Jennifer Lopez Identifies with Real-Life Mom in ‘Unstoppable’ Film

Cast member Jennifer Lopez attends a photo call for the film "Unstoppable" during AFI Fest, in Los Angeles, California, US, October 26, 2024. (Reuters)
Cast member Jennifer Lopez attends a photo call for the film "Unstoppable" during AFI Fest, in Los Angeles, California, US, October 26, 2024. (Reuters)
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Jennifer Lopez Identifies with Real-Life Mom in ‘Unstoppable’ Film

Cast member Jennifer Lopez attends a photo call for the film "Unstoppable" during AFI Fest, in Los Angeles, California, US, October 26, 2024. (Reuters)
Cast member Jennifer Lopez attends a photo call for the film "Unstoppable" during AFI Fest, in Los Angeles, California, US, October 26, 2024. (Reuters)

Jennifer Lopez found herself in tears as the real-life mom Judy Robles, whom she portrayed in the sports drama film "Unstoppable", showered her with compliments for her performance.

The two real-life mothers formed a special bond while working in tandem to take Lopez's role to the next level and connected on how mothers inevitably make mistakes.

"I don't know of a human being who doesn't make mistakes," Lopez said.

"But for moms, it really is a thing where you're always putting up the front of, like, 'everything's perfect,' 'everything's OK,' to protect your children, to give them safety," she added.

For Lopez, women, especially moms, have so much going on behind the scenes, which is a belief that helped her performance.

"Unstoppable," distributed by Amazon MGM Studios, had a limited theatrical US release on Dec. 6 and will be available for streaming on Prime Video on Jan. 16.

The American biographical sports drama film, directed by William Goldenberg, follows wrestler Anthony Robles, who was born with one leg, and joins the Arizona State University wrestling team as a walk-on, eventually earning a spot on the team and making a name for himself.

His mother must find ways to not only advocate for her son, but also for herself.

Goldenberg aimed to add authenticity to the film by having the real-life Robles serve as the body double of the "Moonlight" actor Jharrel Jerome, who portrays Anthony.

Jerome said he became a changed man after working so closely with Anthony Robles.

"You hear actors say it all the time, I learned something, I learned something, but this truly shaped me and changed me as a growing person, as a growing man, all the way down to my physicality, how I move, my posture, my gym routine," Jerome said.

He and his mother being so close to the production made things feel especially nostalgic for Anthony Robles.

"I feel like I go through the roller coaster of emotions all over again and I'm just traveling back in time, just watching the film and especially when I'm sitting next to my mom, because there are certain moments where she's gripping my arm in the audience," Anthony Robles said.

"It's painful for us to relive those moments. But also, there's other moments she's grabbed my arm again, just happy moments. And so that's something special for us," Robles added.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.