Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
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Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)

Beyoncé won album of the year for "Cowboy Carter" at Sunday's Grammys, delivering her — at last — the show’s elusive top award.

The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before and many feel she has been snubbed by its top honors.

In winning album of the year with "Cowboy Carter," Beyoncé has become the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with "The Miseducation of Lauryn Hill" 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.

Members of the Los Angeles Fire Department presented Beyoncé with the trophy, one of several times the show reflected the recent wildfires that burned thousands of homes.

"It’s been many, many years," Beyoncé said in her speech. "I want to dedicate this to Ms. Martell," she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry.

"We finally saw it happen, everyone," host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.

Kendrick Lamar won song and record of the year for his diss track "Not Like Us," taking home two of the night's most prestigious awards.

"We're gonna dedicate this one to the city," Lamar said before shouting out Los Angeles area neighborhoods.

It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s "This Is America."

The Weeknd mends fences

The Weeknd has mended his fractious relationship with the Grammy Awards with a surprise performance of his new single, "Cry For Me" and "Timeless" with Playboi Carti.

His decision is a direct reflection of the changes the Recording Academy has made to diversify its voting body, CEO Harvey Mason jr. said in his introduction. The Weeknd has been openly critical of the Grammys organization, dating back to 2020 when he wrote on Twitter: "The Grammys remain corrupt."

It was just one of many pleasant surprises Sunday night. Chappell Roan was named best new artist.

She read a speech from a notebook, speaking directly to major labels and the music industry, instructing them to "offer a living wage and healthcare, especially to developing artists." She described getting signed as a minor, getting dropped and entering the workforce during COVID-19 with no work experience and no health care. She asked them to treat artists like "valuable employees."

"Labels, we got you," she concluded her speech. "But do you got us?"

Country theme

In one of the biggest moments of the evening so far, Taylor Swift presented the award for best country album to Beyoncé. She became the first Black woman to ever win in the category.

"Genre is a cold word to keep us in our place as artists," she said in her speech. "I'm still in shock. Thank you so much for this honor."

Beyoncé entered the night as the leading nominee.

A little bit of the wild west, a little bit of West Hollywood. Roan brought a rocking version of her "Pink Pony Club" to the Grammy stage. Joined by a posse of dancing clown cowboys, she sang from atop a giant pink horse.

Los Angeles on the mind

In incorporating the wildfires throughout the show, the Grammys put the spotlight on the city’s resiliency.

Noah's opening speech was dedicated to those affected by the fires, promising a show that not only celebrates them, but one that also celebrates "the city that brought us so much of that music." The Grammys have also allotted ad time to be used by local businesses affected by the fires.

As the show neared its end, Noah announced that viewers had contributed $7 million to relief efforts Sunday night so far.

On a stage set up to look like the mountains of Los Angeles, the LA born-and-raised Billie Eilish and her brother/collaborator Finneas performed her hit "Birds of a Feather." It was one of a number of ways the show seeks to salute the city. "We love you LA," she told the crowd at the end of the set.

The show kicked off with a powerful opening performance of Randy Newman's "I Love LA" by Dawes — whose members were directly affected by the Eaton fire — backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

Star studded performances and victories

The first televised award went to Doechii for best rap album for "Alligator Bites Never Heal."

The tears were immediate. "This category was introduced in 1989. Two women have won, Lauryn Hill —" she said, correcting herself. "Three women have won. Lauryn Hill, Cardi B and Doechii."

Will Smith introduced a tribute to the late, great, legendary producer Quincy Jones. "In his 91 years, Q touched countless lives, but I have to say he changed mine forever," he said. "You probably wouldn’t even know who Will Smith was without Quincy Jones."

Jones died in November at age 91. Kicked off by Cynthia Erivo, accompanied by Herbie Hancock on piano, the "Wicked" star sang Frank Sinatra’s "Fly Me to the Moon." Then came Lainey Wilson and Jacob Collier with "Let the Good Times Roll," followed by Stevie Wonder and Hancock busting out "Bluesette" and "We Are The World." For the latter, they were joined by student singers from two schools that were lost in the LA-area fires.

Then, Janelle Monae with an inspired rendition of "Don’t Stop 'Til You Get Enough," channeling Michael Jackson in a sparkly tuxedo and an effortless moonwalk.

The Beatles’ "Now and Then," which used AI technology, took home best rock performance. Sean Lennon accepted the award on behalf of his father John Lennon. "As far as I’m concerned, it’s the best band of all time," he said of the Beatles.

First time winners were abundant. They included Carpenter, Roan, Doechii, Charli xcx, songwriter Amy Allen, Música Mexicana star Carin León, French metal band Gojira and country folk artist Sierra Ferrell.

The Red Hot Chili Peppers’ Anthony Kiedis and Chad Smith led the crowd in a short singalong of their hit "Under the Bridge," reminding the crowd to "support their friends and neighbors as they rebuild their lives," said Kiedis. Then they presented the best pop vocal album award to Carpenter for "Short n' Sweet."

"I really wasn’t expecting this," she said. "This is, woo, my first Grammy so I’m going to cry." (She’s now won two, but the earlier award was handed out at a pre-telecast ceremony that many artists don’t attend.) She also performed.

In a tense political climate Shakira won Latin pop album for "Las Mujeres Ya No Lloran" and gave a powerful, short speech. "I want to dedicate this award to all my immigrant brothers and sisters in this country," she said.

Lady Gaga and Bruno Mars teamed up for a cover of "California Dreamin’." Later, SZA presented them with the award for best pop duo/group performance for "Die With A Smile."



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)