‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
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‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)

Moviegoers said yes to more “Beetlejuice Beetlejuice” this weekend.

After its monster opening, the Tim Burton sequel easily topped the domestic box office charts again with $51.6 million in ticket sales, according to studio estimates Sunday. Down only 54% from a week earlier, the North American gross for the Warner Bros. release is already at $188 million. Internationally, it added $28.7 million, bringing its worldwide total to a staggering $264.3 million.

“To drop just 54% is really impressive and indicative of a pretty solid word of mouth,” said Paul Dergarabedian, the senior media analyst for Comscore. “Audiences are enjoying the film.”

While its hold was strong, “Beetlejuice Beetlejuice” didn’t have much in the way of major new competition. Fresh offerings included the James McAvoy horror “Speak No Evil,” a satirical documentary following right wing podcaster Matt Walsh; and a new Dave Bautista action pic, “The Killer's Game.”

Second place in weekend ticket sales went to “Speak No Evil,” a remake of a 2022 Danish horror film about an unsuspecting family who decides to spend a weekend with new friends in the country. McAvoy stars in it, along with Mackenzie Davis and Scoot McNairy. With positive reviews and a shrewd release date of Friday the 13th, the Blumhouse production released by Universal Pictures made an estimated $11.5 million from 3,375 locations.

“Deadpool & Wolverine ” landed in third place in its eighth weekend with another $5.2 million. The Disney and Marvel blockbuster is now up to $621.5 million in North America and $1.3 billion globally.

The Daily Wire movie “Am I Racist?” placed fourth at the box office, with an estimated $4.7 million from only 1,517 theaters. Described as a mockumentary in the style of “Borat,” the movie has conservative columnist Walsh going undercover as a “DEI trainee.” Walsh had a similar gimmick, pretending to be a gender studies professor, in the 2022 movie “What is a Woman?” Both were directed by Justin Folk.

“Am I Racist?” cost a reported $3 million to make. To release it, the Daily Wire — the Ben Shapiro co-founded company — partnered with SDG Releasing, a distribution company founded by writers Cary Solomon and Chuck Konzelman, who promise the “lowest fees in the business.” Among the trailers playing before “Am I Racist?" is another film targeting conservative audiences: The upcoming Dinesh D'Souza movie “Vindicating Trump.”

Rounding out the top five was “Reagan,” the Showbiz Direct release starring Dennis Quaid as the former president, which added another $3 million in its third weekend, bringing its total domestic total to $23.3 million.

“The Killer's Game," meanwhile, debuted in sixth place with $2.6 million. Bautista stars as a hit man with a terminal illness in the action comedy, which got dismal reviews.

Next weekend, theaters will get the Optimus Prime origin pic “Transformers One,” but it may be a quiet few weeks at the box office until “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.



‘The Institute’: Stephen King’s New TV Thriller Premieres in London

Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
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‘The Institute’: Stephen King’s New TV Thriller Premieres in London

Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)

American writer Stephen King and director Jack Bender have joined forces again for a new TV thriller "The Institute", which premiered in London on Thursday.

Based on King’s best-selling 2019 novel by the same name, Bender said after working together on shows such as crime drama "Mr. Mercedes" and sci-fi show "Under the Dome" they were keen to find a new project.

"This show is about the power of youth coming together to rectify the world that all of us adults have screwed up a little bit," Bender said.

As well as directing, Bender, along with King has an executive producer credit on the show, as does Ben Cavell, who also wrote the small screen adaptation.

Joe Freeman, in his first major role, stars as Luke Ellis, a teenager with unusual abilities, who is kidnapped and taken to "The Institution," a facility full of trapped kids with psychological powers.

"He's never acted and he's remarkable .... The minute I saw him on tape, it was: 'Oh, my God, this kid is it. He's so real,'" Bender said of 19-year-old Freeman, the son of actor Martin Freeman.

Asked if his dad, known for "The Hobbit" franchise and "Sherlock" had given him any advice, Joe Freeman said it was not to take anything for granted, as "the job (of an actor) is 99% rejection."

Freeman stars alongside Emmy award winner Mary-Louise Parker as Ms. Sigsby, who runs the institution and Ben Barnes, who plays an ex-cop whose life becomes intertwined with the facility.

"It's a sort of... a slow simmering sort of horrifying thriller rather than a horror," Barnes said.

While the first series covers the book, there are plans to continue.

"We certainly intend to tell much more story... if there's an appetite for it, we will absolutely continue this story because these characters, these actors, this crew... it all feels too good to leave behind," Cavell said.