‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
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‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)

“The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.

Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.

“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I'm in shock and I have to go to my family, but this award is for her. ... She shaped me and made me."

The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.

Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.

Almodóvar's win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.

“I would like to dedicate it to my family,” Almodóvar said. “This movie ... it is my first movie in English but the spirit is Spanish.”

Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.

“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”

The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.

Many of the 21 competition titles were divisive, with passionate supporters and detractors.

“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga and Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano.

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body-hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole.

Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.



Oasis’s ‘Definitely, Maybe’ Tops Charts Again, 30 Years after Release

A fan photographs a mural of Liam and Noel Gallagher of British band Oasis near Sifters Records in Manchester, Britain, 29 August 2024. (EPA)
A fan photographs a mural of Liam and Noel Gallagher of British band Oasis near Sifters Records in Manchester, Britain, 29 August 2024. (EPA)
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Oasis’s ‘Definitely, Maybe’ Tops Charts Again, 30 Years after Release

A fan photographs a mural of Liam and Noel Gallagher of British band Oasis near Sifters Records in Manchester, Britain, 29 August 2024. (EPA)
A fan photographs a mural of Liam and Noel Gallagher of British band Oasis near Sifters Records in Manchester, Britain, 29 August 2024. (EPA)

Oasis's debut album "Definitely, Maybe" returned to the top of the UK charts on Friday 30 years after its release, amid fan excitement over the British band's reunion concerts next year.

"Definitely, Maybe" went straight to No.1 when it came out in 1994, and the record went back to the top spot, boosted by the release of a 30th anniversary deluxe edition.

The Official Charts Company said "Definitely, Maybe" enjoyed a "408% week-on-week uplift" and topped the vinyl albums charts, with more than half of its weekly total coming from vinyl sales.

Oasis also took the No. 3 and 4 spots in the albums chart with compilation album "Time Flies... (1994-2009)" and 1996 record "(What’s The Story) Morning Glory?".

Oasis, who last topped the UK album chart in 2010, announced two extra concert dates on Wednesday for their comeback tour due to huge demand from fans desperate to see the band live for the first time in 15 years.

The band split in 2009 when lead guitarist and main songwriter Noel Gallagher said he could no longer work with singer Liam, his brother, after numerous public spats.

Thousands of fans queued for hours online last Saturday to get their hands on tickets for the summer shows in Britain and Ireland, only to find that prices had jumped in a "dynamic pricing" scheme.

Many thought they would pay the advertised rate of 148.50 pounds ($194.74) but ended up paying more than double at 355.20 pounds.

Britain's competition watchdog on Thursday launched an investigation into Ticketmaster over the sale of the tickets and whether it may have breached consumer protection law.

At Thursday's Mercury Prize music awards in London, the "dynamic pricing" was a hot topic.

"(I) love Oasis.... (I) hate dynamic pricing," Irish singer-songwriter CMAT told Reuters. "No one should be priced out of live music."

British-Liberian singer-songwriter Cat Burns said she hoped change would come from the furor. "There's been a few situations where this has happened so I think this might be the straw that breaks the camel's back."