UK Government to Probe Dynamic Pricing After Oasis Tickets Surge 

A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
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UK Government to Probe Dynamic Pricing After Oasis Tickets Surge 

A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)
A fan uses a smart phone to access an on-line ticket sales website to purchase tickets for Oasis' "Live '25" tour taking place in 2025, at home in Marsden, northern England on August 31, 2024. (AFP)

Britain's government has said it will investigate how prices for concert tickets sold on official websites are hiked when demand surges, after fans seeking their spot at next year's Oasis reunion shows faced soaring costs over the weekend.

Culture minister Lisa Nandy said it was "depressing to see vastly inflated prices" on sites operated by authorized retailers which she said would exclude some fans from the shows.

The government will include issues around the transparency and use of so-called dynamic pricing - which pushes up the costs when demand is high - in an already planned review of ticket sales and the protection of consumers, she said.

"Working with artists, industry and fans we can create a fairer system that ends the scourge of touts, rip-off resales and ensures tickets at fair prices," Nandy said in a statement late on Sunday.

Another government minister, Lucy Powell who is leader of the House of Commons, told the BBC she bought two tickets for 350 pounds ($460) each from an official retailer, more than double their original face value.

Oasis announced 17 shows in the United Kingdom and Ireland, with the first due to take place in Cardiff in July 2025, followed by nights in Manchester – where the band was formed in 1991 – London, Edinburgh and Dublin.

All the tickets in Britain were sold within around 10 hours on Saturday, after many fans spent the day in online queues.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”