Keke Palmer Comedy ‘One of Them Days’ and ‘Mufasa’ in Close Race for No. 1

 This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
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Keke Palmer Comedy ‘One of Them Days’ and ‘Mufasa’ in Close Race for No. 1

 This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)
This image released by Sony Pictures shows Keke Palmer, left, and SZA in a scene from "One of them Days." (Sony Pictures via AP)

The Keke Palmer buddy comedy “One of Them Days” opened in first place on the North American box office charts on a particularly slow Martin Luther King Jr. holiday weekend.

The R-rated Sony release earned $11.6 million from 2,675 theaters, according to studio estimates Sunday, beating Disney’s “Mufasa: The Lion King” by a hair. By the end of Monday's holiday, “Mufasa” will have the edge, however.

“One of Them Days” cost only $14 million to produce, which it is expected to earn by Monday. The very well-reviewed buddy comedy stars Palmer and SZA as friends and roommates scrambling to get money for rent before their landlord evicts them. Notably it’s the first Black female-led theatrical comedy since “Girls Trip” came out in 2017 and it currently carries a stellar 96% rating on Rotten Tomatoes.

But the marketplace was also quite weak overall. The total box office for Friday, Saturday and Sunday will add up to less than $80 million, according to data from Comscore, making it one of the worst Martin Luther King Jr. holiday weekends since 1997.

“For an individual film like ‘One of Them Days’ this was a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “You can still find success stories within what is overall a low grossing weekend for movie theaters.”

The Walt Disney Co.’s “Mufasa” was close by in second place with $11.5 million from the weekend, its fifth playing in theaters. Globally, the Barry Jenkins-directed prequel has made $588 million. It even beat a brand-new offering, the Blumhouse horror “Wolf Man,” which debuted in third place with $10.6 million from 3,354 North American theaters.

Writer-director Leigh Whannell’s monster tale starring Christopher Abbott and Julia Garner did not enter theaters with great reviews. It currently carries a 53% on Rotten Tomatoes. Reviews don’t generally affect the success of horror movies in their first weekend, but audiences also gave it a lackluster C- CinemaScore in exit polls. The Blumhouse production and Universal Pictures release cost a reported $25 million to make and is expected to reach $12 million by the close of Monday’s holiday.

“Sonic the Hedgehog 3” was in fourth place with $8.6 million and “Den of Thieves 2” rounded out the top five with $6.6 million.

In specialty releases, Brady Corbert's 215-minute post-war epic “The Brutalist” expanded to 388 screens where it made nearly $2 million over the weekend. A24 reported that it sold out various 70mm and IMAX showings. The studio also re-released its Colman Domingo drama “Sing Sing” in theaters and prisons, where over 1 million incarcerated people in 46 states were able to view the film.

The Martin Luther King Jr. holiday weekend has seen major successes in the past. Dergarabedian noted “Bad Boys for Life,” which had a three-day opening of $62.5 million in 2020, and “American Sniper,” which earned $89.3 in its first weekend in wide release in 2016.

“This is a year that’s going to get a big boost starting with ‘Captain America: Brave New World’ and ‘Paddington in Peru’ in February,” Dergarabedian said.



Music Streams Hit Nearly 5 Trillion in 2024. Women Pop Performers Lead the Charge in the US

Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
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Music Streams Hit Nearly 5 Trillion in 2024. Women Pop Performers Lead the Charge in the US

Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)

More music, more listeners, no problems.

The global music industry hit 4.8 trillion streams in 2024, a new single-year record, Luminate’s 2024 Year-End Report found. That’s up 14% from 2023, which held the previous record.

If you streamed a lot more music in 2024 — and in particular, a lot of women pop performers — you are not alone.

In the US, on-demand audio streams grew at a rate of 6.4%, totaling 1.4 trillion.

Contemporary music is fueling the growth. The overwhelming majority of US plays – 79.5% — were from songs released in 2010 or later. Songs released between 2020 and 2024 accounted for nearly half of all streams.

And Taylor Swift, 2024's most-streamed songwriter worldwide, is only partially responsible.

Pop rules Midway through 2024, Luminate determined that Latin music had become the fastest growing streaming genre in the United States — up 15.1% from summer 2023 — followed by pop, rock and country.

A lot can change in half a year, because now pop leads, followed by rock and Latin.

“We saw some interesting trends within the US,” said Jaime Marconette, Luminate’s vice president of music insights and industry relations.

"Latin was the fastest-growing US streaming genre in the first half of the year based on growth of genre streaming share. However, due to a shift of streaming activity in the second half of the year, pop took the No. 1 spot ... Female solo artists led this surge in pop consumption, as streams of their music were responsible for nearly two-thirds of all audio streams amongst the top 100 pop artists in the US”

The shift is led by six women who dominated pop’s streams in the US:

1. Taylor Swift with 12.8 billion streams

2. Billie Eilish with 4.46 billion

3. Sabrina Carpenter with 3.71 billion

4. Ariana Grande with 3.12 billion

5. Olivia Rodrigo with 2.76 billion

6. Chappell Roan with 2.49 billion

That’s at least partially reflected in the top 10 global streaming songs as well:

1. Benson Boone’s “Beautiful Things”

2. Sabrina Carpenter’s “Espresso"

3. Billie Eilish’s “Birds of a Father"

4. Teddy Swims’ “Lose Control”

5. Lady Gaga and Bruno Mars,” “Die with a Smile"

6. FloyyMenor, “Gata Only”

7. Shaboozey, “A Bar Song (Tipsy)”

8. Hozier, “Too Sweet”

9. Taylor Swift, “Cruel Summer”

10. Sabrina Carpenter, “Please Please Please”

Regional Mexican music continues to grow Even if pop has replaced Latin music as the fastest growing streaming genre in the US, the music is not slowing down in popularity. In 2024, regional Mexican music overtook Latin pop as the largest Latin subgenre in the US.

“Latin still grew by both volume and its share of total US audio streaming during the course of 2024,” Marconette said. “When looking at Latin subgenre activity, Regional Mexican dominated in terms of growth.”

Regional Mexican music — a catchall term that encompasses mariachi, banda, corridos, norteño, sierreño and other genres — has become a global phenomenon over the last few years, topping music charts and reaching new audiences as it crosses borders.

The genre reached 28.57 billion streams in 2024, followed by Latin pop with 24.09 billion.

Rap and R&B are forever Pop rules, but just like 2023, when it comes to overall music streaming in the US, R&B and hip-hop still lead, accounting for more than one in every four streams stateside.

In 2024: Rap and R&B accounted for 341.63 billion on-demand audio streams, followed by rock with 234.22 billion, pop with 165.49 billion, country with 117.58 billion and Latin with 113.02 billion.