One Direction Singer Liam Payne Dead after Falling from Buenos Aires Hotel Balcony

FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
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One Direction Singer Liam Payne Dead after Falling from Buenos Aires Hotel Balcony

FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)

Former One Direction singer Liam Payne was found dead after the 31-year-old fell from his third-floor room balcony at a hotel in Buenos Aires, Argentine police said on Wednesday.
Police said in a statement that they were called to the CasaSur hotel in the capital's leafy Palermo neighborhood after being notified of an "aggressive man who could be under the effects of drugs and alcohol", reported Reuters.
When they arrived, the hotel manager reported he had heard a loud noise from the inner courtyard and the police found that a man had fallen from the balcony of his room, the statement said.
In audio related to the case obtained from the Buenos Aires security ministry, a worker can be heard asking for police help.
"When he is conscious he is destroying the entire room and we need you to send someone," the worker said, adding that the guest's life was at risk because the room had a balcony.
Shooting to global fame as part of one of the best-selling boy bands of all time, Payne - like his band mates Harry Styles, Zayn Malik, Niall Horan and Louis Tomlinson - went on to pursue a solo career after they went on an "indefinite hiatus" in 2016. Payne's last single was "Teardrop", released in March this year.
While many of the details surrounding the circumstances of his death remain unclear, Payne had spoken publicly about his struggles with mental health and using alcohol to cope with the pressures of fame.
His death led to an outpouring of grief from music industry stars and fans, including those among the crowd who gathered outside the hotel.
Violeta Antier said she had come straight away after being told Payne had died.
"I saw him two weeks ago at a Niall (Horan) concert, another One Direction member. He was there, I saw him," she said.
"He was ok."
Payne attended an Oct. 2 concert by Horan in Buenos Aires. The two had posted videos together and with fans.
American singer Charlie Puth was among those expressing their grief.
"I am in shock right now. Liam was always so kind to me," he said on Instagram. "He was one of the first major artists I got to work with. I cannot believe he is gone."
Payne auditioned for the British version of X Factor for a second time in 2010 at the age of 16 and was put into a group with his future band mates by music mogul Simon Cowell.
Cowell told Rolling Stone in a 2012 interview that he'd "always backed" Payne at the time of his first audition in 2008 but he didn't quite make it because he had been too young.
"But I always knew that with confidence he would be a valuable member of this band, so I had no hesitation in bringing him back," he said.
The band may have finished third in X Factor that year but it went on to have more than 29 hits on Billboard's Hot 100 with six in the top 10, including "What Makes You Beautiful", "Story of My Life" and "Live While We're Young".
Payne's co-writing credits include "Story of My Life" and "Night Changes".
He teamed up with Rita Ora on the 2018 song "For You" and released his first studio album LP1 in 2019.
According to Celebrity Net Worth, Payne's One Direction and solo career helped garner him a net worth of some $70 million.
Payne had a son named Bear with British TV personality and Girls Aloud singer Cheryl.
Last year, he published a video to fans on his YouTube channel in which he spoke about his family, making new art and performing again after having given up alcohol. He thanked supporters for sticking with him through difficult times.
Earlier on Wednesday, Payne had appeared to post on Snapchat about his trip in Argentina, talking about riding horses, playing polo, and looking forward to returning home to see his dog.
"It's a lovely day here in Argentina," he said in the video.

 



‘Terrifier 3’ Slashes ‘Joker’ to Take No. 1 at the Box Office, Trump Film ‘The Apprentice’ Fizzles

 This image released by Cineverse Entertainment shows David Howard Thornton in a scene from "Terrifier 3." (Jesse Korman/Cineverse Entertainment via AP)
This image released by Cineverse Entertainment shows David Howard Thornton in a scene from "Terrifier 3." (Jesse Korman/Cineverse Entertainment via AP)
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‘Terrifier 3’ Slashes ‘Joker’ to Take No. 1 at the Box Office, Trump Film ‘The Apprentice’ Fizzles

 This image released by Cineverse Entertainment shows David Howard Thornton in a scene from "Terrifier 3." (Jesse Korman/Cineverse Entertainment via AP)
This image released by Cineverse Entertainment shows David Howard Thornton in a scene from "Terrifier 3." (Jesse Korman/Cineverse Entertainment via AP)

The choices on the movie marquee this weekend included Joaquin Phoenix as the Joker, a film about Donald Trump, a “Saturday Night Live” origin story and even Pharrell Williams as a Lego. In the end, all were trounced by an ax-wielding clown.

“Terrifier 3,” a gory, low-budget slasher from the small distributor Cineverse, topped the weekend box office with $18.3 million, according to estimates Sunday. The film, a sequel to 2022’s “Terrifier 2” ($15 million worldwide in ticket sales), brings back the murderous Art the Clown (David Howard Thornton) and lets him loose, under the guise of Santa, at a Christmas party.

That “Terrifier 3” could notably overperform expectations and leapfrog both major studios and awards hopefuls was only possible due to the disaster of “Joker: Folie à Deux.” After Todd Phillips’ “Joker” sequel, starring Phoenix and Lady Gaga, got off to a much-diminished start last weekend (and a “D” CinemaScore from audiences), the Warner Bros. release fell a staggering 81% in its second weekend, bringing in just $7.1 million.

For a superhero film, such a drop has little precedent. Disappointments like “The Marvels,” “The Flash” and “Shazam Fury of the Gods” all managed better second weekends. Such a mass rejection by audiences and critics is particularly unusual for a follow-up to a massive hit like 2019’s “Joker.” That film, also from Phillips and Phoenix, grossed more than $1 billion worldwide against a $60 million budget.

The sequel was pricier, costing about $200 million to make. That means “Joker: Folie à Deux” is headed for certain box-office disaster. Globally, it’s collected $165.3 million in ticket sales.

“This is an outlier of a weekend if ever there was one,” said Paul Dergarabedian, senior media analyst for Comscore. “If you had asked anyone a month ago or even a week ago: Would ‘Terrifier 3’ be the number one movie amongst all these major-studio films and awards contenders? To have a movie like this come along just shows you that the audience is the ultimate arbiter of what wins at the box office.”

The “Joker” slide allowed “The Wild Robot,” the acclaimed Universal Pictures and DreamWorks animated movie, to take second place in its third weekend with $13.4 million. Strong reviews for Chris Sanders’ adaptation of Peter Brown’s book have led the movie, with Lupita Nyong’o voicing the robot protagonist, to $83.7 million domestically and $148 million worldwide.

The young Donald Trump film “The Apprentice,” distributed by Briarcliff Entertainment in 1,740 theaters, opened in a distant 10th place, managing a paltry $1.6 million in ticket sales. While expectations weren’t much higher, audiences still showed little enthusiasm for an election-year origin story of the Republican nominee.

If headlines translated to ticket sales, Ali Abbasi’s film might have done better. “The Apprentice,” starring Sebastian Stan as Trump under the mentorship of Roy Cohn (Jeremy Strong), has been making news since its debut at the Cannes Film Festival, up to its last-minute release just weeks before the election. The Trump campaign has called the movie “election interference by Hollywood elites.”

Abbasi’s film, set in the 1970s and 1980s, tested moviegoer’s appetite for a political film in an election year. Major studios and specialty labels passed on acquiring it in part because of the question of whether a movie about Trump would turn off both liberal and conservative moviegoers, alike. “The Apprentice” will depend on continued awards conversation for Strong and Stan to make a significant mark in theaters before voters turn out at the polls.

Jason Reitman’s “Saturday Night” failed to ignite its nationwide expansion. The film, with an ensemble cast led by Gabriel LaBelle’s Lorne Michaels, collected $3.4 million from 2,288 locations. The Sony Pictures release, about the backstage drama as the NBC sketch comedy show is about to air for the first time in 1975, will likely need to make more of an impact with audiences to carry it through awards season.

“Piece by Piece,” a Pharrell Williams documentary-biopic hybrid animated in Lego form, had also been hoping to click better with moviegoers. The acclaimed Focus Features release, directed by veteran documentarian Morgan Neville (“20 Feet From Stardom,” “Won’t You Be My Neighbor?”), opened with $3.8 million from 1,865 theaters.

But the debut for “Piece By Piece,” while low for a Lego animated movie, was very high for a documentary. “Piece By Piece,” which had the weekend’s best CinemaScore, an “A” from audiences, could play well for weeks to come. The film, which was modestly budgeted at $16 million, is also likely to end up the year’s highest grossing doc — if “Piece By Piece” can be called that.

“We Live in Time,” the weepy drama starring Florence Pugh and Andrew Garfield, had one of the year’s best per-theater averages in its five-screen opening. The A24 release, which will expand nationwide next weekend, debuted with $255,911 and a $51,000 per-screen average.

Outside of the success of Warner Bros.’ “Beetlejuice Beetlejuice” (which pulled in $7.1 million in its six weekends of release despite recently launching on video-on-demand), Hollywood’s fall has struggled to get going. Low-budget horror, like “Terrifier 3,” continues to be one good bet in theaters, but this autumn has been mostly characterized by bombs like “Joker: Folie à Deux” and “Megalopolis.”

This time last year, Taylor Swift was giving the box office a massive lift with “The Eras Tour.” This weekend compared with the same time last year was down 45% according to Comscore.