Farrell Says Resisted ‘Sopranos’ Rewatch Ahead of ‘Penguin’ Mob Role 

Actor Colin Farrell presenting the Emmy award for "Supporting Actor in a Drama Series" during the 76th annual Emmy Awards ceremony held at the Peacock Theater in Los Angeles, California, USA, 15 September 2024. (EPA)
Actor Colin Farrell presenting the Emmy award for "Supporting Actor in a Drama Series" during the 76th annual Emmy Awards ceremony held at the Peacock Theater in Los Angeles, California, USA, 15 September 2024. (EPA)
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Farrell Says Resisted ‘Sopranos’ Rewatch Ahead of ‘Penguin’ Mob Role 

Actor Colin Farrell presenting the Emmy award for "Supporting Actor in a Drama Series" during the 76th annual Emmy Awards ceremony held at the Peacock Theater in Los Angeles, California, USA, 15 September 2024. (EPA)
Actor Colin Farrell presenting the Emmy award for "Supporting Actor in a Drama Series" during the 76th annual Emmy Awards ceremony held at the Peacock Theater in Los Angeles, California, USA, 15 September 2024. (EPA)

Colin Farrell resisted rewatching iconic mob drama "The Sopranos" while preparing for his turn as a gangster boss in "The Penguin," the Irish star of the new Batman universe series told AFP on Tuesday.

"The Penguin" chronicles the gritty rise of a low-level player in the criminal underworld against a backdrop of societal dysfunction in grimy Gotham City, with New York City used for filming.

Farrell's anti-hero character, Oz Cobb who is dubbed the Penguin for his unsteady walk from a mishandled case of club foot, has drawn media comparisons to the larger-than-life mob boss Tony Soprano played by James Gandolfini.

Farrell, who spent hours a day being transformed into a grizzled, chunky villain, said he had drawn on "anything I ever read or seen about that world" for inspiration.

"To be honest I didn't need references because the script was just -- you use your imagination -- we're given fantastic writing," he told AFP at the New York premiere Tuesday.

"There's no doubt anything I've ever seen (inspired me) ... from Untouchables to Sopranos -- I'm not comparing myself (to the Sopranos). It inhabits a similar world. No (I didn't rewatch it) -- that would mess with me, why would I do that? That would mess with me because I'm very susceptible to influence" he said.

"All those films that I have seen in my past are part of my Rolodex of what I now own as my imagination."

"The Penguin" is the latest of several productions set in the Batman universe, but without the presence of the eponymous hero.

This eight-episode DC Studios series follows Matt Reeves's film "The Batman," starring Robert Pattinson as the caped crusader.

"The Penguin" airs on HBO and streams on Max from Thursday.



Music Review: Katy Perry Returns with the Uninspired and Forgettable ‘143’

 Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
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Music Review: Katy Perry Returns with the Uninspired and Forgettable ‘143’

 Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)

Katy Perry's new album title, “143,” is code for “I love you,” based on the number of letters in each word of the phrase. She may love us, but the album is more like 144 — “I made mush.”

Perry's first LP since 2020’s lackluster “Smile” is just as lackluster, an 11-track blur of thick electronic programming and simplistic lyrics. There's none of her past cheeky humor, virtually no personality. Even the title is filler.

The rollout has been snakebit from the jump, with the artist under fire for collaborating with music producer Dr. Luke and the video for “Woman’s World” emerging as a sloppy, puzzling attempt at satire. Then her video shoot on a Spanish beach for “Lifetimes” was investigated for potential environmental damage.

It doesn’t help that the first three singles are just OK. “Woman’s World” is a frothy Lady Gaga-esque arena pop anthem, the techno-stomper “Lifetimes” smacks of Calvin Harris from the 2010s and “I’m His, He’s Mine,” featuring Doechii, lazily lifts Crystal Waters’ “Gypsy Woman (She’s Homeless)” from 1991. It’s a trio of tunes that doesn’t scream 578 (“Katy's totally relevant”).

“Gimme Gimme,” featuring 21 Savage, just lacks bite, a nursery rhyme from a new mother masquerading as a pop song (with crib-adjacent lyrics like “Say the right thing, maybe you can be/Crawling on me, like a centipede”).

“Crush” isn’t bad, but it’s built on the repetitive, unyielding synths you’d find in Eastern European discos in the ’90s. That’s a complaint for all the Dr. Luke tracks, really — Perry may rue their reunion simply based on the ugly, unsophisticated production. “All the Love” has the phrase “back to me” repeated 23 times during its 3:15 length.

“My intuition’s telling me things ain’t right,” she sings on “Truth,” a lyric that may sum up her album and a song that includes a fake voicemail at the end. Other artists are incorporating real dialogue and recorded snippets of their lives. Perry is faking it.

She has always preferred gangs of songwriters, but “143” pushes it to an insane level, with “Nirvana” credited to an even dozen. Listen to it and see if 12 songwriters were necessary for a song that sounds like a warmed-over club track from La Bouche.

If the best song on “143” is “Lifetimes,” the worst is easily the closer, a sticky-sweet, wide-eyed plea for innocence in “Wonder,” sticking out like a sore thumb. This is a cynical attempt to have moms in the audience wave their hands in unison as balloons float up, even as it decries cynicism.

“One day when we're older/Will we still look up in wonder?” she sings, name-checking her daughter, Daisy, who also makes a cute appearance. But by this point, she's lost our trust, with the 10 previous songs a sonic slog. “143” has no soul or emotion; it's just a number.