Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.



Javier Bardem on Gaza: ‘We Cannot Remain Indifferent’ in Call for Hostage Release and Ceasefire

Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
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Javier Bardem on Gaza: ‘We Cannot Remain Indifferent’ in Call for Hostage Release and Ceasefire

Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)

Javier Bardem was no longer comfortable being silent on Gaza.

The Spanish actor spoke out about the Israeli-Hamas conflict upon accepting an award at the San Sebastian Film Festival last week. In his nuanced remarks, Bardem condemned the Hamas attacks as well as the "massive punishment that the Palestinian population is enduring."

He called for immediate ceasefire, Hamas’ release of hostages and for Israeli Prime Minister Benjamin Netanyahu and the Hamas leaders — some of whom are now dead — who ordered the Oct. 7 attacks to be judged by the International Criminal Court.

In an interview with The Associated Press, Bardem explained why he chose to speak out.

"I believe that we can and must help bring peace. If we take a different approach, then we will get different results," Bardem told the AP, speaking prior to Iran’s attack on Israel Tuesday. "The security and prosperity of Israel and the health and future of a free Palestine will only be possible through a culture of peace, coexistence and respect."

Israel’s offensive has already killed over 40,000 Palestinians, according to Gaza health officials, displaced the vast majority of Gaza’s 2.3 million residents and destroyed much of the impoverished territory. Palestinian fighters are still holding some 110 hostages captured in the Oct. 7 attack that started the war, in which they killed around 1,200 people, mostly civilians. Around a third of the 110 are already dead, according to Israeli authorities.

The war has drawn sharp divisions in Hollywood over the past year, where public support of Israel or Palestine has provoked backlash and bullying, with accusations of antisemitism and Islamophobia, and cost people jobs. Even silence has had its consequences. The #blockout2024 movement pressured celebrities who hadn’t said anything — or enough — to take a stand.

"Why now?" Bardem said. "Because to continue to stall negotiations and return to the previous status quo, as they say, or as we are seeing now, embark on a race to further violations of international law would be to perpetuate the war and eventually lead us off a cliff."

Bardem stressed that while antisemitism and Islamophobia are real and serious problems in the US, Europe and beyond, that the terms are being used to divert attention away from the "legitimate right to criticize the actions of the Israeli government and of Hamas.

"We’re witnessing crimes against human rights, crimes under international law, such as, for example, the banning of food, water, medicines, electricity, using, as UNICEF says, war against children and the trauma that’s being created for generations," Bardem said. "We cannot remain indifferent to that."

The Oscar-winner, who was born in the Canary Islands, has spoken up on global issues before, signing an open letter calling for peace during a 2014 conflict between Israel and Hamas. He's also an environmental advocate, and spoke to the UN in 2019 about protecting the oceans.

"My mother educated me on the importance of treating all human beings equally, regardless of skin color, ethnicity, religion, nationality, socio and economic status, ability or sexuality," Bardem said. "Actions inform us and that alone interests me about people. That's why I have always been concerned about discrimination of any kind. That includes antisemitism and Islamophobia."

Bardem is married to Penélope Cruz, with whom he shares two children.

He said that beyond a fear that the framework of the Universal Declaration of Human Rights is in danger, he has seen the effects of the conflict up close and the promise of a different approach. Two of his close friends, one Israeli, one Palestinian, both lost daughters to violence years ago and have bonded together in their shared pain and desire to help create positive change.

Those fathers, Bassam Aramin and Rami Elhanan, are members of a nonprofit organization called The Parents Circle Families Forum that emphasizes reconciliation. They wrote a letter that Bardem shared: "What happened to us is like nuclear energy. You can use it for more destruction. Or you can use it to bring light. Losing your daughter is painful in both situations. But we love our life. We want to exist. So we use this pain to support change. To build bridges, not to dig graves."

Bardem added: "That’s what it should be about: Building bridges, not digging graves. That’s why it’s urgent and important."