Spielberg, Spike Lee and Queen Latifah among Standouts in US Arts and Humanities Honored by Biden

First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
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Spielberg, Spike Lee and Queen Latifah among Standouts in US Arts and Humanities Honored by Biden

First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)

President Joe Biden on Monday honored acclaimed filmmakers, singers, writers and others who have made their mark on American culture, awarding the prestigious National Medals of Arts and National Humanities Medals to 39 recipients.
Filmmakers Steven Spielberg, Spike Lee and Ken Burns and singers Missy Elliott and Queen Latifah were among 20 recipients of National Medals of Arts, while the 19 recipients of National Humanities Medals included playwright-screenwriter Aaron Sorkin and historian Jon Meacham, The Associated Press said.
Three of the medals were awarded posthumously: The late singer Selena Quintanilla and artist Ruth Asawa are arts medal winners and the late chef-author Anthony Bourdain was among the humanities medal winners.
“Above all, you are the masters of your craft that have made us a better America with all of you have done,” Biden said at the White House ceremony.
Biden took a brief detour in his remarks to give a shout-out to Vice President Kamala Harris’ run for the White House.
“I know the power of the women in this room to get things done” and boost the next generation, he said, adding that the female winners were “proving a woman can do anything a man can do, and then some, that includes being president of the United States of America.”
The line drew a standing ovation.
Biden also told the winners that the moment was a “very consequential time in the arts and humanities in America” because “extreme forces are banning books, trying to erase history, spreading misinformation.”
The arts medals are managed by the National Endowment for the Arts, and the humanities medals by the National Endowment for the Humanities.
Actors Idina Menzel and Eva Longoria, producer Bruce Cohen and musicians Leonardo “Flaco” Jimenez and Herbert I. Ohta also received arts medals, along with photographers Randy A. Batista and Clyde Butcher, artists Carrie Mae Weems, Alex Katz and Mark Bradford, arts leaders Jo Carole Lauder and Bruce Sagan and the Country Music Hall of Fame and Museum.
The arts medals are given “to individuals or groups who are deserving of special recognition by reason of their outstanding contributions to the excellence, growth, support and availability of the arts in the United States.”
Other humanities winners included former US poet laureate Joy Harjo, actor-literacy advocate LeVar Burton, cartoonist Roz Chast and philanthropists Wallis Annenberg and Darren Walker. The humanities medals honor “an individual or organization whose work has deepened the nation’s understanding of the human experience, broadened citizens’ engagement with history or literature, or helped preserve and expand Americans’ access to cultural resources.”
Humanities medalists ranged from such cultural institutions as the Mellon Foundation and Appalshop to educators Robin Harris, Robert Martin and Ruth J. Simmons to scholars Pauline Yu, Nicolás Kanellos and Robin Wall Kimmerer. Writer Juan Felipe Herrera, filmmaker Dawn Porter and anthropologist Rosita Worl also were honored.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.