UK Government to Probe Dynamic Pricing After Oasis Tickets Surge 

A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
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UK Government to Probe Dynamic Pricing After Oasis Tickets Surge 

A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)

Britain's government has said it will investigate how prices for concert tickets sold on official websites are hiked when demand surges, after fans seeking their spot at next year's Oasis reunion shows faced soaring costs over the weekend.

Culture minister Lisa Nandy said it was "depressing to see vastly inflated prices" on sites operated by authorized retailers which she said would exclude some fans from the shows.

The government will include issues around the transparency and use of so-called dynamic pricing - which pushes up the costs when demand is high - in an already planned review of ticket sales and the protection of consumers, she said.

"Working with artists, industry and fans we can create a fairer system that ends the scourge of touts, rip-off resales and ensures tickets at fair prices," Nandy said in a statement late on Sunday.

Another government minister, Lucy Powell who is leader of the House of Commons, told the BBC she bought two tickets for 350 pounds ($460) each from an official retailer, more than double their original face value.

Oasis announced 17 shows in the United Kingdom and Ireland, with the first due to take place in Cardiff in July 2025, followed by nights in Manchester – where the band was formed in 1991 – London, Edinburgh and Dublin.

All the tickets in Britain were sold within around 10 hours on Saturday, after many fans spent the day in online queues.



Movie Review: ‘Smurfs’ Has Rihanna but Not Much Else

 This image released by Paramount Animation shows characters Papa Smurf, voiced by John Goodman, Smurfette, voiced by Rihanna and Vanity Smurf, voiced by Maya Erskine, from the film "Smurfs." (Paramount Animation via AP)
This image released by Paramount Animation shows characters Papa Smurf, voiced by John Goodman, Smurfette, voiced by Rihanna and Vanity Smurf, voiced by Maya Erskine, from the film "Smurfs." (Paramount Animation via AP)
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Movie Review: ‘Smurfs’ Has Rihanna but Not Much Else

 This image released by Paramount Animation shows characters Papa Smurf, voiced by John Goodman, Smurfette, voiced by Rihanna and Vanity Smurf, voiced by Maya Erskine, from the film "Smurfs." (Paramount Animation via AP)
This image released by Paramount Animation shows characters Papa Smurf, voiced by John Goodman, Smurfette, voiced by Rihanna and Vanity Smurf, voiced by Maya Erskine, from the film "Smurfs." (Paramount Animation via AP)

Justin Timberlake had “Trolls.” Rihanna has “Smurfs.” Now, we patiently await a “Gummi Bears” with the Biebs.

But first we have “Smurfs,” which, like “Trolls,” gets as much mileage as it can from its pop singer-voice actor. Rihanna voices Smurfette and supplies a new song, giving a half-hearted injection of star power to an otherwise uninspired, modestly scaled, kiddo-friendly cartoon feature.

“Smurfs,” directed by Chris Miller (“Puss in Boots,” “Shrek the Third”), cribs heavily from the “Trolls” playbook. Both feature brightly colored little forest creatures that like a good tune. In the opening of “Smurfs,” Papa Smurf (John Goodman) is DJing for a dancing Smurf Village.

As the many Smurfs gyrate next to mushroom houses, you might find yourself wondering how we got here. And what exactly is a Smurf anyway? It’s been nearly 70 years since Belgian comic artist Peyo created “Les Schtroumpfs,” though most of those still familiar with the little blue fellas remember them from the 1980s Hanna-Barbera cartoons.

The Smurfs have never really transcended their Saturday morning cartoon origins. Neither a pair of live-action hybrid movies in the early 2010s or a 2017 animated release have done much more than keep us vaguely aware of what a Phrygian cap is.

And “Smurfs” is unlikely to change that. The best thing that can be said for the latest attempt to reboot the blue Belgian beings is that it maintains the light feel of a morning cartoon. Even with a brief SpongeBob SquarePants short running ahead of it, “Smurfs” — seemingly designed to be the least ambitious of all possible parent-child outings — passes in about 90 minutes.

The pressing issue in Miller’s film is that one Smurf, No Name Smurf (James Corden), lacks a defining feature. There are so many other labels already taken that all that’s left for him are Clog Making Smurf and Shark Taming Smurf — and neither of those is promising, either.

When No Name Smurf suddenly grows magical powers, he gets a boost in confidence but inadvertently sets off a dangerous chain reaction. The burst of magic reveals the location of Smurf Village and a long-hidden magical book that, if reunited with three others, confers world domination. (Fun fact: This is also what happens if you reunify all first editions of James Joyce’s “Ulysses.”)

The outburst brings the attention of the evil wizard Razamel, brother of Gargamel. (Both are excellently voiced by JP Karliak.) And the Smurfs are cast into a chase through dimensions to rescue the kidnapped Papa Smurf and prevent Razamel from seizing the fourth book. The trip takes them through Paris, Munich, Australia and, briefly, Claymation.

The zaniness is often forced. There are also Koosh ball-like creatures named Snooter Poots with a leader named Mama Poot (Natasha Lyonne). And if you were ever hoping to hear Rihanna sing, as a Smurf, from the seat of a kangaroo pouch, your movie has finally arrived.

But any expectations of something more quickly dissipate, despite the fact that “Smurfs” was scripted by Pam Brady, the screenwriter of “Hot Rod” and co-writer of “Team America: World Police.” Most of the attempts at adult-winking gags are hackneyed jokes about Zoom, podcasting, spam filters and LinkedIn.

You can almost feel IP-rights pressures animating the entire enterprise. See, there are other Smurf names out there. What about Corporate Mandate Smurf?