'Gladiator 3' Already in Works, Say Director And Star

Paul Mescal says he would be "massively down" to appear in Gladiator III. Photo: AP PHOTO
Paul Mescal says he would be "massively down" to appear in Gladiator III. Photo: AP PHOTO
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'Gladiator 3' Already in Works, Say Director And Star

Paul Mescal says he would be "massively down" to appear in Gladiator III. Photo: AP PHOTO
Paul Mescal says he would be "massively down" to appear in Gladiator III. Photo: AP PHOTO

Ridley Scott's long-awaited "Gladiator" sequel has not even hit US theaters yet, but the veteran director is already hard at work on a third installment.
"Gladiator II," which arrives in North American cinemas Friday, stars Irish actor Paul Mescal ("Normal People") as Lucius, the son of Russell Crowe's Maximus from the multiple Oscar-winning original, AFP said.
A bloody, blockbuster epic of revenge, treachery and -- yes -- gladiators, it has drawn positive reviews and already hauled in a muscular $87 million at the global box office since opening in several countries last week.
"Given the performance in the rest of the world that we've seen yesterday, there's certainly going to be a 'Gladiator III,'" said Scott, in Los Angeles on Monday for the movie's glitzy US premiere.
"Because it also becomes financial, and you'd be insane not to consider a third version," said the British director of seminal films such as "Blade Runner" and "Thelma & Louise."
The plot of "Gladiator II" was also "planned to leave it wide open to a sequel," added Scott, a famously prolific filmmaker who is still directing roughly a film per year at the age of 86.
The second film opens with Lucius -- sent into exile by his mother to avoid certain death in Rome -- battling in vain to defend his adopted North African home city from the arrival of seemingly unstoppable Roman soldiers.
Captured as a prisoner of war, he is brought back to the imperial metropolis, where he must prove his worth in the Colosseum in order to exact revenge on invading general Marcus Acacius, played by Pedro Pascal.
Danish actress Connie Nielsen reprises her role as Lucilla from the 2000 original, while Denzel Washington is already earning Oscar buzz for his conniving, mercurial and highly flamboyant ringmaster, Macrinus.
"Jewelry, sandals and everything -- I just looked like a Roman pimp... I couldn't put on enough rings," joked Washington on Monday.
'Political'
Mescal -- whose character battles bloodthirsty baboons, rhinos and sharks in addition to humans in "Gladiator II" -- also expressed excitement about returning for another film.
But he said Scott had discussed a new direction for the plot that would not simply "go back to the arena as we know it."
"The last time I spoke to (Scott) he said he had nine pages. Yesterday, he said he had 14," Mescal told journalists.
"I would be excited for it to go into a more political sphere," with Lucius thrust into a world of court intrigue that he does not want to inhabit, like Michael Corleone in "The Godfather," added Mescal.
Asked how the second film's themes tackled power and politics differently, some 24 years after the original Scott said: "They're exactly the same."
"A super-rich man thinks he can take over the Empire. Is that familiar?" he said, just days after billionaire Donald Trump's re-election as US president.
"We don't learn anything historically. We keep repeating the same mistakes. We're going through exactly the same thing right now in several parts of the planet," he added.



Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
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Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)

Words and phrases like "nostalgia" or "back to her roots" come to mind when listening to Gwen Stefani’s fifth studio album, "Bouquet" — and it is in no way negative.

Across 10-tracks, the powerhouse singer leans into the mellow rock of her youth — think Hall & Oates, Chicago, Fleetwood Mac — with dashes of country vibes here and there. Her voice is ageless, unaltered and distinctive, immediately recalling the early aughts when No Doubt still existed, and Stefani was still a bit of a ska girl.

Thematically, however, the songs are about a woman who’s been through the ringer — but life gave her a reprieve in her second act, and she found stability, lots of flowers and no mo’ drama. In that way, "Bouquet" is a not so furtive ode to husband Blake Shelton — who she met and fell in love with while they were both coaches on the singing reality competition show, "The Voice." At the time, they were both going through divorces to Gavin Rossdale and Miranda Lambert, respectively.

On "Bouquet," the Stefani-Shelton romance arrives through yacht rock sounds and flowery language in songs with titles like "Marigolds,Late to Bloom" and "Empty Vase." When the album reaches its end, it is with a duet with Shelton on "Purple Irises."

If the album tells a story of her relationship, it starts with the opener "Somebody Else's." Stefani starts off the proceedings by listing her previous romantic entanglement and bad choices. "I don’t know what a heart like mine/Was doin’ in a love like that, ah," she sings. "I don’t know what a woman like me/Was doin’ with a man like you, ooh."

It's a direct counter to the title track, where the focus appears to be back on Shelton: "We met when my heart was broken/Thank God that yours was, too," she shares. "So lucky that you were goin'/ Through what I was goin' through."

In "Late to Bloom," she decries the fact that they met so late in life.

A nice bass progression, a clever turn of the phrase and a great voice are what it takes to get this album going. Add a cohesive theme, a pleasant vibe and a charismatic star —- and that's coming up roses.