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Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)
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Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)

Ariana Grande took the New York 30 Rock stage at “Saturday Night Live” for the third time as host and found herself in familiar circumstances.
“The last time I hosted was in 2016, and we were right on the verge of electing our first female president,” the 31-year-old singer and actor said in her monologue. “So, I guess, second time’s the charm?"
Grande, who first hosted in 2014, was doing it for the first time without also serving as musical guest — a role that fell to Stevie Nicks — and promised not to sing, before breaking into a song, The Associated Press said.
The theme continued as she vowed during the tune not to do her signature impressions of Britney Spears, Miley Cyrus and Gwen Stefani, before throwing out a bit of each. She would do a much longer version of Celine Dion in a sketch later in the show.
Grande hosted in promotion of her movie musical “Wicked,” the “Wizard of Oz” prequel set to be released next month.
She said playing the good witch Glinda as she does in the film is the dream of every theater kid like her, after “losing their virginity.”
Grande's episode comes amid a ratings spike for the sketch institution, likely brought on by its 50th season, and election season. Last month's season premiere brought in the most viewers since 2020.
Just as in the first two episodes of the new season, Maya Rudolph played Vice President Kamala Harris in the night's cold open, leading a group of former cast members returning as guest stars, including Andy Samberg as Harris' husband Doug Emhoff and Dana Carvey as President Joe Biden.
They teamed up for an election edition of “The Family Feud," taking on team Trump.
Kenan Thompson, the longest-tenured cast member in the show's history who began in 2003, reprised his long-running role as “Feud” host Steve Harvey and asked Rudolph-as-Harris about her recent media blitz.
“It’s been a hell of a week," she said. "I went on Howard Stern to reach the horny cab drivers, I went on ‘The View’ for the horny moms, and I also went on the podcast ‘Call Her Daddy’ because I have a message for young women: You need to go to the ballot box if you want the government out of your ballot box.”
Current cast member James Austin Johnson returned as Donald Trump, saying his opponent is "going to be horrible at this game. She’s a very low IQ person. The whole world is laughing at her because they don’t respect her.”
The 76-year-old Nicks was the “SNL” musical guest for the first time in more than 40 years. She opened with her brand new single, “The Lighthouse,” but the look of the performance was classic Stevie, with an abundance of rings and scarves and the singer draped in black. For her second song, she reached back with “Edge of Seventeen” from 1981.
Michael Keaton is set to host next week with musical guest Billie Eilish. John Mulaney and Chappell Roan are set for the following Saturday.
The onset of season 50 already has brought reflection and nostalgia in many forms, including “Saturday Night,” a movie comedy dramatizing the minutes before the first episode of the Lorne Michaels-helmed sketch institution on Oct. 11, 1975.
A three-hour primetime special on Feb. 16 is set to serve as the official 50th season celebration.

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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.