Crime Families Clash in Guy Ritchie’s Starry New Series ‘Mobland’ 

27 March 2025, United Kingdom, London: (L-R) English actress Helen Mirren, English director Guy Ritchie, Irish actor Pierce Brosnan, English actor Tom Hardy, attend the British premiere of MobLand at Odeon Luxe. (PA Wire/dpa)
27 March 2025, United Kingdom, London: (L-R) English actress Helen Mirren, English director Guy Ritchie, Irish actor Pierce Brosnan, English actor Tom Hardy, attend the British premiere of MobLand at Odeon Luxe. (PA Wire/dpa)
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Crime Families Clash in Guy Ritchie’s Starry New Series ‘Mobland’ 

27 March 2025, United Kingdom, London: (L-R) English actress Helen Mirren, English director Guy Ritchie, Irish actor Pierce Brosnan, English actor Tom Hardy, attend the British premiere of MobLand at Odeon Luxe. (PA Wire/dpa)
27 March 2025, United Kingdom, London: (L-R) English actress Helen Mirren, English director Guy Ritchie, Irish actor Pierce Brosnan, English actor Tom Hardy, attend the British premiere of MobLand at Odeon Luxe. (PA Wire/dpa)

British filmmaker Guy Ritchie takes viewers back into the dark world of organized crime in "MobLand", his latest television series that features a stellar ensemble cast including Tom Hardy, Pierce Brosnan and Helen Mirren.

The 10-episode show follows two feuding London crime families, the Harrigans and the Stevensons. Hardy plays the Harrigans' well-connected fixer Harry Da Souza.

"I was interested in the traditional genre, so to speak, that it's gangsters in one family. I haven't done that before," director and executive producer Ritchie said at the show's global premiere in London on Thursday.

"MobLand" comes hot on the heels of Ritchie's hit 2024 Netflix series "The Gentlemen". Ritchie, who made his feature film debut with the 1998 crime comedy "Lock, Stock and Two Smoking Barrels" and went on to direct movies including "Snatch", "Sherlock Holmes" and "Aladdin", said he was enjoying the smaller screen work.

"I quite like that it goes on for a long time, to be fair. I quite like TV, so it's fun to oscillate between TV and film. I just think one informs the other," the 56-year-old said.

"MobLand" stars Brosnan as the Harrigan family head, crime boss Conrad, with Mirren playing his influence-wielding wife, Maeve.

Brosnan received the script from Ritchie last summer while he was working with Mirren on their upcoming movie "The Thursday Murder Club" and the two agreed to embark on the project. The experience marked a first for the 71-year-old, who said shooting on the series had only wrapped the day before the premiere.

"This is bonkers. I've never had something like this happen in life where you work for five months, finish and then the next night you're on the red carpet. But that's the way the world is going - fast," he said.

Brosnan, who previously starred in the series "The Son", said he was excited to return to TV.

"It keeps you on your feet. And if the writing's really good and you have people who know how to create an ensemble and create drama, then it's hard work, but it's exhilarating," he said.

The show also provided a brand-new experience for Muse frontman Matt Bellamy, who created its music with composer Ilan Eshkeri.

"I'm familiar with scoring, but this was different because of the sheer length of music involved," Bellamy said. "Normally a film would be 90 minutes or something, but this is like 10 hours."

"We were trying to combine this kind of gritty London gangster feel with the more privileged kind of luxury of the Harrigans. We were combining quite industrial electronic music with string quartet music," he added.

"MobLand", which is written by Ronan Bennett and Jez Butterworth, premieres on Paramount+ on March 30.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.