‘The Life of Chuck’ Wins the Toronto Film Festival’s People’s Choice Award

Tom Hiddleston attends the premiere of "The Life of Chuck" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 06, 2024 in Toronto, Ontario. (Getty Images/AFP)
Tom Hiddleston attends the premiere of "The Life of Chuck" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 06, 2024 in Toronto, Ontario. (Getty Images/AFP)
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‘The Life of Chuck’ Wins the Toronto Film Festival’s People’s Choice Award

Tom Hiddleston attends the premiere of "The Life of Chuck" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 06, 2024 in Toronto, Ontario. (Getty Images/AFP)
Tom Hiddleston attends the premiere of "The Life of Chuck" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 06, 2024 in Toronto, Ontario. (Getty Images/AFP)

The Toronto International Film Festival's People's Choice Award went to “The Life of Chuck,” handing Mike Flanagan's Stephen King adaptation one of the most-watched prizes of the fall film festival circuit.

The award for “The Life of Chuck” was announced Sunday as North American's largest film festival drew to a close. “The Life of Chuck,” based on King's 2020 novella of the same name, stars Tom Hiddleston as Charles “Chuck” Krantz, an ordinary man living through apocalyptic cataclysms. Mark Hamill, Chiwetel Ejiofor, Karen Gillan and Jacob Tremblay co-star.

TIFF's People's Choice Award is regarded as a reliable Oscar harbinger. Since 2012, every winner of the festival's top prize has gone on to be nominated for best picture at the Academy Awards. Last year, Cord Jefferson's “American Fiction” won, and went on to be a major awards contender.

But “The Life of Chuck” could test that track record. The film is up for sale and doesn't yet have distribution. It could be acquired and quickly readied for release this fall, or it might end up a 2025 release.

“The Life of Chuck” drew mixed — though mostly positive reviews — out of Toronto, though audiences were clearly charmed by the uplifting drama.

Runners-up for the People's Choice Award, which is voted on by festival attendees, were both films that first premiered at the Cannes Film Festival in May. The first was Jacques Audiard's “Emilia Pérez.” The second runner-up was Sean Baker's “Anora,” the Palme d'Or winner at Cannes.

The audience award for top documentary went to Mike Downie's “The Tragically Hip: No Dress Rehearsal.” In the festival's Midnight Madness section, the prize went to Coralie Fargeat's “The Substance,” starring Demi Moore and Margaret Qualley.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.