Cheung said.

Part of what dampened interest in “The Apprentice” was the potential threat of legal action. After its Cannes premiere in May, Cheung called the movie “pure fiction” and said the Trump team would file a lawsuit “to address the blatantly false assertions from these pretend filmmakers.”

“The Apprentice” chronicles Trump’s rise to power in New York real estate under the tutelage of defense attorney Roy Cohn (played by Jeremy Strong).

Abbasi has argued Trump might not dislike the movie.

“I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign,” Abbasi said in May.

Briarcliff Entertainment has released films including the 2022 documentary “Gabby Giffords Won’t Back Down” and the Liam Neeson thriller “Memory.” The indie distributor is run by Tom Ortenberg, who at Lionsgate helped released Michael Moore’s “Fahrenheit 9/11” and as chief executive of Open Road backed the best picture Oscar winner “Spotlight.”



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.