Alec Baldwin Prosecutor Asks Judge to Reconsider Manslaughter Case Dismissal

Actor Alec Baldwin, center, reacts as he sits between his attorneys Alex Spiro, left, and Luke Nikas after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, in Santa Fe, N.M. (Ramsay de Give/Pool Photo via AP)
Actor Alec Baldwin, center, reacts as he sits between his attorneys Alex Spiro, left, and Luke Nikas after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, in Santa Fe, N.M. (Ramsay de Give/Pool Photo via AP)
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Alec Baldwin Prosecutor Asks Judge to Reconsider Manslaughter Case Dismissal

Actor Alec Baldwin, center, reacts as he sits between his attorneys Alex Spiro, left, and Luke Nikas after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, in Santa Fe, N.M. (Ramsay de Give/Pool Photo via AP)
Actor Alec Baldwin, center, reacts as he sits between his attorneys Alex Spiro, left, and Luke Nikas after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, in Santa Fe, N.M. (Ramsay de Give/Pool Photo via AP)

A US prosecutor has called on a judge to reconsider her dismissal of Alec Baldwin's involuntary manslaughter trial, disputing the court's ruling that law enforcement authorities deliberately withheld key evidence in their case against the Hollywood star.
In a court motion made public Wednesday, New Mexico prosecutor Kari Morrissey said the decision to throw out the trial over a fatal shooting on the movie set of "Rust" was flawed, and that the evidence was held back only because it was "immaterial”, reported AFP.
"There was no cover-up because there was nothing to cover up," said the filing, which "respectfully requests the Court reconsider its dismissal of the case with prejudice."
Hollywood A-lister Baldwin was pointing a gun in the direction of cinematographer Halyna Hutchins during a rehearsal in October 2021 when the weapon fired, killing her and wounding the film's director.
Prosecutors claimed he ignored basic gun safety laws and acted recklessly on set.
The defense said the actor had no responsibility for checking the weapon's contents and did not know it contained live rounds.
The high-profile case went to trial in July, but collapsed in spectacular fashion as judge Mary Marlowe Sommer found important evidence had been withheld from the defense.
Live bullets potentially matching the round used in the fatal shooting had been handed to law enforcement by former police officer Troy Teske, it emerged during trial.
But they were not disclosed to Baldwin's lawyers, and the evidence was not cataloged under the "Rust" case file by crime scene technicians.
Sommer ruled that the withholding of evidence was "intentional and deliberate."
She swiftly dismissed the case against Baldwin, who could have been sentenced to 18 months in prison if found guilty.
Legal experts said Baldwin was highly unlikely to see the inside of a criminal court again over the shooting.
But in their new motion, prosecutors argue that the "buried" rounds could have been "purchased at any gun store two and a half years after Ms Hutchins death" and were "immaterial to the case against Mr. Baldwin."
"Nothing about the details of how the live rounds were introduced to the set is relevant or material to the charges against Mr Baldwin... it was still Alec Baldwin's responsibility to handle his real prop gun safely," they wrote.
The motion also asks for Baldwin's lawyers to be ordered to explain how they learned of the ammunition handed to police by Teske, suggesting that "a record for possible review by a higher court can be created."



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.