Joyful Musical ‘Titanique’ Puts Celine Dion Center Stage

Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
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Joyful Musical ‘Titanique’ Puts Celine Dion Center Stage

Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)

Imagine if singer Celine Dion had been on the Titanic, survived, and wanted to revisit her version of events. That is the premise of the musical "Titanique" that has opened in London's West End.

Featuring Dion’s back catalogue, the show's light-hearted tone is a break with previous more somber accounts of the story of the ocean liner that hit an iceberg and sank in 1912.

It blends elements from the plot of the 1997 movie version, which starred actors Kate Winslet and Leonardo DiCaprio as lovers Rose and Jack, and other pop culture references.

Tye Blue, who directs and also wrote the musical along with actor and writers Constantine Rousouli and Marla Mindelle, describes it as "a joy machine".

The story is told through the eyes of the character Celine Dion, played by Lauren Drew.

"This is very much a love letter to Celine Dion....paying homage to her and her craft and her strength," Drew said after coming off stage. "It's completely embodying her kookiness, her craziness and her talent. So I just I love that I get to do that every night."

Blue said Dion's team came to see the show after it opened in New York and that "they loved it" and "kind of unofficially gave us their blessing".

Last year Dion returned to the live stage with a performance at the Olympics opening ceremony in Paris.

The 56-year-old singer said in late 2022 that she had been diagnosed with a rare neurological disorder called stiff-person syndrome that causes muscle spasms.

The music from the show includes ballads such as "Titanic’s" award-winning hit "My Heart Will Go On" and Eric Carmen’s "All by Myself" that Dion released in 1996.

"Titanique" is playing at the Criterion Theater until March 2025. Other versions of it are playing in Sydney, Toronto and Montreal, and another is set to open in France in April.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.