Think You Know 'Jaws'? Test Your Knowledge with this Trivia Ahead of the Movie's 50th Anniversary

This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
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Think You Know 'Jaws'? Test Your Knowledge with this Trivia Ahead of the Movie's 50th Anniversary

This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)

Friday marks the 50th anniversary of “Jaws.” It remains one of the most beloved and rewatched movies of all time. But how good is your knowledge of the some of lore surrounding Steven Spielberg's 1975 masterpiece?

Read on and see how much you know about “Jaws.”

What was the nickname given to the shark? Spielberg named his mechanical shark “Bruce,” after his attorney, Bruce Ramer.

Where did the title come from? When author Peter Benchley’s 1974 book was going to print, he needed to choose a title. He has juggled various titles — “Leviathan Rising,” “Silent Fall” — before, at the last minute, choosing “Jaws.”

What did it mean? Benchley, himself, wasn’t sure, he told his editor, but it was short.

What's the origin of the iconic movie poster? The image of the rising shark came from the cover of the novel’s paperback edition, illustrated by Roger Kastel. For his painting, Kastel went to the American Museum of Natural History to photograph a great white shark from a diorama that was laying on an easel.

What was the inspiration for Amity? Though Spielberg shot “Jaws” on Martha’s Vineyard, off Cape Cod, it was the neighboring island, Nantucket, that inspired Benchley’s novel. He has spent time fishing there with his father. In the book, the fictional Amity is on the south shore of Long Island.

Who was first attached to direct “Jaws”? Dick Richards was initially in line to direct the film, but producer Richard D. Zanuck said he lost the job after, in a meeting, repeatedly referring to the shark as a whale.

How old was Spielberg when he began the project? 26.

Who sought but was turned down the role of Brody? Charlton Heston wanted to play the Amity Island police chief, but Spielberg instead cast Roy Scheider.
What’s the name of Quint’s boat? The Orca. Not coincidentally, two years after the massive success of “Jaws,” a 1977 ripoff about a killer whale was released titled “Orca.”

What led to the shark often malfunctioning? Salt water. The shark, built by special effects artist Bob Mattey, would get corroded by the salt water of the Atlantic Ocean, leaving it unusable for times – particularly early in the filmmaking. Spielberg pivoted and instead doesn’t show the shark until well into the film, an approach that ultimately led to a far more suspenseful film.

Spielberg once estimated that Bruce’s mechanical delays added $175 million to the movie’s box office.

How long into “Jaws” does the shark fully appear on screen? It’s not until one hour and 21 minutes into the movie that we really see the shark.

Was the movie’s most iconic line scripted? No, Schieder adlibbed “You’re gonna need a bigger boat.” Screenwriter Carl Gottlieb, though, has said the line had been percolating on set. The size of the barge carrying equipment and craft services was often slighted by the crew who felt producers weren’t spending enough. Gottlieb told The Hollywood Reporter in 2016: “It became a catchphrase for any time anything went wrong – if lunch was late or the swells were rocking the camera, someone would say, ‘You’re gonna need a bigger boat.’”

What disaster was Quint a survivor of? The sinking of the USS Indianapolis, the US Navy cruiser torpedoed by a Japanese submarine during World War II.

Quint’s lengthy and memorably speech in the film wasn’t in the novel but was, according to Spielberg, penned by the uncredited screenwriter John Milius.

Spielberg wanted a backstory to why Quint hated sharks so much. Though debate has continued over the years over who wrote the monologue, everyone has agreed Shaw synthesized it, and deserves most of the credit for the scene’s power.

Does Spielberg appear in “Jaws?” The director isn’t seen in the film but his voice is heard. During the finale of the film when Quint is readying the harpoon, it’s Spielberg’s voice on the radio. He says: “This is Amity point light-station to Orca. Orca, come in.” Spielberg shows up in a couple other ways, too. A clarinetist in high school, he plays briefly on Williams’ score. And Brody’s dogs were Spielberg’s cocker spaniels, Elmer and Zalman. (For his part, Benchley makes a cameo as a TV reporter during the July 4th beach scene.)

How far over schedule did “Jaws” run? The production was scheduled for 55 days but took 159 days to complete. The budget also nearly tripled, to $9 million, plus $3 million more in post-production. Though “Jaws” become the prototype summer movie, it was originally expected to open around Christmastime the year before.

What was “Jaws” rated? Though it caused some controversy, the Motion Picture Association of America gave “Jaws” a “PG” rating. At the time, there was no PG-13 rating. (That only began in 1984, with “Indiana Jones and the Temple of Doom,” after a handful of other Spielberg productions, including “Raiders of the Lost Ark” and “Gremlins” led to the new category.) Jack Valenti, then-president of the MPAA, defended the rating by arguing that “‘Jaws’ involved nature’s violence, rather than man’s violence against man,” Valenti said. “This is the same kind of violence as in ‘Hansel and Gretel.’ Children might imitate other kinds of violence, but not the kind seen in ‘Jaws.’”

The movie’s poster carried the warning: “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

What did “Jaws” lose best picture to at the Academy Awards? “Jaws” was nominated for four Oscars and won three: best sound, best editing and best score for John Williams. The competition for best picture, though, was fierce.

The nominees, alongside “Jaws,” where “Dog Day Afternoon,” “Barry Lyndon,” “One Flew Over the Cuckoo’s Nest” and “Nashville.” The winner was “One Flew Over the Cuckoo’s Nest.”



Paramount Skydance Sues Warner Bros for Details on Netflix Deal

Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
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Paramount Skydance Sues Warner Bros for Details on Netflix Deal

Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)
Paramount and Warner Bros logos are seen in this illustration taken December 8, 2025. (Reuters)

Paramount Skydance on Monday sued Warner Bros Discovery for more information on a rival $82.7 billion deal with Netflix, escalating a battle to take control of one of the most storied Hollywood studios.

The David Ellison-led company also said it plans to nominate directors to Warner Bros Discovery's board, in one of its most aggressive steps yet to convince shareholders that its hostile $30-per-share cash bid is superior to the $27.75-per-share cash-and-stock offer from Netflix.

The CBS parent and Netflix have been in a heated battle for Warner Bros, its prized film and television studios, and its extensive content library that ‌includes "Harry Potter" and ‌the DC Comics universe.

In a letter to ‌shareholders, ⁠Paramount also ‌said it would propose an amendment to Warner Bros' bylaws that would require shareholder approval for any separation of the media giant's cable TV business - which is key to the Netflix deal.

Paramount said last week the value of the cable spinoff was virtually worthless and reiterated its amended $108.4 billion bid after another rejection from the Warner Bros board.

The amended offer ⁠had included $40 billion in equity personally guaranteed by Oracle's co-founder Larry Ellison, the father of ‌Paramount CEO David Ellison, and $54 billion in ‍debt.

"WBD has provided increasingly novel ‍reasons for avoiding a transaction with Paramount, but what it has ‍never said, because it cannot, is that the Netflix transaction is financially superior to our actual offer," Paramount wrote in a letter to Warner Bros shareholders.

"Unless the WBD board of directors decides to exercise its right to engage with us under the Netflix merger agreement, this will likely come down to your vote at a shareholder meeting."

Netflix ⁠and Warner Bros did not immediately respond to requests for comment.

Shares of Warner Bros were down 1.5% in early trading, while Netflix ticked up 0.8% and Paramount 0.3%.

Paramount's argument - one it is using to sway investors - is that its all-cash offer for the whole of Warner Bros offers more certainty than the deal with Netflix for the studios and streaming assets and will more easily clear regulatory hurdles.

The sour performance of Versant, the Comcast cable spinoff, has also given fresh ammunition to Paramount's campaign to convince Warner Bros shareholders its offer is better.

Paramount's tender ‌offer will expire on January 21, but the company can extend it.


‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
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‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)

Paul Thomas Anderson’s ragtag revolutionary saga “One Battle After Another” took top honors at Sunday’s 83rd Golden Globes in the comedy category, while Chloé Zhao's Shakespeare drama “Hamnet” pulled off an upset over “Sinners” to win best film, drama.

“One Battle After Another” won best film, comedy, supporting female actor for Teyana Taylor and best director and best screenplay for Anderson. He became just the second filmmaker to sweep director, screenplay and film, as a producer, at the Globes. Only Oliver Stone, for “Born on the Fourth of July,” managed the same feat.

In an awards ceremony that went almost entirely as expected, the night's final award was the most surprising. While “One Battle After Another” has been the clear front-runner this awards season, most have pegged Ryan Coogler's Jim Crow-era vampire thriller as its closest competition.

But “Hamnet,” a speculative drama about William and Agnes Shakespeare based on Maggie O’Farrell's bestseller, won in the dramatic category shortly after its star, Jessie Buckley, won best female actor in a drama.

It was a banner night for Warner Bros., the studio behind “One Battle After Another” and “Sinners.” Warner Bros. Discovery has agreed to be sold to Netflix in an $83 billion deal. Paramount Skydance has appealed to shareholders with its own rival offer.

In his speech after winning best director, Anderson praised Warner co-chief Michael DeLuca. “He said he wanted to run a studio one day and let filmmakers make whatever they want,” said Anderson. “That’s how you get ‘Sinners.’ That’s how you get a ‘Weapons.' That’s how you get ‘One Battle After Another.’”

The final awards brought to, or near, the stage a handful of the most talented filmmakers together in Anderson, Zhao and Coogler — plus Steven Spielberg, a producer of “Hamnet.” Regardless of who won what, it was a heartening moment of solidarity between them, with a shared sense of purpose. Zhao fondly recalled being at Sundance Labs with Coogler when they were each starting out.

“As students, let’s keep our hearts open and let’s keep seeing each other and allowing each other to be seen,” said Zhao, while Coogler smiled from the front row.

“Sinners” won for best score and cinematic and box-office achievement. The win for box office and cinematic achievement, over franchise films like “Avatar: Fire and Ash,” was notable for Coogler's film, a movie that some reports labeled a qualified success on its release.

Yet “Sinners” ultimately grossed $278 million domestically and $368 million worldwide, making it highest grossing original film in 15 years.

“I just want to thank the audience for showing up,” said Coogler. “It’s means the world.”

Coming off years of scandal and subsequent rehabilitation, the Globes and host Nikki Glaser put on a star-studded ceremony that saw wins for the streaming sensation “KPop Demon Hunters” (best animated film, song), a meta triumph for Seth Rogen’s “The Studio” and an inaugural award for podcasting that went to Amy Poehler’s “Good Hang.”

Many of the Oscar favorites won. Timothee Chalamet won his first Golden Globe, for “Marty Supreme,” after four previous nominations. The 30-year-old is poised to win his first Oscar. Fellow nominees like Leonardo DiCaprio and George Clooney stood to applaud his win.

“My dad instilled in me a spirit of gratitude growing up: Always be grateful for what you have,” said Chalamet. “It’s allowed me to leave this ceremony in the past empty handed, my head held high, grateful just to be here. I’d be lying if I didn’t say those moments didn’t make this moment that much sweeter.”

Glaser comes out swinging

The Globes, held at the Beverly Hilton in Beverly Hills, California, got underway with a pointedly political opening from host Nikki Glaser and an early award for the night’s favorite, “One Battle After Another.” Emceeing the show for the second straight year, Glaser kicked off the show with self-aware satire.

“Yes, the Golden Globes, without a doubt the most important thing happening in the world right now,” she said.

In a winning, rapid-fire opening monologue that landed some punch lines on the usual subjects — the age of Leonardo DiCaprio’s dates, Kevin Hart’s height — Glaser also dove right into some of her most topical material.

For the on-the-block Warner Bros., Glaser started the bidding at $5. Referencing the Epstein files, she suggested best editing should go to the Justice Dept. The “most editing,” however, she suggested deserved to go to Bari Weiss’ new CBS News — a dig at the Paramount Skydance-owned network airing the Globes.

Political tension and industrywide uncertainty were the prevailing moods heading into Sunday’s awards. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros.

The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.

But in the fluctuating undulations of awards season, a good speech at the Globes can boost an Oscar campaign. Winners Sunday included Rose Byrne (“If I Had Legs I'd Kick You”) for best female actor in a comedy or musical, and Wagner Moura, the Brazilian star of “The Secret Agent,” for best male actor in a drama. Kleber Mendonça Filho's period political thriller also won best international film.

“I think if trauma can be passed along generations, values can do,” Moura said. “So this to the ones who are sticking with their values in difficult moments.”

Other winners Sunday included the supporting actor front-runner, Stellan Skarsgård who won for the Norwegian family drama “Sentimental Value.” It was the first major Hollywood movie award for the 74-year-old, a respected veteran actor who drew a standing ovation.

“I was not prepared for this because I, of course, thought I was too old,” said Skarsgård.

‘The Studio' and 'Adolesence' win

In the television awards, “The Pitt” took best drama series, while Noah Wyle won, too, brushing past his former “ER”-star Clooney on the way to the stage. Netflix’s “Adolescence” won four awards: best limited series, and acting awards for Erin Doherty, Stephen Graham and 16-year-old Owen Cooper.

Other winners included Rhea Seehorn for “Pluribus” and Jean Smart for “Hacks.”

But the most comically poignant award of the night went to “The Studio,” the best comedy series winner. Seth Rogen’s Hollywood satire memorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”)

Rogen also won best male actor in a comedy. “This is so weird,” Rogen said, chuckling. “We just pretended to do this. And now it’s happening.”


Hollywood Stars Gather for an All-Winners Celebration at the American Film Institute Awards

Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
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Hollywood Stars Gather for an All-Winners Celebration at the American Film Institute Awards

Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)

If the American Film Institute Awards stands for anything, it's that everyone in the room - from Leonardo DiCaprio and Ryan Coogler to Timothée Chalamet and Ariana Grande - leaves feeling like a winner.

That spirit was on full display Friday as the AFI Awards gathered its 2026 honorees for an invitation-only luncheon in Beverly Hills, where the institute once again celebrated the collaborative nature of film and television by honoring creative teams - in front of and behind the camera.

Inside the ballroom, there were no acceptance speeches in the traditional sense and no suspense over envelopes. Instead, AFI's ceremony unfolded as a series of thoughtfully written tributes: eloquent rationales for each honored film and television program, followed by brief clips designed to place the year's work within a broader cultural and artistic context.

AFI President Bob Gazzale spoke in front of star-filled room, ensuring there were no losers with only shared recognition.

The room reflected that mood. Filmmaker Steven Spielberg was spotted chatting with Coogler, whose wife and "Sinners" producer, Zinzi Coogler, stood beside him. Meanwhile, Michael B. Jordan worked the room, trading hugs and handshakes with fellow honorees and guests including "Bugonia" star Jesse Plemons and "Task" actor Mark Ruffalo. Filmmakers James Cameron and Guillermo del Toro greeted each other.

Nearby, DiCaprio stood side by side with Netflix co-CEO Ted Sarandos and actors Benicio del Toro and Edward James Olmos. Chase Infiniti looked on from her table, gazing toward her "One Battle After Another" co-stars before the program kicked off.

On the red carpet, with "Death by Lightning" actor Nick Offerman beside him, George Clooney shared laughs with a photographer, adding to the easygoing tone that carried throughout the afternoon. After the event, Infiniti and Jordan reunited for a hug and a brief catch-up, a quiet moment that underscored the camaraderie in the room.

Films honored include "Avatar: Fire and Ash,Bugonia,Frankenstein,Hamnet,Jay Kelly,Marty Supreme,One Battle After Another,Sinners,Train Dreams" and "Wicked: For Good."

Television shows recognized were "Adolescence,Andor,Death by Lightning,The Diplomat,The Lowdown,The Pitt,Severance,The Studio" and "Task."

Closing the ceremony was Carol Burnett, who delivered AFI's annual benediction, celebrating the honorees' achievements while reflecting on her own lifelong love of cinema and television.

"I've never lost the deep respect and love that I have for all the stories we tell through cinema and television and by all of those behind and in front of the camera," Burnett said. "Creative collaboration has always remained at the heart of our work, and AFI brings us all together. The world is a better place for having heard your voices."

The luncheon also featured AFI's signature March of Time video montage, a sweeping look at cinematic and television milestones from decades past, situating this year's honorees within the evolving history of the medium.