The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
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The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)

In the wake of devastating wildfires in Los Angeles that struck at the heart of the movie industry, the nominations to the 97th Academy Awards are being announced.

The Academy of Motion Pictures Arts and Sciences began announcing the nominations Thursday at 8:30am Eastern via a wide array of platforms, including on Oscar.com, Oscars.org, the academy's social network sites, ABC's “Good Morning America,” as well as on Disney+ and Hulu. Bowen Yang and Rachel Sennott are reading the nominees.

The nominees for best supporting actor are: Yura Borisov, “Anora”; Kieran Culkin, “A Real Pain”; Edward Norton, “A Complete Unknown”; Guy Pearce, “The Brutalist”; Jeremy Strong, “The Apprentice.”

The nominees for Best Supporting Actress are: Monica Barbaro, “A Complete Unknown”; Felicity Jones, “The Brutalist”; Ariana Grande, “Wicked”; Isabella Rossellini, “Conclave”; Zoe Saldaña, “Emilia Pérez.”

The nominees for original screenplay are: “Anora”; “The Brutalist”; “A Real Pain”; “September 5”; “The Substance.”

“This has certainly been a difficult time for Los Angeles, where many members of our film community industry work and live. But the last several weeks have proven what we already know to be true: our film industry and Los Angeles are resilient, and for almost a century, the Oscars have brought us together to unite and celebrate our global film community,” Janet Yang, the academy's president, said before nominees were announced.

The nominations had originally been planned for Jan. 17. But after wildfires on Jan. 7 began burning through the Pacific Palisades, Altadena and other areas around Los Angeles, leaving behind historic levels of destruction, the academy extended its voting window and twice postponed the nominations announcement.

With so many in the film industry reeling from the fires, some called on the academy to cancel the Oscars altogether. Academy leaders have argued the March 2 ceremony must go ahead, for their economic impact on Los Angeles and as a symbol of resilience for the industry. Organizers have vowed this year's awards will “celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

“We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry,” Bill Kramer, academy chief executive, and Yang said in an email to members Wednesday.

But much of the usual frothiness Hollywood's award season has been severely curtailed due to the fires, which continue to burn. The film academy canceled its annual nominees luncheon. Other events have been postponed or downsized. On Wednesday, Kramer and Yang said original song nominees won't be performed this year. Conan O'Brien, whose Pacific Palisades home was spared by the fires, is hosting.

Here are some of the things to look for going into Thursday's nominations:

How wide open is it? Usually by this time, one or two movies have emerged as the clear favorites for best picture. Not so this year. Four films have been nominated for the top award from the Producers Guild, the Directors Guild and the Screen Actors Guild: “Anora,” “Conclave,” “Emilia Pérez” and “A Complete Unknown.”

They are likely to be joined Thursday by Golden Globe-winner “The Brutalist,” the musical blockbuster “Wicked” and the sci-fi sequel “Dune: Part Two.” In the category's 10 films, that leaves slots expected for “A Real Pain” and “The Substance.” The last spot could go to the prison drama “Sing Sing,” the journalism drama “September 5” or the POV-shot “Nickel Boys.”

Of them all, Netflix's contender “Emilia Pérez” could land the most nominations of all, and, possibly, set a new high mark for non-English language films.

Who gets left out in best actress? As is often the case, best actress is extremely competitive. Most prognosticators expect nominations for Demi Moore ("The Substance"), Cynthia Erivo ("Wicked"), Mikey Madison ("Anora") and Karla Sofía Gascón (“Emilia Pérez”). Who gets the fifth slot could go to Fernanda Torres (“I’m Still Here"), Marianne Jean-Baptiste (“Hard Truths”) or Pamela Anderson ("The Last Showgirl”). And that still leaves out Nicole Kidman (“Babygirl”) and Angelina Jolie (“Maria”).

Who could make history? Gascón, the star of Jacques Audiard's “Emilia Pérez," is poised to become the first openly transgender actor nominated for an Oscar. Gascón, who plays both a male drug lord in the film and the woman she becomes, has spoken both passionately and sanguinely about the possibility of making Oscar history at a time with trans rights are imperiled.

“If it does happen, I would be so grateful,” Gascón said last fall. “It would be a beautiful thing. But if it doesn’t, whatever. I’d go back to my old life. I’ll do my grocery shopping. I’ll play with cats. I’ll see my family. Maybe I’ll do other jobs and people will like those jobs.”

With Trump now in office, will ‘The Apprentice’ be nominated? Yes.

One of 2024's most audacious films, “The Apprentice,” dramatized the formative years of President Donald Trump' s emergence in New York real estate under the tutelage of attorney Roy Cohn. Both Sebastian Stan (who plays Trump) and Jeremy Strong (Cohn) were borderline contenders for best actor and best supporting actor, respectively. Trump has called those involved with the film “human scum.”

Strong was nominated for best supporting actor Thursday morning.

Will best director be all male again? For most of Oscar history, the best director category has been all male. That's changed somewhat in recent years, with wins by Jane Campion ("The Power of the Dog") and Chloé Zhao ("Nomadland"). But this year may see another all-male group of Audiard ("Emilia Pérez"), Sean Baker (“Anora”), Edward Berger ("Conclave"), Brady Corbet ("The Brutalist") and James Mangold ("A Complete Unknown").

The two most likely female contenders are Payal Kapadia (“All We Imagine as Light”) and Coralie Fargeat (“The Substance”). Also in the mix are a pair of big-budget filmmakers in Jon M. Chu (“Wicked”) and Denis Villeneuve (“Dune: Part Two”).



Netflix Shares Soar on Price Hikes and Record Subscriber Gains

FILED - 14 May 2024, North Rhine-Westphalia, Cologne: The word "Netflix" shines brightly at the presentation of one of its series. Photo: Rolf Vennenbernd/dpa
FILED - 14 May 2024, North Rhine-Westphalia, Cologne: The word "Netflix" shines brightly at the presentation of one of its series. Photo: Rolf Vennenbernd/dpa
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Netflix Shares Soar on Price Hikes and Record Subscriber Gains

FILED - 14 May 2024, North Rhine-Westphalia, Cologne: The word "Netflix" shines brightly at the presentation of one of its series. Photo: Rolf Vennenbernd/dpa
FILED - 14 May 2024, North Rhine-Westphalia, Cologne: The word "Netflix" shines brightly at the presentation of one of its series. Photo: Rolf Vennenbernd/dpa

Netflix reaffirmed its dominance of the streaming video market on Tuesday, as its mixture of live sporting events, popular returning series - and singular moments, such as a football halftime performance by Beyonce - helped attract a record number of subscribers over the holiday quarter.
The company added 18.9 million subscribers in its fourth quarter to bring its total global subscriber base to nearly 302 million customers - a number that dwarfs its Hollywood streaming rivals, Reuters reported.
Netflix sought to capitalize on its galloping popularity by raising prices in the US, Canada, Portugal and Argentina as it spends more on programming. In the US, the company's ad-supported service will cost $7.99 a month, up from $6.99, while the premium package will cost $24.99, up 9% from existing pricing.

Investors reacted enthusiastically to the results, sending Netflix's stock surging about 13% in extended trade, lifting its stock market value by almost $50 billion. Over the last year, Netflix shares have gained more than 77%, outpacing the S&P 500's 24% rise.

"Netflix reaffirms its leadership position and is absolutely running away in the streaming market," said Paolo Pescatore of PP Foresight. "It is now flexing its muscles by adjusting prices given its far stronger and diversified programming slate compared to rivals."

The company said its fourth-quarter programming slate surpassed its own expectations, with viewers bingeing on the second season of its dystopian survival thriller "Squid Game," which the company said is on track to become one of its most-watched original series.
Netflix's deepening investment in live-streamed events is drawing tens of millions of viewers. The heavyweight boxing match between Jake Paul and Mike Tyson in November attracted 65 million streams. The two National Football League games on Christmas Day, one featuring Beyonce's halftime performance, brought in an average of 30 million global viewers, ranking among the most-streamed competitions in league history.
“To state the obvious, it’s content that drives users to streaming services," said Forrester Research Director Mike Proulx. "With the biggest bump in subscribers ever, Netflix’s attention to quality content is the reason for an overall strong year and fourth quarter."
Netflix said it has shaken off the impacts of COVID-19 and the 2023 Hollywood writers' and actors' strikes, and is delivering returning seasons of its most popular shows, including the Addams Family series "Wednesday," and the supernatural "Stranger Things."
It will also broadcast more live events, including weekly installments of WWE "Monday Night Raw" wrestling. It secured the rights for the FIFA Women's World Cup in 2027 and 2031, a deal which it says illustrates its strategy to deliver special-events programming, rather than regular season sports packages.
Such live events are attractive to advertisers, because they draw audiences that watch in real time.
"We exceeded our ads revenue target in the fourth quarter," said Netflix Co-CEO Greg Peters, adding, "We doubled our ads revenue year over year last year. We expect to double it again this year."
The company said the ad-supported version of its service accounts for 55% of its new sign-ups in countries where it is available.
Macquarie Equity Research analyst Tim Nollen predicted that ad revenue will increase to $2 billion this year, as more people sign up for the company's advertising-supported tier and Netflix's advertising technology matures. Live events will continue to drive sign-ups, he wrote in an investor note published prior to Netflix's earnings report.
This quarter will also mark the last time Netflix reports subscriber additions, as the company emphasizes other performance metrics including revenue and profit - a change analysts attribute to slowing subscriber growth.
The company reported per-share earnings of $4.27, beating Wall Street's forecast of $4.20 per share, according to an average of projections from 34 analysts. Annual operating income exceeded $10 billion for the first time in the company's history.
Revenue rose 16% over the same time a year ago, to $10.2 billion, compared with Wall Street's estimates of $10.1 billion for the quarter, according to LSEG. The jump in subscribers in the quarter did not create a similar spike in revenue because sign-ups occurred throughout the quarter, said one person familiar with the matter.
The company revised its guidance, projecting revenue of $43.5 billion to $44.5 billion in 2025, an increase of a half-billion dollars over the prior forecast. The updated guidance reflects improved business fundamentals, the company said.
Netflix's board also approved an incremental $15 billion to repurchase shares, which brings the total buyback authorization to $17.1 billion.