‘Shogun’ and ‘Hacks’ Win Top Series Emmy Awards and ‘The Bear’ and ‘Baby Reindeer’ Take 4 Apiece

Anna Sawai, winner the Outstanding Lead Actress in a Drama Series award and Hiroyuki Sanada, Outstanding Lead Actor in a Drama Series for "Shogun", which was awarded with the Emmy for Outstanding Drama Series, pose at the 76th Primetime Emmy Awards in Los Angeles, California, US, September 15, 2024. (Reuters)
Anna Sawai, winner the Outstanding Lead Actress in a Drama Series award and Hiroyuki Sanada, Outstanding Lead Actor in a Drama Series for "Shogun", which was awarded with the Emmy for Outstanding Drama Series, pose at the 76th Primetime Emmy Awards in Los Angeles, California, US, September 15, 2024. (Reuters)
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‘Shogun’ and ‘Hacks’ Win Top Series Emmy Awards and ‘The Bear’ and ‘Baby Reindeer’ Take 4 Apiece

Anna Sawai, winner the Outstanding Lead Actress in a Drama Series award and Hiroyuki Sanada, Outstanding Lead Actor in a Drama Series for "Shogun", which was awarded with the Emmy for Outstanding Drama Series, pose at the 76th Primetime Emmy Awards in Los Angeles, California, US, September 15, 2024. (Reuters)
Anna Sawai, winner the Outstanding Lead Actress in a Drama Series award and Hiroyuki Sanada, Outstanding Lead Actor in a Drama Series for "Shogun", which was awarded with the Emmy for Outstanding Drama Series, pose at the 76th Primetime Emmy Awards in Los Angeles, California, US, September 15, 2024. (Reuters)

"Shogun" had historic wins in an epic 18-Emmy first season, "Hacks" scored an upset for best comedy on what was still a four-trophy night for "The Bear," and "Baby Reindeer" had a holiday at an Emmy Awards that had some surprising swerves.

"Shogun," the FX series about power struggles in feudal Japan, won best drama series, Hiroyuki Sanada won best actor in a drama, and Anna Sawai won best actress. Sanada was the first Japanese actor to win an Emmy. Sawai became the second just moments later.

"‘Shogun’ taught me when we work together, we can make miracles," Sanada said in his acceptance speech from the stage of the Peacock Theater in Los Angeles.

Along with 14 Emmys it claimed at the precursor Creative Arts Emmys, it had an unmatched performance with 18 overall for one season.

"Hacks" was the surprise winner of its first best comedy series award, topping "The Bear," which most had expected to take it after big wins earlier in the evening.

Jean Smart won her third best actress in a comedy award for the third season of Max's "Hacks," in which her stand-up comic character Deborah Vance tries to make it in late-night TV. Smart has six Emmys overall.

Despite losing out on the night's biggest comedy prize after winning it for its first season at January's strike-delayed ceremony, FX's "The Bear" star Jeremy Allen White won best actor in a comedy for the second straight year, and Ebon Moss-Bachrach repeated as best supporting actor.

And Liza Colón-Zayas was the surprise best supporting actor winner over competition that included Meryl Streep, becoming the first Latina to win in the category.

"To all the Latinas who are looking at me," she said, her eyes welling with tears. "Keep believing, and vote."

Netflix’s darkly quirky "Baby Reindeer" won best limited series. Creator and star Richard Gadd won for his lead acting and his writing and Jessica Gunning, who plays his tormentor, won best supporting actress.

Accepting the series award, Gadd urged the makers of television to take chances.

"The only constant across any success in television is good storytelling," he said. "Good storytelling that speaks to our times. So take risks, push boundaries. Explore the uncomfortable. Dare to fail in order to achieve."

"Baby Reindeer" is based on a one man-stage show in which Gadd describes being sexually abused along with other emotional struggles.

Accepting that award, he said, "no matter how bad it gets, it always gets better."

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Gadd has.

Jodie Foster won her first Emmy to go with her two Oscars when she took best actress in a limited series for "True Detective: Night Country."

Foster played a salty police chief investigating a mass killing in the round-the-clock dark of an Alaskan winter on the HBO show. While her castmate Kali Reis missed out on becoming the first Indigenous actor to win an Emmy in the supporting category, Foster praised her, and the show's collaboration with Indigenous contributors.

"The Inupiaq and Inuit people of northern Alaska who told us their stories, and they allowed us to listen," Foster said. "That was just a blessing. It was love, love, love, and when you feel that, something amazing happens."

The long decline of traditional broadcast TV at the Emmys continued, with zero wins between the four broadcast networks.

In the monologue that opened the ABC telecast, Dan Levy, who hosted with his father and "Schitt's Creek" co-star Eugene Levy, called the Emmys "broadcast TV’s biggest night for honoring movie stars on streaming services."

Though other than Foster, movie stars didn't fare too well. Her fellow Oscar winners Streep and Robert Downey Jr. had been among the favorites, but came up empty.

"Robert Downey Jr. I have a poster of you in my house!" said Lamorne Morris, who beat Downey for best supporting actor in a limited series, said from the stage as he accepted his first Emmy.

The evening managed to meet many expectations but included several swerves like the win for "Hacks."

"We were really shocked,Hacks co-creator Jen Statsky, who also won for writing, said after the show. "We were truly, really surprised."

And "Shogun" got off to a quiet start, missing on early awards and not getting its first trophy until past the halfway point.

Still, it shattered the record for Emmys for one season previously held by the 2008 limited series "John Adams" in 2008. And its acting wins would have been hard to imagine before the series became an acclaimed phenomenon.

Sanada is a 63-year-old longtime screen star whose name is little known outside Japan, even if his face is through Hollywood films like "The Last Samurai" and "John Wick Chapter 4." Sawai, 32, who was born in New Zealand and moved to Japan as a child, is significantly less known in the US. She wept when she accepted best actress.

"When you saw me cry on stage, it was probably the 12th time I cried today," Sawai said backstage. "It was just mixed emotions, wanting everyone to win all that. I may cry again now."

"The Bear" would finish second with 11 overall Emmys, including guest acting wins at the Creative Arts ceremony for Jamie Lee Curtis and Jon Bernthal.

The Levys in their opening monologue mocked the show being in the comedy category.

"In honor of ‘The Bear’ we will be making no jokes," Eugene Levy said, to laughs.

Elizabeth Debicki took best supporting actress in a drama for playing Princess Diana at the end of her life in the sixth and final season of "The Crown."

"Playing this part, based on this unparalleled, incredible human being, has been my great privilege," Debicki said in her acceptance. "It’s been a gift."

Several awards were presented by themed teams from TV history, including sitcom dads George Lopez, Damon Wayans and Jesse Tyler Ferguson and TV moms Meredith Baxter, Connie Britton, and Susan Kelechi Watson.



At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
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At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)

Rose Byrne plays a mother in the midst of a breakdown in the experiential psychological thriller “If I Had Legs I’d Kick You.”

Anticipation was high for the A24 film, which will be released sometime this year. Its premiere Friday at the Sundance Film Festival was easily the hottest ticket in town, with even ticketholders unable to get in. Those who did make it into the Library theater were treated to an intense, visceral, inventive story from filmmaker Mary Bronstein that has quickly become one of the festival’s must-sees.

Byrne plays Linda, who is barely hanging on while managing her daughter’s mysterious illness. She’s faced with crisis after crisis, big and small — from the massive, gaping hole in their apartment ceiling that forces them to move to a dingy motel, to an escalating showdown with a parking attendant at a care center. The cracks in her psychological, emotional and physical wellbeing have become too much to bear.

“I’d never seen a movie before where a mother is going through a crisis with a child but our energy is not with the child’s struggle, it’s with the mother’s,” Bronstein said at the premiere. “If you’re a caretaker, you shouldn’t be bothering with yourself at all. It should all be about the person you’re taking care of, right? And that is a particular kind of emotional burnout state that I was really interested in exploring.”

Byrne and Bronstein went deep in the preparation phase, having long discussions about Linda with the goal of making her as real as possible before the quick, 27-day shoot. Byrne said she was obsessed with figuring out who Linda was before the crisis. The film was in part inspired by Bronstein’s experience with her own daughter, but she didn’t want to elaborate on the specifics.

“That’s her story to tell,” Bronstein said.

Part of Linda’s story involves her therapist, played by Conan O’Brien, who joked that he didn’t realize he was in a movie.

“I’m not looking out for movie scripts or anything. But when I got a call from A24 that they wanted me to read something, I’m not stupid,” O’Brien said. “I showed it to my wife, who is one of the smartest people I know, and she read through it and she said, ‘I didn’t know they made movies like this anymore.’”

He was particularly in awe of his director and co-star, saying he felt like a fraud standing beside them.

“It was an amazing experience, one of the best experiences of my life, just to be with them and watch them work,” O’Brien said. “I don’t know how (Byrne) did that and not check into a hospital afterwards, because I haven’t seen any actor, man or woman, sustain that level for an entire movie.”

“I feel like I have to go to a hospital now, because this was the first time I watched it,” he added. “I’m a mess.”

A$AP Rocky also co-stars, as a man Linda meets at the motel, but was not in Park City for the premiere. He is currently on trial, charged with firing a gun at a former friend.

The film is full of ambiguity, metaphor and just plain artistic expression that Bronstein hesitated to explain, from the name itself to the hole in the ceiling, which takes on a somewhat supernatural quality.

“When we have nothing left to give, we have an emptiness inside of us,” Bronstein said. “And that emptiness is actually not empty: It’s filled with all the darkness and self-hate and doubt and fear and dread and regret and everything. ... That to me is what the hole is.”

Some of it, she said, she doesn’t even fully understand. The point is the experience, and critics and Sundance audiences are already fully on board.

Bronstein, a bit of a cult figure in the film world, made her directorial debut in 2008 at the SXSW festival with “Yeast,” which featured a pre-fame Greta Gerwig and was hailed by New Yorker critic Richard Brody as a “mumblecore classic.”

“If I Had Legs I’d Kick You” is only her second feature.

“This is the first time that anybody else has paid for me to make art,” Bronstein said. “I’m proud to say that this is the film that came directly from my head to the screen.”