Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.



‘Piano Lesson’ Premiere in Toronto a Family Affair for Denzel 

(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
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‘Piano Lesson’ Premiere in Toronto a Family Affair for Denzel 

(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)

Denzel Washington and his family celebrated the screening in Toronto of Oscar hopeful "The Piano Lesson," the latest Hollywood adaptation of an August Wilson play in which the entire clan was involved.

Washington's son Malcolm makes his feature directorial debut and elder son John David stars in the movie, which tells the story of a family struggling to make peace with its past and confront the legacy of slavery.

Washington himself is a producer of the film, wife Pauletta and daughter Olivia have small roles, and daughter Katia is an executive producer.

"I'm happy, a proud father," Washington said in a Q&A session after the screening.

For 33-year-old Malcolm, who received a warm ovation at the film's conclusion, "this was such a beautiful time for us all to come together, but it became something much bigger than our own family."

"This is a story of ancestry, of lineage, and dealing with the August Wilson canon at all, you're tying yourself into a much larger lineage there."

"The Piano Lesson," written in 1987 and set in the 1930s, is part of Wilson's so-called "Pittsburgh Cycle," a series of 10 plays that aimed to explore the African American experience in the 20th century.

It debuted at the Telluride festival in Colorado before making its way over the border for a splashy international premiere in Canada's largest city. The film will stream on Netflix on November 22.

At the center of the story is an heirloom piano, hand-carved with images of their ancestors and imbued with the family's difficult history.

John David Washington, 40, plays Boy Willie, who wants to sell the instrument to buy land and get ahead, while sister Berniece (Danielle Deadwyler) insists that they keep it.

The two actors turn in electrifying performances as they duel over the fate of the piano, while confronting issues of race, spirituality and acceptance of the past.

Deadwyler, who many believe was snubbed for an Oscar nomination for her performance in "Till" (2022), is on nearly every expert's shortlist for a best supporting actress nod this time around, according to awards prediction site Gold Derby.

The film is adapted specifically from a recent Broadway revival of Wilson's play, and retains much of the same cast, including Samuel L. Jackson as the de facto patriarch.

Denzel Washington is no stranger to Wilson's work; this is the third of his plays that he has helped bring to the big screen.

The Oscar winner directed and starred in "Fences" (2016), for which Viola Davis won an Academy Award, and then produced "Ma Rainey's Black Bottom," which took home two golden statuettes.

The Toronto International Film Festival runs through Sunday.