Ozzy Osbourne, Who Led Black Sabbath and Became the Godfather of Heavy Metal, Dies at 76 

British singer Ozzy Osbourne of Black Sabbath holds up the award for "Best Metal Performance" at the 56th annual Grammy Awards held at the Staples Center in Los Angeles, California, USA, 26 January 2014 (reissued 22 July 2025). (EPA) 
British singer Ozzy Osbourne of Black Sabbath holds up the award for "Best Metal Performance" at the 56th annual Grammy Awards held at the Staples Center in Los Angeles, California, USA, 26 January 2014 (reissued 22 July 2025). (EPA) 
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Ozzy Osbourne, Who Led Black Sabbath and Became the Godfather of Heavy Metal, Dies at 76 

British singer Ozzy Osbourne of Black Sabbath holds up the award for "Best Metal Performance" at the 56th annual Grammy Awards held at the Staples Center in Los Angeles, California, USA, 26 January 2014 (reissued 22 July 2025). (EPA) 
British singer Ozzy Osbourne of Black Sabbath holds up the award for "Best Metal Performance" at the 56th annual Grammy Awards held at the Staples Center in Los Angeles, California, USA, 26 January 2014 (reissued 22 July 2025). (EPA) 

Ozzy Osbourne, the gloomy lead singer of the pioneering band Black Sabbath who became the throaty, growling voice — and drug-and-alcohol ravaged id — of heavy metal, died Tuesday, just weeks after his farewell show. He was 76.

"It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning. He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time," a family statement from Birmingham, England, said. In 2020, he revealed he had Parkinson’s disease after suffering a fall.

Either clad in black or bare-chested, the singer was often the target of parents’ groups for his imagery and once caused an uproar for biting the head off a bat. Later, he would reveal himself to be a doddering and sweet father on the reality TV show "The Osbournes."

The Big Bang of heavy metal

Black Sabbath’s 1969 self-titled debut LP has been likened to the Big Bang of heavy metal. It came during the height of the Vietnam War and crashed the hippie party, dripping menace and foreboding. The cover of the record was of a spooky figure against a stark landscape. The music was loud, dense and angry, and marked a shift in rock ’n’ roll.

The band’s second album, "Paranoid," included such classic metal tunes as "War Pigs,Iron Man" and "Fairies Wear Boots." The song "Paranoid" only reached No. 61 on the Billboard Hot 100 but became in many ways the band’s signature song. Both albums were voted among the top 10 greatest heavy metal albums of all time by readers of Rolling Stone magazine.

"Black Sabbath are the Beatles of heavy metal. Anybody who’s serious about metal will tell you it all comes down to Sabbath," Dave Navarro of the band Jane’s Addiction wrote in a 2010 tribute in Rolling Stone. "There’s a direct line you can draw back from today’s metal, through Eighties bands like Iron Maiden, back to Sabbath."

Sabbath fired Osbourne in 1979 for his legendary excesses, like showing up late for rehearsals and missing gigs. "We knew we didn’t really have a choice but to sack him because he was just so out of control. But we were all very down about the situation," wrote bassist Terry "Geezer" Butler in his memoir, "Into the Void."

Osbourne reemerged the next year as a solo artist with "Blizzard of Ozz" and the following year’s "Diary of a Madman," both hard rock classics that went multiplatinum and spawned enduring favorites such as "Crazy Train,Goodbye to Romance,Flying High Again" and "You Can’t Kill Rock and Roll." Osbourne was twice inducted to the Rock & Roll Hall of Fame — once with Sabbath in 2006 and again in 2024 as a solo artist.

The original Sabbath lineup reunited for the first time in 20 years in July for what Osbourne said would be his final concert. "Let the madness begin!" he told 42,000 fans in Birmingham.

Metallica, Guns N Roses, Slayer, Tool, Pantera, Gojira, Alice in Chains, Lamb of God, Halestorm, Anthrax, Rival Sons and Mastodon all did sets. Tom Morello, Aerosmith’s Steven Tyler, Billy Corgan, Ronnie Wood, Travis Barker, Sammy Hagar and more made appearances. Actor Jason Momoa was the host for the festivities.

"Black Sabbath: we’d all be different people without them, that’s the truth," said Pantera singer Phil Anselmo. "I know I wouldn’t be up here with a microphone in my hand without Black Sabbath."

Outlandish exploits and a classic look

Osbourne embodied the excesses of metal. His outlandish exploits included relieving himself on the Alamo, snorting a line of ants off a sidewalk and, most memorably, biting the head off the live bat that a fan threw onstage during a 1981 concert. (He said he thought it was rubber.)

Osbourne was sued in 1987 by parents of a 19-year-old teen who died by suicide while listening to his song "Suicide Solution." The lawsuit was dismissed. Osbourne said the song was really about the dangers of alcohol, which caused the death of his friend Bon Scott, lead singer of AC/DC.

Then-Cardinal John J. O’Connor of New York claimed in 1990 that Osbourne’s songs led to demonic possession and even suicide. "You are ignorant about the true meaning of my songs," the singer wrote back. "You have also insulted the intelligence of rock fans all over the world."

Audiences at Osbourne shows could be mooned or spit on by the singer. They would often be hectored to scream along with the song, but Osbourne would usually send the crowds home with their ears ringing and a hearty "God bless!"

He started an annual tour — Ozzfest — in 1996 after he was rejected from the lineup of what was then the top touring music festival, Lollapalooza. Ozzfest has gone on to host such bands as Slipknot, Tool, Megadeth, Rob Zombie, System of a Down, Limp Bizkit and Linkin Park.

Osbourne’s look changed little over his life. He wore his long hair flat, heavy black eye makeup and round glasses, often wearing a cross around his neck. In 2013, he reunited with Black Sabbath for the dour, raw "13," which reached No. 1 on the UK Albums Chart and peaked at No. 86 on the US Billboard 200. In 2019, he had a Top 10 hit when featured on Post Malone’s "Take What You Want," Osbourne’s first song in the Top 10 since 1989.

In 2020, he released the album "Ordinary Man," which had as its title song a duet with Elton John. In 2022, he landed his first career back-to-back No. 1 rock radio singles from his album "Patient Number 9," which featured collaborations with Jeff Beck, Eric Clapton, Mike McCready, Chad Smith, Robert Trujillo and Duff McKagan. It earned four Grammy nominations, winning two. (Osbourne won five Grammys over his lifetime.)

At the Rock & Roll Hall of Fame induction ceremony in 2024, Jack Black called him "greatest frontman in the history of rock 'n' roll" and "the Jack Nicholson of rock." Osbourne thanked his fans, his guitarist Randy Rhoads and his longtime wife, Sharon Osbourne.

The beginnings of Black Sabbath

John Michael Osbourne was raised in the gritty city of Birmingham. Kids in school nicknamed him Ozzy, short for his surname. As a boy, he loved the Four Seasons, Chuck Berry and Little Richard. The Beatles made a huge impression.

"They came from Liverpool, which was approximately 60 miles north of where I come from," he told Billboard. "So all of a sudden it was in my grasp, but I never thought it would be as successful as it became."

In the late 1960s, Osbourne had teamed up with Butler, guitarist Tony Iommi and drummer Bill Ward as the Polka Tulk Blues Band. They decided to rename the band Earth, but found to their dismay there was another band with that name. So they changed the name to the American title of the classic Italian horror movie "I Tre Volti Della Paura," starring Boris Karloff: Black Sabbath.

Once they found their sludgy, ominous groove, the band was productive, putting out their self-titled debut and "Paranoid" in 1970, "Master of Reality" in 1971, "Vol. 4" in 1972 and "Sabbath Bloody Sabbath" in 1973.

The music was all about industrial guitar riffs and disorienting changes in time signatures, along with lyrics that spoke of alienation and doom.

The Guardian newspaper in 2009 said the band "introduced working-class anger, stoner sludge grooves and witchy horror-rock to flower power. Black Sabbath confronted the empty platitudes of the 1960s and, along with Altamont and Charles Manson, almost certainly helped kill off the hippy counterculture."

After Sabbath, Osbourne had an uncanny knack for calling some of the most creative young guitarists to his side. When he went solo, he hired the brilliant innovator Rhoads, who played on two of Osbourne’s finest solo albums, "Blizzard of Ozz" and "Diary of a Madman." Rhoads was killed in a freak plane accident in 1982; Osbourne released the live album "Tribute" in 1987 in his memory.

Osbourne then signed Jake E. Lee, who lent his talents to the platinum albums "Bark at the Moon" and "The Ultimate Sin." Hotshot Zakk Wylde joined Osbourne’s band for "No Rest for the Wicked" and the multiplatinum "No More Tears."

Courting controversy — and wholesomeness

Whomever he was playing with, Osbourne wasn’t likely to back down from controversy. He had the last laugh when the TV evangelist the Rev. Jimmy Swaggart in 1986 lambasted various rock groups and rock magazines as "the new pornography," prompting some retailers to pull Osbourne’s album.

Much later, a whole new Osbourne would be revealed when "The Osbournes," which ran on MTV from 2002-2005, showed this one-time self-proclaimed madman drinking Diet Cokes as he struggled to find the History Channel on his new satellite television or warning his kids not to smoke or drink before they embarked on a night on the town.

Later, he and his son Jack toured America on the travel show "Ozzy & Jack’s World Detour," where the pair visited such places as Mount Rushmore and the Space Center Houston. Osbourne was honored in 2014 with the naming of a bat frog found in the Amazon that makes high-pitched, batlike calls. It was dubbed Dendropsophus ozzyi.

He also met Queen Elizabeth II during her Golden Jubilee weekend. He was standing next to singer-actor Cliff Richard. "She took one look at the two of us, said ‘Oh, so this is what they call variety, is it?’ then cracked up laughing. I honestly thought that Sharon had slipped some acid into my cornflakes that morning," he wrote in "I Am Ozzy."

Thelma Riley and Osbourne married in 1971; Osbourne adopted her son Elliot Kingsley, and they had two more children, Jessica and Louis. Osbourne later met his wife, then Sharon Levy, who became her own celebrity persona, when she was running her father’s Los Angeles office. Her father was Don Arden, a top concert promoter and artist manager. She went to Osbourne’s hotel in Los Angeles to collect money, which Osbourne had spent on drugs.

They married in 1982, had three children — Kelly, Aimee and Jack — and endured periodic separations and reconciliations.

He is survived by Sharon Osbourne and his children.



A New Generation of Elvis Tribute Artists Compete in the King’s Hometown

Elvis Presley in 1975. (Getty Images)
Elvis Presley in 1975. (Getty Images)
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A New Generation of Elvis Tribute Artists Compete in the King’s Hometown

Elvis Presley in 1975. (Getty Images)
Elvis Presley in 1975. (Getty Images)

Nearly 50 years after Elvis Presley's death, a gaggle of exuberant young boys and men shook up his hometown, intent on keeping the king's legacy alive for a new generation.

Ranging in age from seven to 17, some donning jeweled jumpsuits, they took the stage at the Tupelo Elvis Festival's youth tribute artist competition last week.

In contrast to their peers, some of whom may have never heard of Elvis, the competitors have dedicated an enormous amount of time and energy studying the king's voice, mannerisms and style.

They are careful to specify they are Elvis tribute artists. Unlike impersonators, who pretend to be Elvis and sometimes present a characterized version of the king, tribute artists strive for authenticity. Some wore costumes created by B&K Enterprises Costume Co., a company licensed to recreate Elvis' outfits and provide costumes for Elvis movies, musicals and TV shows.

“We're not trying to be him,” said Tucker Gladden, 17, from Madison, Mississippi. “We want to recreate the experience as much as we can for people that maybe didn't get to see Elvis in their lifetime.”

As for their fascination with a long-dead musician, several of the tribute artists credited the 2022 “Elvis” movie with sparking their interest. A couple said their admiration began after discovering they were distantly related to Elvis. Others said it was Elvis' faith and charity that inspired them. Some said they had been performing Elvis songs since they were 3 years old.

For 16-year-old Ayden Maloy from Logansport, Indiana, it was the way Elvis' music helped him during a difficult time in his life that helped motivate him to begin performing as an Elvis tribute artist three years ago.

In an afternoon of dazzling outfits and daring dance moves, the performers paid their tributes, getting the audience clapping, singing and swaying along to their Elvis covers. Ultimately, RJ Hursey, a 14-year-old from Bloomington, Illinois, won the competition.

“It means the world to me,” Hursey said.

Before the competition, the tribute artists toured the Elvis Presley Birthplace, a sprawling complex that includes the home where Elvis was born and the church where he was first exposed to Southern gospel music.

“It feels so surreal to pay tribute to Elvis in his hometown,” said 15-year-old Charles Session from Morrilton, Arkansas. “I hope that he’s looking down and smiling at all these young performers.”


‘Scary Movie’ Tops Box Office, Slaying ‘Masters of the Universe’ and Adding to Low-Budget Streak

 (L-R) US actor/producer/writer Shawn Wayans, US actor Anthony Anderson and US actor/producer/writer Marlon Wayans attend Paramount's "Scary Movie" premiere at the Paramount theater in Los Angeles on June 3, 2026. (AFP)
(L-R) US actor/producer/writer Shawn Wayans, US actor Anthony Anderson and US actor/producer/writer Marlon Wayans attend Paramount's "Scary Movie" premiere at the Paramount theater in Los Angeles on June 3, 2026. (AFP)
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‘Scary Movie’ Tops Box Office, Slaying ‘Masters of the Universe’ and Adding to Low-Budget Streak

 (L-R) US actor/producer/writer Shawn Wayans, US actor Anthony Anderson and US actor/producer/writer Marlon Wayans attend Paramount's "Scary Movie" premiere at the Paramount theater in Los Angeles on June 3, 2026. (AFP)
(L-R) US actor/producer/writer Shawn Wayans, US actor Anthony Anderson and US actor/producer/writer Marlon Wayans attend Paramount's "Scary Movie" premiere at the Paramount theater in Los Angeles on June 3, 2026. (AFP)

The summer box office is booming — but not because of the usual suspects.

After three weeks of indie horror dominance at the box office, the slasher spoof “Scary Movie” topped ticket sales with $55 million over the weekend, according to studio estimates Sunday, easily besting the far-from-mighty “Masters of the Universe.”

A new order has lately come to movie theaters, which have seen Gen Z ticket buyers flock to the horror hits “Obsession” and “Backrooms,” both made by YouTubers-turned-filmmakers. Those movies have even outshone The Walt Disney Co.’s “Star Wars: The Mandalorian and Grogu.”

This weekend, comedy was the underdog champ. Though the genre has been all but left for dead in theaters, the sixth “Scary Movie” notched a franchise-best $105.5 million global launch. The Wayans brother comedy even outdid its primary satirical target, the “Scream” franchise. Earlier this year, “Scream 7” debuted with $97 million worldwide.

Both franchises are distributed by Paramount Pictures, though Miramax produced the new “Scary Movie.” Co-written by Marlon, Shawn, Keenan and Craig Wayans, the sequel marks the Wayans’ return to the franchise after their departure over creative differences following 2001’s “Scary Movie 2.”

“This is an outstanding opening for a comedy sequel this far into the series,” said David A. Gross, who runs the movie consulting firm FranchiseRe. "It’s a huge bounceback after the last episode crashed in 2013 when Anna Faris and Regina Hall were excluded. The weekend figure is triple the average for the genre.”

Reviews weren’t good (26% fresh on Rotten Tomatoes) and audience scores (a “B” CinemaScore) were so-so. But that didn’t stop the $30-million “Scary Movie” from dominating its much bigger budget competition.

“Masters of the Universe,” a sword and sorcery action adventure based on the 1980s animated series and Mattel toys, failed to revive the dormant franchise. The Amazon MGM release, the second “Masters of the Universe” film following a 1987 movie of the same title, opened with $29.3 million domestically.

“Masters of the Universe,” starring Nicholas Galitzine as He-Man, added $25 million overseas. But for a film that cost nearly $200 million to produce, a much higher launch was needed to make profitability likely.

It’s Mattel Studios’ first release since 2023’s “Barbie.” But after the extraordinary $1.45 billion success of that film, “Masters of the Universe” will be closer to a flop for the toy company.

A24’s “Backrooms,” last weekend’s top release, slid steeply on its second weekend, dropping 68% with $25.9 million. But “Backrooms,” a $10 million movie based on 20-year-old Kane Parson’s YouTube series remains a record-breaking phenomenon. It's now A24’s highest grossing film ever with $212 million worldwide, moving ahead of “Marty Supreme."

In a near tie for third place, Focus Features’ “Obsession” grossed $25.6 million in its fourth weekend. That marked a paltry 7% drop from the previous weekend for 26-year-old Curry Barker’s horror sensation. Not accounting for inflation, no horror movie has ever had a better fourth weekend.

“Obsession,” about a man who wishes his crush returned his affections, was made for less than $1 million. It’s now grossed $152.1 million domestically and $224.8 million worldwide — a record for Focus.

In its third weekend, “The Mandalorian and Grogu” fell all the way to sixth place with $10 million. It was even bested by Fathom Entertainment’s “The Amazing Digital Circus: The Last Act,” a combination of the last two episodes of the animated series. It collected $12.7 million.

A few other movies hit milestones.

Lionsgate’s Michael Jackson biopic “Michael” became the studio’s highest grossing film ever with $898 million globally. That puts it ahead, not accounting for inflation, both the highest grossing entries in the studio’s “Twilight” and “Hunger Games” franchises.

And 2026 got its first billion-dollar movie. “The Super Mario Galaxy Movie” crossed $1 billion worldwide for Universal.

The weekend overall was up a remarkable 63% from the same weekend last year, according to Comscore. Ticket sales on the year are up more than 13%. Next weekend, Steven Spielberg’s “Disclosure Day” debuts.


US Gamers Getting Older as Industry Reports Growth

People play Mario Kart World during a launch event ahead of the midnight release of the Nintendo Switch 2 at the Nintendo New York store on June 4, 2025. (AFP)
People play Mario Kart World during a launch event ahead of the midnight release of the Nintendo Switch 2 at the Nintendo New York store on June 4, 2025. (AFP)
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US Gamers Getting Older as Industry Reports Growth

People play Mario Kart World during a launch event ahead of the midnight release of the Nintendo Switch 2 at the Nintendo New York store on June 4, 2025. (AFP)
People play Mario Kart World during a launch event ahead of the midnight release of the Nintendo Switch 2 at the Nintendo New York store on June 4, 2025. (AFP)

Video games are having a moment in the United States -- but the players are getting older.
The average American video game player is now 37 years old -- up from 29 about two decades ago -- as the industry reports activity climbing back to their highest levels since the pandemic-era boom, a new report reveals.
The findings, from the Entertainment Software Association's annual Essential Facts report, challenge enduring stereotypes about who plays games while underscoring the industry's recovery from a post-pandemic slowdown.
"It mirrors in large part the demographics of the nation," ESA president and chief executive Stanley Pierre-Louis told AFP, noting that more than half of all players in the United States are now 35 or older.
The steadily rising average player age reflects both the aging of a generation that grew up with consoles and a wave of older adults who have since picked up the hobby.
The gender split also defies the stereotypical image of the young male gamer.
Men account for 53 percent of players and women 46 percent, with women actually outnumbering men among Baby Boomers, the ESA said.
Overall, 67 percent of Americans play video games for at least an hour a week -- a figure broad enough to encompass everything from blockbuster console titles to casual mobile games like Wordle.
Revenues -- totaling $60.7 billion in 2025 -- have rebounded to their highest point since 2021, when pandemic lockdowns drove an outsized surge in both players and spending.
After a pullback as restrictions lifted, the industry has returned to growth, Pierre-Louis said.
- Self-regulation -
As lawmakers in the United States and Europe weigh tougher regulations on screen time, age verification and in-game spending, Pierre-Louis argued the US gaming industry's track record of voluntary self-regulation sets it apart.
That voluntary framework, he said, has given the industry credibility with US lawmakers that social media platforms lack.
Those platforms, he noted, "traditionally didn't have the same level of parental tools that video games had" -- a gap that has fueled the regulatory backlash now engulfing companies such as Meta and TikTok.
"Safety is not a competitive issue in our industry -- it's one of collaboration," Pierre-Louis said.
"Being on the ecosystem and staying on the ecosystem means you feel like you're in a trusted environment."
- 'Satisfaction' -
The ESA was founded in 1994 partly in response to congressional concern over violent content in games, and almost immediately established the Entertainment Software Rating Board, which assigns age ratings from E for Everyone to M for Mature for titles sold in North America.
The system also flags details about online interactions and in-game purchases.
Major console platforms including Xbox, PlayStation and Nintendo Switch now offer parental control tools that allow families to restrict what games children can access, cap spending and limit screen time -- capabilities Pierre-Louis said have been refined over decades in direct response to parent and policymaker feedback.
The argument, however, faces increasing pushback in the United States.
The gaming industry is facing growing scrutiny as platforms expand into social media-like features, with ESA member Roblox especially under pressure over child safety issues with regulators and in courts.
Legislative proposals range from mandatory age verification for games with chat features to bills that would impose national safety standards.
For the industry, such legislation should not be necessary.
"It's a matter of how do we get everyone up to speed on what the video game industry has been doing, so that there's satisfaction around the practices and trust and safety mechanisms we have in place," Pierre-Louis said.