‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
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‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)

Moviegoers said yes to more “Beetlejuice Beetlejuice” this weekend.

After its monster opening, the Tim Burton sequel easily topped the domestic box office charts again with $51.6 million in ticket sales, according to studio estimates Sunday. Down only 54% from a week earlier, the North American gross for the Warner Bros. release is already at $188 million. Internationally, it added $28.7 million, bringing its worldwide total to a staggering $264.3 million.

“To drop just 54% is really impressive and indicative of a pretty solid word of mouth,” said Paul Dergarabedian, the senior media analyst for Comscore. “Audiences are enjoying the film.”

While its hold was strong, “Beetlejuice Beetlejuice” didn’t have much in the way of major new competition. Fresh offerings included the James McAvoy horror “Speak No Evil,” a satirical documentary following right wing podcaster Matt Walsh; and a new Dave Bautista action pic, “The Killer's Game.”

Second place in weekend ticket sales went to “Speak No Evil,” a remake of a 2022 Danish horror film about an unsuspecting family who decides to spend a weekend with new friends in the country. McAvoy stars in it, along with Mackenzie Davis and Scoot McNairy. With positive reviews and a shrewd release date of Friday the 13th, the Blumhouse production released by Universal Pictures made an estimated $11.5 million from 3,375 locations.

“Deadpool & Wolverine ” landed in third place in its eighth weekend with another $5.2 million. The Disney and Marvel blockbuster is now up to $621.5 million in North America and $1.3 billion globally.

The Daily Wire movie “Am I Racist?” placed fourth at the box office, with an estimated $4.7 million from only 1,517 theaters. Described as a mockumentary in the style of “Borat,” the movie has conservative columnist Walsh going undercover as a “DEI trainee.” Walsh had a similar gimmick, pretending to be a gender studies professor, in the 2022 movie “What is a Woman?” Both were directed by Justin Folk.

“Am I Racist?” cost a reported $3 million to make. To release it, the Daily Wire — the Ben Shapiro co-founded company — partnered with SDG Releasing, a distribution company founded by writers Cary Solomon and Chuck Konzelman, who promise the “lowest fees in the business.” Among the trailers playing before “Am I Racist?" is another film targeting conservative audiences: The upcoming Dinesh D'Souza movie “Vindicating Trump.”

Rounding out the top five was “Reagan,” the Showbiz Direct release starring Dennis Quaid as the former president, which added another $3 million in its third weekend, bringing its total domestic total to $23.3 million.

“The Killer's Game," meanwhile, debuted in sixth place with $2.6 million. Bautista stars as a hit man with a terminal illness in the action comedy, which got dismal reviews.

Next weekend, theaters will get the Optimus Prime origin pic “Transformers One,” but it may be a quiet few weeks at the box office until “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.



Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”