Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
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Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)

Growing up in North Korea, Hyuk's childhood was about survival. He never listened to banned K-pop music but, after defecting to the South, he's about to debut as an idol.

Hyuk is one of two young North Koreans in a new K-pop band called 1Verse -- the first time that performers originally from the nuclear-armed North have been trained up for stardom in South Korea's global K-pop industry.

Before he was 10, Hyuk -- who like many K-pop idols now goes by one name -- was skipping school to work on the streets in his native North Hamgyong province and admits he "had to steal quite a bit just to survive".

"I had never really listened to K-pop music", he told AFP, explaining that "watching music videos felt like a luxury to me".

"My life was all about survival", he said, adding that he did everything from farm work to hauling shipments of cement to earn money to buy food for his family.

But when he was 13, his mother, who had escaped North Korea and made it to the South, urged him to join her.

He realized this could be his chance to escape starvation and hardship, but said he knew nothing about the other half of the Korean peninsula.

"To me, the world was just North Korea -- nothing beyond that," he told AFP.

His bandmate, Seok, also grew up in the North -- but in contrast to Hyuk's hardscrabble upbringing, he was raised in a relatively affluent family, living close to the border.

As a result, even though K-pop and other South Korean content like K-dramas are banned in the North with harsh penalties for violators, Seok said "it was possible to buy and sell songs illegally through smugglers".

Thanks to his older sister, Seok was listening to K-pop and even watching rare videos of South Korean artists from a young age, he told AFP.

"I remember wanting to imitate those cool expressions and styles -- things like hairstyles and outfits," Seok told AFP.

Eventually, when he was 19, Seok defected to the South. Six years later, he is a spitting image of a K-Pop idol.

- Star quality -

Hyuk and Seok were recruited for 1Verse, a new boy band and the first signed to smaller Seoul-based label Singing Beetle by the company's CEO Michelle Cho.

Cho was introduced to both of the young defectors through friends.

Hyuk was working at a factory when she met him, but when she heard raps he had written she told AFP that she "knew straight away that his was a natural talent".

Initially, he "professed a complete lack of confidence in his ability to rap", Cho said, but she offered him free lessons and then invited him to the studio, which got him hooked.

Eventually, "he decided to give music a chance", she said, and became the agency's first trainee.

In contrast, Seok "had that self-belief and confidence from the very beginning", she said, and lobbied hard to be taken on.

When Seok learned that he would be training alongside another North Korean defector, he said it "gave me the courage to believe that maybe I could do it".

- 'We're almost there' -

The other members of 1Verse include a Chinese-American, a Lao-Thai American and a Japanese dancer. The five men in their 20s barely speak each other's languages.

But Hyuk, who has been studying English, says it doesn't matter.

"We're also learning about each other's cultures, trying to bridge the gaps and get closer little by little," he said.

"Surprisingly, we communicate really well. Our languages aren't perfectly fluent, but we still understand each other. Sometimes, that feels almost unbelievable."

Aito, the Japanese trainee who is the main dancer in the group, said he was "fascinated" to meet his North Korean bandmates.

"In Japan, when I watched the news, I often saw a lot of international issues about defectors, so the overall image isn't very positive," he said.

But Aito told AFP his worries "all disappeared" when he met Hyuk and Seok. And now, the five performers are on the brink of their debut.

It's been a long road from North Korea to the cusp of K-pop stardom in the South for Hyuk and Seok -- but they say they are determined to make 1Verse a success.

"I really want to move someone with my voice. That feeling grows stronger every day," said Seok.

Hyuk said being part of a real band was a moving experience for him.

"It really hit me, like wow, we're almost there."



Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
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Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)

Star Wars, Indiana Jones and Top Gun have all premiered at the Cannes Film Festival in the last decade. But in 2026, not a single Hollywood blockbuster is programmed there, raising questions about why US studios are ghosting the event.

The world's biggest film festival, which kicks off on Tuesday, has long relied on Hollywood to provide a dose of mass-market entertainment alongside the sometimes edgy independent cinema that forms the core of its program.

Mega-stars such as Tom Cruise or Harrison Ford help draw attention to the same red carpets walked by auteur directors and the casts of obscure art-house productions -- all in the name of supporting the fragile cinema industry.

Although Cannes director Thierry Fremaux made platforming American productions a priority when he took over 25 years ago, he was left having to explain their absence when he unveiled the line-up of films in April.

"Outside of studio filmmaking, independent cinema -- cinema made somewhere other than Los Angeles -- continues to exist," Fremaux said.

There are two independent American films in the main competition: "Paper Tiger" by James Gray, starring Adam Driver and Scarlett Johansson.

But Hollywood big beasts Universal, Disney, Warner, Sony and Paramount, as well as streaming giants Netflix and Amazon, have decided to pass.

It was a similar story at the Berlin film festival in February where director Tricia Tuttle was left with a blockbuster-free schedule.

- 'Nervousness' -

Tuttle blamed low risk-appetite and commercial pressures -- rather than another sign of America's estrangement from Europe under US President Donald Trump.

"There's a nervousness in a very difficult marketplace: nervousness about reviews coming out long before release and about controlling the way films of that scale are launched because there's so much at stake," she told The Hollywood Reporter in January.

She cited the dreadful critical reception for "Joker: Folie a Deux" which premiered at the Venice Film Festival in 2024 before bombing at the box office.

"We've seen more reticence since," Tuttle told the publication.

In a more confident, profitable environment, or when Hollywood is churning out films more regularly, a commercial dud might be easily absorbed.

Nowadays, it spells major trouble for budget-conscious executives.

- Tough critics -

J. Sperling Reich, a Los Angeles-based film critic and Cannes veteran, said Hollywood studios make fewer Cannes-compatible films. They prefer to control their launch schedules, rather than having them dictated by a festival.

"They're essentially flying in talent, trying to figure out a publicity narrative... two, three, sometimes four months early (before launch), and then they expose that film to the world's toughest critics," he told AFP.

"If it doesn't fly in Cannes, it's going to be tough to recover from that," he explained.

The most recent blockbusters, Michael Jackson biopic "Michael" and the "The Devil Wears Prada 2", organized their own tightly controlled promotional events, boosted by influencers and social media.

Reich cited Christopher Nolan's upcoming ancient Greek action movie "Odyssey" and Steven Spielberg's science-fiction thriller "Disclosure Day" as possible Cannes films.

"But the reality is those films don't need Cannes," he said.

- Coming together -

Others are skeptical that 2026 signals a permanent rupture between Hollywood and European festivals.

Indeed, if the bad reviews for the "Joker: Folie a Deux" in Venice in 2024 are to blame, then why was the Italian festival so packed with big-budget American films just last September?

Eric Marti, who heads the box office specialist Comscore in France, said studios have always had a transactional approach to Cannes.

"It's a tremendous showcase, as it's one of the most watched events, but they also have a very well-oiled promotional machine. If the Cannes dates and their launches line up, the two come together," he said.

Hollywood was not "totally absent", he added.

The festival has added a "Fast and Furious" special screening in the first days to mark the 25th year of the Universal-owned franchise, with the original stars Vin Diesel, Michelle Rodriguez and Jordana Brewster flying in.

Hollywood may simply be sitting out Cannes in 2026, only to rev back into action next year.


Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
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Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)

British pop star Dua Lipa has filed a lawsuit against Samsung Electronics seeking at least $15 million in damages, accusing the South Korean tech giant of using her image without permission to market its television sets.

The lawsuit alleges that Samsung featured a copyrighted image of the pop star on the front of cardboard boxes containing televisions for retail sale, ‌enabling the company ‌to benefit from what seemed like her ‌endorsement ⁠of the product.

The ⁠image alleged to have been used on the TV boxes is titled “Dua Lipa - Backstage at Austin City Limits, 2024," and Lipa is the owner of all rights, title and interest in the image, the lawsuit said.

The suit was filed on Friday in the California federal court.

A spokesperson ⁠for Samsung Electronics declined to comment, saying ‌it was unable to comment ‌on pending litigation, while Dua Lipa's lawyers did not immediately respond ‌to a request for comment on the case.

Besides copyright ‌and trademark infringement, Dua Lipa has accused Samsung Electronics of breaching publicity rights.

Lipa's lawyers have attached screenshots of social media postings and comments in the filing claiming that the pop star's image on ‌the front of the boxes pushed potential customers to purchase the product.

One of these ⁠screenshots ⁠shows a fan commenting that they would get the TV "just because Dua is on it."

The "Levitating" singer became aware of Samsung's alleged infringement in June last year and demanded that Samsung stop using her image, but the electronics manufacturer repeatedly refused to do so, her lawyers said.

Samsung’s alleged unauthorized use of Dua Lipa's image has "caused and continues to cause dilution" of the pop star's "brand identity and commercial goodwill by falsely conveying to the consuming public that she approves of and endorses" the products in question, they added.


New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
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New Beatles Fan Experience Set to Open in London in 2027

The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)
The Beatles, from left, John Lennon, George Harrison, Ringo Starr and Paul McCartney, arrive in Liverpool, England on July 10, 1964, for the premiere of their movie "A Hard Day's Night." (AP)

The Beatles are headed back to one of the band's most famous sites with a new fan experience in London.

Apple Corps Ltd, the company founded by the Fab Four, announced Monday that it will open a new seven-floor fan experience at the company's early headquarters. The building is the place where the band's “Let It Be” album was recorded and its rooftop was the site of the Beatles' last public performance on Jan. 30, 1969.

The attraction at 3 Saville Road in central London will allow fans access to the rooftop, studios and extensive Beatles archives.

“It was such a trip to get back to 3 Savile Row recently and have a look around. There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I’m excited for people to see it when it’s ready,” Paul McCartney said in a statement announcing the attraction.

“Wow, it's like coming home,” Ringo Starr said in a statement.

An opening date for the attraction has not yet been announced.

Interest in the Beatles remains high, with four biopics in production. Peter Jackson's 2021 documentary series, “The Beatles: Get Back,” relied heavily on footage filmed during the “Let It Be” recording sessions and of the farewell rooftop performance.

In 2023, artificial intelligence helped create the final Beatles recording, the song “Now and Then,” which relied on recordings by the original Beatles.