Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”



Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.