Maya Rudolph as Harris and Dana Carvey as Biden Open the 50th Season of ‘Saturday Night Live’

Maya Rudolph. (AP)
Maya Rudolph. (AP)
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Maya Rudolph as Harris and Dana Carvey as Biden Open the 50th Season of ‘Saturday Night Live’

Maya Rudolph. (AP)
Maya Rudolph. (AP)

"Saturday Night Live" began its 50th season with a parade of former co-stars, including Maya Rudolph as Vice President Kamala Harris, Andy Samberg as her husband Doug Emhoff and Dana Carvey as President Joe Biden.

"We've got to stay focused," Rudolph-as-Harris said at a mock rally in the show's cold open. "If we win, together, we can end the drama-la and the trauma-la and go relax in our pajama-las."

After bringing out running mate Tim Walz, played by comedian and actor Jim Gaffigan, she invited Samberg-as Emhoff to the stage and then, almost as an afterthought, Biden, played by the oldest of the group, the 69-year-old Carvey.

"A lot of people forget I’m president, including me," said Carvey, best known on the show for playing President George H.W. Bush in the late 1980s.

Rudolph and Carvey jointly delivered the "Live from New York, it's Saturday night" that launched season 50 of the sketch comedy institution.

Rudolph's return to play Harris — she won an Emmy for playing her previously — had been reported, but it was not certain when she would appear. The guest spots from Carvey, Samberg and Gaffigan were all surprises.

"Designing Women" star Jean Smart, fresh off winning her sixth Emmy for her lead role in "Hacks," was host, a role the 73-year-old has somehow never played in a four-decade career.

"I remember watching the first episode of ‘SNL’ and thinking, ’someday I’m going to host that show," Smart said in her opening monologue. "And this is the first Saturday that fit my schedule."

That first episode came on Oct. 11, 1975, with Lorne Michaels at the helm, just as he is now.

George Carlin hosted and the nation got its first dose of the Not Ready for Prime Time Players: Chevy Chase, John Belushi, Gilda Radner, Dan Akroyd, Jane Curtin, Laraine Newman and Garrett Morris.

There were two musical guests — Billy Preston and Janis Ian — playing two songs apiece, the norm in the early days.

The country singer and rapper Jelly Roll had the music role to himself Saturday, singing his songs "Liar" and "Sober." Like Smart, he was a first-timer.

Smart introduced Jelly Roll with her "Hacks" co-star Hannah Einbinder, the daughter of original cast member Newman.

That debut show is documented and reenacted in the newly released Jason Reitman film "Saturday Night," part of a wave of reflection and celebration the show is getting on the cusp of its 50th anniversary.

Despite the showy guest stars on this Saturday night, regular cast members took on the bulk of the show, which quickly settled into its regular routine.

James Austin Johnson was back playing Donald Trump at his own rally, saying he wanted Biden as an opponent instead of Harris.

"We miss Joe Biden, folks," Johnson's Trump said. "What we wouldn’t give to have him stand next to me and be old."

Colin Jost and Michael Che returned for another season of the mock-news "Weekend Update."

"There were so many insane political stories this summer and everyone kept asking, ‘Are you are you so bummed you aren’t on the air right now?" Jost said to open the segment. "And I was like, ’I have a feeling there’s going to be more that happens when we get back.'"

Rudolph, Carvey, Gaffigan and Samberg joined Smart, Jelly Roll and the cast on stage for the traditional sign-off.

Upcoming episodes are scheduled to feature host Nate Bargatze with musical guest Coldplay, Ariana Grande with Stevie Nicks, Michael Keaton with Billie Eilish and John Mulaney with Chappell Roan.

Those shows will lead up to a three-hour primetime special on Feb. 16 that will serve as the official 50th season celebration. It's sure to feature a wide range of the many stars the show has spawned, including Bill Murray, Eddie Murphy, Billy Crystal, Julia Louis-Dreyfus, Robert Downey Jr., Mike Myers, Adam Sandler, Chris Rock, Tina Fey, Amy Poehler and Will Ferrell.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."