Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
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Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)

Ticketmaster may have misled music fans into paying more for tickets than they had planned last year to see British band Oasis, the UK's competition watchdog said on Tuesday, urging the company to change how it labels tickets and informs customers.

Thousands of fans waited for hours online to get their hands on highly coveted tickets for the band's 2025 reunion shows, only to find prices had jumped by the time they got to the front of the queue.

"We’re concerned that Oasis fans didn’t get the information they needed or may have been misled into buying tickets they thought were better than they were," said Hayley Fletcher, interim senior director of consumer protection at the Competition and Markets Authority (CMA).

The watchdog said it was concerned that Ticketmaster may have breached consumer law. CMA does not currently have power to levy fines for breaching consumer laws, which are enforced through the court system.

A Ticketmaster statement said that it aimed to provide a "simple, transparent and consumer-friendly experience" and welcomed the CMA's input.

The CMA launched an investigation into Ticketmaster in September to examine if it had engaged in "unfair commercial practices," and if they were pressured to buy tickets within a short period of time.

The CMA originally said it was also looking at how dynamic pricing models - a form of surge pricing - may have been used, but Ticketmaster has said it did not use dynamic pricing models.

The outcry over the way the ticket sale process was managed became a hot political topic, spurring Prime Minister Keir Starmer to promise to get a grip on the wider issue of event tickets being sold at inflated prices.

The government has since announced proposals to cap resale prices and hold reselling websites more accountable.

The CMA issued an update on its findings on Tuesday outlining two main concerns.

One was that seats labelled as "platinum" were sold at a premium without consumers being made fully aware that they didn't come with any extra benefits.

Another was insufficient information provided to buyers at the start of the queue on different ticket categories and their prices if cheaper tickets were sold out before their turn to buy.

The CMA said Ticketmaster had made some changes since the investigation began, but that more work was still needed.

"We now expect Ticketmaster to work with us to address these concerns so, in future, fans can make well-informed decisions when buying tickets," the CMA's Fletcher said.



Manga Productions Showcases Saudi Innovation at Anime Japan 2025

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
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Manga Productions Showcases Saudi Innovation at Anime Japan 2025

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)

Manga Productions, a subsidiary of the Mohammed bin Salman Foundation (Misk), concluded its participation in Anime Japan 2025, one of the world's most prestigious anime exhibitions.

Manga Productions sponsored the global event for the first time, reinforcing its commitment to establishing Saudi Arabia’s presence in the anime industry. Held at Tokyo Big Sight, the exhibition attracted more than 150,000 visitors and featured over 100 participating companies worldwide.

Manga Productions chief executive Dr. Essam Bukhari expressed pride in the company's participation and gratitude for the enthusiastic reception from Japanese and international audiences.

Sponsoring such a significant event is a strategic step in fostering partnerships for co-production, distribution, and content licensing, he added.

He also highlighted how Saudi Arabia's economic growth and development are opening doors for deeper collaboration with Japanese and international companies, further cementing the Kingdom's status as a global hub for creativity in the entertainment sector.

Bukhari noted that participation in Anime Japan 2025 boosts Saudi Arabia’s global image, showcasing the Kingdom’s creative identity on a prestigious international platform. It also strengthens connections with audiences and media partners while promoting innovative Saudi content.

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. The company offered an immersive cultural experience, allowing attendees to explore Saudi creativity through traditional clothing displays, cultural activities, and Saudi coffee tastings.

Manga Productions remains dedicated to solidifying Saudi Arabia's position as a leader in the entertainment industry, bringing the latest Japanese entertainment innovations to the Saudi market. This aligns with the Kingdom’s vision for developing the creative content industry, positioning it as a global entertainment hub.