'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
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'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo

The Walt Disney Co.’s live-action, controversy-bedeviled “Snow White” opened in theaters with a sleepy $43 million in ticket sales, according to studio estimates Sunday.
With a budget above $250 million, “Snow White” had set out with higher ambitions, particularly since it returns Disney to its very origins. The 1937 original “Snow White and the Seven Dwarfs” was the company’s first animated feature, and paid for its Burbank studio lot.
But this “Snow White” struggled to find anything like a fairy tale ending. The runup to release was plagued by controversies over the film’s handling of the dwarfs, who are rendered in CGI, and backlashes over comments by its star, Rachel Zegler. The PR headaches prompted Disney to pull back on its premiere.
Also working against the film, directed by Marc Webb: poor reviews. Critics were largely not impressed with Disney’s latest live-action remake, with reviews coming in just 43% “fresh” on Rotten Tomatoes.
There’s been a wide variance between the box-office performance of other “live-action” Disney remakes, but “Snow White” might mark a new nadir. Jon Favreau’s photorealistic “The Lion King” (2019) didn’t have great reviews, either, but grossed more than $1.6 billion worldwide. “Snow White” opened worse than “Dumbo” (a $46 million opening in 2019) and well shy of “Cinderella” territory ($67.9 million in 2015).
Overseas, “Snow White” added $44.3 million for a global launch of $87.3 million. But going into the weekend, “Snow White” had been eyeing a worldwide total closer to $100 million – and a few weeks back, expectations were significantly higher.
The result will surely add to questions over Disney’s long-term strategy of mining its vault for live-action remakes. In the pipeline are upcoming new versions of “Moana" and “Tangled." A live-action “Lilo & Stitch” launches in May, The Associated Press reported.
Efforts to modernize “Snow White," though, quickly ran afoul. In 2022, actor Peter Dinklage criticized the remake plans as “backward.” Disney ultimately opted to drop “and the Seven Dwarfs” from the original's title, and animate the dwarfs. Some right-wing commentators targeted “Snow White” and Zegler's casting as an overly “woke” production. Delays and reshoots also ran up costs.
Disney, though, has recently steered a handful of films from modest starts to enviable final hauls. The Barry Jenkins-directed “Mufasa: The Lion King” opened with $35.4 million domestically, but ultimately surpassed $717 million worldwide. “Snow White” will face little direct competition in the coming weeks. Audiences gave it a “B+” CinemaScore.
Warner Bros.’ “Alto Knights,” a period gangster film starring Robert De Niro in both lead roles, was a total misfire. The Barry Levinson-directed film, which cost about $45 million to make, opened with just $3.2 million from 2,651 theaters. The flop of “Alto Knights” followed another misfire for Warner Bros. with Bong Joon Ho’s big-budget sci-fi “Mickey 17.” In three weeks, it’s tallied $40.2 million domestically against a $118 million budget.
“Magazine Dreams,” starring Jonathan Majors as a disturbed aspiring bodybuilder, opened with $700,000 for Briarcliff Entertainment in 815 locations. The film was dropped by Searchlight Pictures after Majors was convicted of two misdemeanor counts of assault and harassment against Grace Jabbari, his ex-girlfriend. Majors avoided jail time but was given a year of probation.
The disappointment-filled weekend added to a rough 2025 so far for Hollywood. The box office is down 6.9% from last year, according to data firm Comscore, and 38.6% from 2019.



Saudi Film Commission Participates in 78th Cannes Film Festival

Saudi Film Commission Participates in 78th Cannes Film Festival
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Saudi Film Commission Participates in 78th Cannes Film Festival

Saudi Film Commission Participates in 78th Cannes Film Festival

The Saudi Film Commission is participating in the 78th Cannes Film Festival in France from May 13 to 24 with a Saudi pavilion and an official delegation alongside key partners, including the Ministry of Investment, Film AlUla, NEOM, the Cultural Development Fund, MBC Studios, the King Abdulaziz Center for World Culture (Ithra), and the Red Sea International Film Festival.

Established in 1946, the Cannes Film Festival is one of the world’s most prestigious cinematic events, attracting broad international participation from filmmakers each year.

The Saudi pavilion will feature a booth for private production and distribution companies to boost their international presence and highlight opportunities for collaboration and investment.

The commission will engage in several panel discussions and dialogue sessions featuring leading decision-makers and influencers in the film industry. They will include a session titled "Pioneering Paths: How Filmmakers Can Forge Their Own Futures" and "Saudi Films – Work in Progress," which will showcase films currently in production.

A roundtable titled "The Business of Film Production" will also discuss the economic aspects of the film industry.

A networking session titled "Meet Saudi Creatives" and a brunch event titled "Cinematic Exchange" will bring together commission representatives and the private sector to highlight major accomplishments in the local film sector and explore opportunities for collaboration.

This strategic participation is part of the Saudi Film Commission’s ongoing efforts to develop the local film sector, empower Saudi talent, and build an effective network of relationships that support the Saudi film movement and represent it on major global platforms.