Disneyland Paris Unveils Spectacular Nighttime Show Using Paris Games Laser Technology

 
A firework display lights up the castle of Sleeping Beauty in Disneyland, in Marne-la-Vallee, east of Paris, Friday Jan. 17, 2025. (AP Photo/Thibault Camus)
A firework display lights up the castle of Sleeping Beauty in Disneyland, in Marne-la-Vallee, east of Paris, Friday Jan. 17, 2025. (AP Photo/Thibault Camus)
TT

Disneyland Paris Unveils Spectacular Nighttime Show Using Paris Games Laser Technology

 
A firework display lights up the castle of Sleeping Beauty in Disneyland, in Marne-la-Vallee, east of Paris, Friday Jan. 17, 2025. (AP Photo/Thibault Camus)
A firework display lights up the castle of Sleeping Beauty in Disneyland, in Marne-la-Vallee, east of Paris, Friday Jan. 17, 2025. (AP Photo/Thibault Camus)

A cutting-edge nighttime show at Disneyland Paris is heralding a bold new chapter for Europe’s most-visited theme park, as a raft of ambitious developments comes to fruition under a 2 billion euro ($2.05 billion) expansion plan.
The overhaul includes the completed revamp of the luxury Disneyland Hotel, the upcoming renaming and doubling in size of Walt Disney Studios Park, and the much-anticipated arrival of The World of Frozen and a first-of-its-kind The Lion King land — cementing the resort’s gains after the wilderness years for theme parks during the pandemic, The Associated Press said.
Disney Tales of Magic Disney Tales of Magic was unveiled this month. It's a dazzling 20-minute spectacle blending drones, synchronized fountains, high-definition projections and ultra-bright lasers.
“For the very first time, not only will we be projecting onto Sleeping Beauty’s Castle, but also Main Street USA,” said Tim Lutkin, artistic director of the production, referring to the park’s main commercial artery lined with boutiques and merchandise.
The show’s standout feature — ultra-bright lasers — has been used only once before, at the Paris 2024 Olympics at the Eiffel Tower during the iconic opening ceremony that featured a performance with Celine Dion. The lasers, which travel 23 miles (37 kilometers), deliver extraordinary power while remaining safe near crowds.
“The Paris Olympics used it first. But we saw it first,” said Dana Harrel, executive entertainment director at Disneyland Paris.
Featuring Disney and Pixar tales brought to life by drone-made 3D figures, synchronized fountains and a 100-piece orchestra, the show is elevated further by the original anthem “Live in Magic.”
Audiences have been awestruck. “It’s marvelous. We’ve never seen such a beautiful light show,” said Sacha Tellier, a 33-year-old mother visiting with her family. “It gave me goosebumps,” added Nathan Ruiz, a graphic designer from Madrid. “The combination of music, lights, and the drones felt like pure magic. I’ve been to Disney before, but this show is on another level.”
The spectacle also reflects Disney’s storytelling evolution. Lutkin noted the shift from classic ballgown tales to modern narratives like “Encanto” and “Inside Out 2,” which delves into deeper themes such as anxiety and depression. The latter’s unexpected box office success, Lutkin said, proved that “the world and its relationship with Disney are ready to embrace more complex stories.” This shift is mirrored in the show’s selection of movies, spanning Disney’s timeless classics and emotionally resonant modern hits.
Disney Adventure World At the heart of Disneyland Paris’ expansion is the transformation of Walt Disney Studios Park, doubling in size and reimagined as Disney Adventure World. Opening in spring 2025, a new park entrance, World Premiere, will greet visitors with the glamour of a Hollywood film premiere, leading them into immersive themed areas.
“These projects reflect our commitment to innovation and storytelling,” said Natacha Rafalski, head of Disneyland Paris, adding that they will further strengthen it as Europe’s top tourist destination.
Already Europe’s most-visited theme park and France’s top tourist attraction outdrawing the Louvre, Disneyland Paris welcomed over 10 million visitors in 2023.
The expansion includes two eagerly awaited themed lands. The World of Frozen, debuting in 2026, will transport guests to Arendelle with a central lake hosting water performances and the Frozen Ever After boat ride, alongside themed dining, shopping, and accommodations. Meanwhile, The Lion King land will bring the Pride Lands to life with a log flume cascading from Pride Rock and encounters with beloved characters like Simba and Timon.
Life after the pandemic The COVID-19 pandemic delivered one the toughest challenges to Disneyland Paris, as with all resort parks around the world, forcing an eight-month closure in 2020 and another in 2021.
But Disney doubled down.
The ongoing €2 billion expansion is part of a $60 billion global investment announced in September 2023, aiming to redefine Disney parks, cruises and attractions over the next decade.
A centerpiece of the Paris overhaul is the revamped Disneyland Hotel, with suites themed around classic Disney royalty.
Birth and evolution Disneyland Paris opened in 1992 under its original name, Euro Disney Resort. Situated just outside Paris in Marne-la-Vallée, it marked Disney’s first foray into Europe. However, the park’s early years were fraught with challenges, including cultural missteps, financial struggles and lower-than-expected visitor numbers. Critics in France derided it as an American cultural invasion, dubbing it a “cultural Chernobyl.”
To reverse its fortunes, the park underwent significant rebranding, changing its name to Disneyland Paris in 1994 to emphasize its French location and connection to the capital. Over time, strategic changes, including the addition of new attractions and a shift in marketing, helped the resort recover. It is now a cornerstone of Disney’s global operations.



Keke Palmer Comedy ‘One of Them Days’ and ‘Mufasa’ in Close Race for No. 1

 This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
TT

Keke Palmer Comedy ‘One of Them Days’ and ‘Mufasa’ in Close Race for No. 1

 This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)

The Keke Palmer buddy comedy “One of Them Days” opened in first place on the North American box office charts on a particularly slow Martin Luther King Jr. holiday weekend.

The R-rated Sony release earned $11.6 million from 2,675 theaters, according to studio estimates Sunday, beating Disney’s “Mufasa: The Lion King” by a hair. By the end of Monday's holiday, “Mufasa” will have the edge, however.

“One of Them Days” cost only $14 million to produce, which it is expected to earn by Monday. The very well-reviewed buddy comedy stars Palmer and SZA as friends and roommates scrambling to get money for rent before their landlord evicts them. Notably it’s the first Black female-led theatrical comedy since “Girls Trip” came out in 2017 and it currently carries a stellar 96% rating on Rotten Tomatoes.

But the marketplace was also quite weak overall. The total box office for Friday, Saturday and Sunday will add up to less than $80 million, according to data from Comscore, making it one of the worst Martin Luther King Jr. holiday weekends since 1997.

“For an individual film like ‘One of Them Days’ this was a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “You can still find success stories within what is overall a low grossing weekend for movie theaters.”

The Walt Disney Co.’s “Mufasa” was close by in second place with $11.5 million from the weekend, its fifth playing in theaters. Globally, the Barry Jenkins-directed prequel has made $588 million. It even beat a brand-new offering, the Blumhouse horror “Wolf Man,” which debuted in third place with $10.6 million from 3,354 North American theaters.

Writer-director Leigh Whannell’s monster tale starring Christopher Abbott and Julia Garner did not enter theaters with great reviews. It currently carries a 53% on Rotten Tomatoes. Reviews don’t generally affect the success of horror movies in their first weekend, but audiences also gave it a lackluster C- CinemaScore in exit polls. The Blumhouse production and Universal Pictures release cost a reported $25 million to make and is expected to reach $12 million by the close of Monday’s holiday.

“Sonic the Hedgehog 3” was in fourth place with $8.6 million and “Den of Thieves 2” rounded out the top five with $6.6 million.

In specialty releases, Brady Corbert's 215-minute post-war epic “The Brutalist” expanded to 388 screens where it made nearly $2 million over the weekend. A24 reported that it sold out various 70mm and IMAX showings. The studio also re-released its Colman Domingo drama “Sing Sing” in theaters and prisons, where over 1 million incarcerated people in 46 states were able to view the film.

The Martin Luther King Jr. holiday weekend has seen major successes in the past. Dergarabedian noted “Bad Boys for Life,” which had a three-day opening of $62.5 million in 2020, and “American Sniper,” which earned $89.3 in its first weekend in wide release in 2016.

“This is a year that’s going to get a big boost starting with ‘Captain America: Brave New World’ and ‘Paddington in Peru’ in February,” Dergarabedian said.