Ryan Seacrest Debuts as New ‘Wheel of Fortune’ Host 

Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
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Ryan Seacrest Debuts as New ‘Wheel of Fortune’ Host 

Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)

For the first time in almost 8,000 episodes, “Wheel of Fortune” did not open with a hello from longtime host Pat Sajak.

Ryan Seacrest stepped into Sajak’s shoes after his 41-year tenure as host of the famed game show, joining co-host and letter turner Vanna White. Seacrest, a familiar television and radio presence known for hosting “American Idol,” New Year’s Eve programming and a long-running radio show, debuted as the series’ new host Monday night.

“I still can’t believe my luck being here with you tonight to continue this legacy of this incredible show with all of you, and, of course, my good friend Vanna White,” Seacrest said as he opened the show. “Thank you for the very warm welcome.”

In a brief opening monologue before the gameplay began, Seacrest acknowledged Sajak’s impact as host and his retirement at the end of the 41st season. Sajak won his fourth Emmy Award for best game show host for his final season Saturday at the Creative Arts Emmys.

“Hosting ‘Wheel of Fortune’ is a dream job. I’ve been a fan of this show since I was a kid watching it in Atlanta with my family, and I know how special it is that ‘Wheel’ has been in your living rooms for the past 40 years,” he said. “I’m just so grateful to be invited in. I also know I’ve got some very big shoes to fill, so let’s play ‘Wheel of Fortune.’”

In his first episode, Seacrest brought an energetic spirit and his classic good-humored nature. In a departure from his predecessor, he did not use cue cards to speak with contestants Corina, Terry and Cindy about their backgrounds.

Beyond the obvious change of Seacrest taking over for Sajak, the premiere of the 42nd season also showcased some aesthetic adjustments.

The colorful wheel and the iconic puzzle board remain largely the same, although White did get upgraded to a motion sensor board in 2022 to celebrate the 40th season. The stage has been updated and now features golden wheels and spokes in a more modern, sleek design.

Seacrest asked White how she liked the new stage during the hallmark banter the host and letter turner share to close the show. White said there were “a lot of lights, a lot of action,” and Seacrest quipped that he hoped it would continue working through his first week.

Seacrest told The Associated Press in a recent interview “the scale of the set was pretty impressive” to him when he first stepped on set.

The shooting schedule is still as fast-paced as ever, with Seacrest saying that while it may be busy to shoot multiple episodes per day, it makes it convenient for his packed schedule of other hosting duties.

Many of the familiar elements of the show are just as they were when Sajak left the series. White still wears a formal gown, Seacrest sported a suit and tie like Sajak did, the recognizable sound effects and “devices” contestants use to play are the same. The culture behind the scenes also seems to have remained as genial as the 30-minute episodes.

“I’ve also have been impressed with how close the family is that works on ’Wheel of Fortune,’ the production team that puts it together. It’s a lot of people,” Seacrest said in an interview at an event with White promoting the new season. “They’re really a family and they have a lot of respect for every single person, what they do on the show, and that’s special.”

White added that one staff member who started on the show when she was 18 now has kids who are graduating from college. “We’ve been together a long time,” she said.



‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
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‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)

“The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.

Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.

“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I'm in shock and I have to go to my family, but this award is for her. ... She shaped me and made me."

The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.

Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.

Almodóvar's win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.

“I would like to dedicate it to my family,” Almodóvar said. “This movie ... it is my first movie in English but the spirit is Spanish.”

Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.

“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”

The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.

Many of the 21 competition titles were divisive, with passionate supporters and detractors.

“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga and Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano.

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body-hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole.

Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.