F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
TT

F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)

Thirty years after his death in a high-speed crash viewed by millions around the world, Formula One champion Ayrton Senna's high-octane life is also about to play out in front of a global audience.

The legendary Brazilian driver — who was killed when his car hit a concrete wall at the San Marino Grand Prix in 1994 — is the subject of a six-episode Netflix series that debuts on Nov. 29 and follows him from his early go-kart days to that fatal Sunday afternoon at the Imola track in Italy.

Even three decades after that accident, few F1 figures evoke as much emotion and passion among fans and fellow drivers as Senna, who won three championship titles before his death at the age of 34.

Senna’s complex personality — he was a saint to his millions of Brazilian fans and a sinner to some critics who deemed his driving style too aggressive — comes to life through Brazilian actor Gabriel Leone, who embraced the challenge of portraying such a popular figure.

"He was much more than an F1 driver for us, he became an icon, much beyond his technique and his driving," Leone told The Associated Press in an interview in Sao Paulo. "He had this humanity, this honesty. The things he said, his values, it all made him closer to people."

Senna's life and career had no shortage of made-for-TV moments.

This was a driver who once won a race with his car stuck in sixth gear in front of thousands of raucous fans at the Interlagos track. And who went from fifth position to first in one lap at the 1993 European Grand Prix. And who jumped out of his car during a training session to save the life of a French driver who had crashed.

On the track, his rivalry with French driver Alain Prost was one of the most intense that F1 has ever seen. Off the track, he had some high-profile relationships as well and dated several models, including Elle Macpherson.

"For me as an actor, the more complex the character is, the better. It is more interesting to build him and live him. And this is quite a character, the biggest hero in Brazil, not only in sport," Leone said. "Ayrton was transcendent, he was more than an F1 driver. That’s a guy who is the hero of great drivers in history, like (Michael) Schumacher and (Lewis) Hamilton."

Senna won the drivers’ championship in 1988, 1990 and 1991 with the McLaren team and moved to Williams in the year he died as the favorite to lift the title again.

For Leone, though, it was also important to portray him as a person who understood his role as a national hero, who advocated for the poor and proudly waved a Brazilian flag from his cockpit during every victory lap.

"He was not distant, he was close," said Leone, who attended a red carpet premiere in Sao Paulo on Tuesday with several other cast members and director Vicente Amorim. "That’s for Brazilians and non-Brazilians. It was like this, and it still is like this."

To many international fans, Senna was simply an exceptional talent who was born to be a driver. Even former rival Martin Brundle, now a TV pundit, once likened Senna's ability to find grip on some corners to a dance seemingly innate to a Brazilian.

"It is a different kind of samba that I could not do," Brundle has said.

The Netflix series, however, shows some of the hard work and attention to detail that went into Senna becoming a wet-weather master.

The streaming giant — which reportedly invested more than $170 million in its production — also takes a bit of liberty with the truth when it comes to building up the animosity between Senna and one of his other real-life antagonists, Jean-Marie Balestre, the French former president of F1's governing body FIA.

Balestre is often accused by fans of aiding his countryman Prost in his rivalry with Senna, including at the 1984 Monaco Grand Prix by stopping the race early before the Brazilian driver could overtake his French rival in the heavy rain. And at the 1989 Japanese Grand Prix, when Senna was disqualified in a decision that handed the championship title to Prost.

The Netflix series goes a step further by making Balestre (played by Arnaud Viard) the man responsible for Senna also losing a go-kart title as a youngster, long before he even entered F1.

"If that was true it would be news to every reporter covering Senna’s story over the last decades," said Ernesto Rodrigues, who wrote a biography on the three-time F1 champion. "Yes, Senna had Balestre working against him many times. But Balestre was an autocrat with other drivers, too. It wasn’t exclusive."

Prost, played by Matt Mella, goes from being a racing foe to a friend after his retirement in the series just like in real life. The friction between the two as McLaren teammates and then in the title-deciding races in the 1989 and 1990 seasons create some of the best moments of the series for racing fans.

Three of the women in Senna’s life also appear in the series.

Scenes with Lílian de Vasconcellos Souza, who married Senna in 1981 and divorced him the next year, help show how the Brazilian was driven to go into F1 early in his career. Xuxa Meneghel, a wildly popular TV host, is featured for a full episode as the driver’s most important girlfriend. Adriane Galisteu, who was the champion’s girlfriend when he died, appears for less than three minutes.

Senna's importance to today's F1 drivers was on full display at the Brazilian Grand Prix this month, when Hamilton — the British seven-time F1 champion — drove one of Senna's old cars around the track as part of the tributes marking the 30th anniversary of his death.

"This is the greatest honor of my life," Hamilton said on Nov. 3. "I hope I made Senna proud."



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
TT

Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
TT

Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
TT

Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."