Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
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Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo

Timothee Chalamet likened his journey to playing music legend Bob Dylan to an athletic feat. It turned into a marathon that stretched longer than the actor had expected.
Chalamet signed up to play Dylan in 2019. Then came a global pandemic and labor strikes in Hollywood, forcing two extended delays to filming.
"A Complete Unknown," the movie about Dylan's quick rise to stardom in the early 1960s, will finally be released in theaters on Wednesday, Christmas Day, by Walt Disney's Searchlight Pictures.
The disruptions gave the "Dune" actor more time to work out how to translate the towering figure to the big screen. Chalamet learned to play guitar and harmonica and worked with a vocal coach to evolve from his smooth "Wonka" singing to Dylan's distinctive, nasal voice, Reuters reported.
"It was the most I've ever taken on," Chalamet said in an interview, comparing the preparation to "the climbing of a steep hill."
"A Complete Unknown" chronicles Dylan's arrival in New York in 1961 at age 19, his rapid ascent in folk music circles with songs such as "Blowin' in the Wind," and his divisive turn to electric rock music in 1965. The movie's title is taken from a line in the Dylan hit "Like a Rolling Stone."
Chalamet said he immersed himself in whatever video he could find of Dylan in the early '60s, a time of political and social upheaval in the United States.
"There's a finite amount of material available, especially in this period," Chalamet said. "At some point you can turn every page over. Not to say that I have, but if I haven't I've come damn close to it."
In the summer of 2023, Chalamet said, "I felt like I hit a runner's high" in the preparation.
"I felt like my muscles were strong and I was well prepared, and that every day was sort of just chipping away slowly at this bigger thing," he said.
Just as Chalamet was ready, Hollywood actors went on strike, and he worried that funding or casting might fall apart. The final go-ahead to start filming came in March 2024.
DYLAN WEIGHS IN
The real-life Dylan provided input on the script to director James Mangold but never met or spoke with Chalamet, though he recently described the star as "a brilliant actor."
"I'm sure he's going to be completely believable as me. Or a younger me. Or some other me," Dylan wrote on social media platform X.
Chalamet's performance has earned praise from critics and predictions that he could garner his second Oscar nomination. He and co-star Edward Norton were nominated for Golden Globes.
Other co-stars include Elle Fanning, who plays girlfriend Suze Rotolo who appeared on the cover of the album "The Freewheelin' Bob Dylan" but goes by the name Sylvie Russo in the film.
Monica Barbaro portrays singer Joan Baez, who had already landed on the cover of Time magazine when her career intersected with Dylan's. At the time, Baez was trying to figure out how to use her platform as an activist.
"Bob came in and was kind of a mess of a boy, but also an absolute poet and brilliant lyricist, and was putting words to all of these things that she felt," Barbaro said. "On top of his charisma, I think, she just was sort of magnetized to him."
Norton plays Pete Seeger, a banjo player and prominent singer of protest music who mentored Dylan.
"I think a lot of people have lost sight of who these people actually were and what they did and what they sounded like," Norton said. "If we can get some people tuning in again, that's probably worth the whole enterprise."
Chalamet agreed.
Dylan is "one of these names that is iconic to my generation," the 28-year-old said. "You know the name, but because he's such an elusive figure and a reclusive figure ... a lot of people my age don't know the music."
"This felt like an opportunity to be a bridge in some way and bring life to this amazing period," he added.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."