Comic-Con 2025 Kicks off with New 'Freddy's,' 'Toxic Avenger' and Thousands of Costume-Clad Fans 

Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
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Comic-Con 2025 Kicks off with New 'Freddy's,' 'Toxic Avenger' and Thousands of Costume-Clad Fans 

Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Peter Dinklage, left, and Elijah Wood attend a panel for "The Toxic Avenger" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (Photo by Richard Shotwell/Invision/AP)

Tens of thousands of fans — many in costumes — descended Thursday on Comic-Con International, the four-day pop culture spectacle that will feature updates on the new “Predator” movie, “Alien” series and a special appearance by George Lucas.

Fans packed into the convention's famed Hall H for updates on the “Five Nights at Freddy's” sequel and the “Toxic Avenger” reboot, with a panel on “South Park” coming later in the day.

The convention won't have major news about any upcoming Marvel movies or what's next for the hit relaunch of DC's high-flying “Superman” franchise. Both studios are sitting out Comic-Con 2025, as far as their film slates go.

An estimated 135,000 people will attend the convention, which will greet Lucas on Sunday for his first Comic-Con appearance. The “Star Wars” creator will discuss his new Lucas Museum of Narrative Art that will open next year in Los Angeles.

Fans of the “Alien” and “Predator” franchises will have plenty to cheer. Elle Fanning, star of “Predator: Badlands,” will discuss the film this week. FX will also bring the stars and creators of “Alien: Earth,” a series that will unleash the Xenomorph species on Earth next month.

“Alien: Earth” will be one of the projects that brings a massive interactive experience to San Diego, with a replica of spacecraft from the series. The attraction will feature what's described as a terrifying mission at night.

Marvel may not be presenting new movies, but it will have a “Fantastic Four: First Steps” attraction near the convention, a tie-in to Friday's release of the latest attempt to successfully launch its “first family” in theaters.

A main feature of the convention is its 460,000-square-foot (42,700-square-meter) exhibitor section, which features exclusive merchandise, comic book art and exhibits from brands like Star Wars, Lego, Nickelodeon, Paramount and more.

'Five Nights at Freddy's 2'

More pizzerias and murderous bots No animatronics — or humans — were harmed when “Five Nights at Freddy's 2” came to Comic-Con.

That wasn't necessarily the case on the movie set for the robots.

“They're there, you can actually hug them,” star Piper Rubio said. But she noted that the animatronics sometimes malfunctioned, whether it was odd facial expressions, “fingers falling off or the occasional foxes catching on fire.”

The movies are based on the popular Five Nights at Freddy's video game about a cursed pizza restaurant with possessed, murderous animatronic characters.

The first film was Blumhouse's biggest opening when it dual-launched in theaters and on the Peacock streaming service in 2023, earning $130.6 million globally in its first weekend.

Director Emma Tammi said the second movie has three times the number of animatronics as the first. Star Josh Hutcherson said the movie also features multiple Freddy Fazbear's Pizza franchises and new animatronic characters, like Mangle.

Teo Briones, who's starred in “Final Destination Bloodlines” and “Chucky,” is a newcomer to the series and said he was immediately excited to be part of a movie based on a game he played as a child.

“It's really special to be a part of something that has been such an important cultural thing for my generation,” he said.

“Five Nights at Freddy's 2” will be released Dec. 5.

From the wastes to Hall H for 'The Toxic Avenger”

A year ago, “Toxic Avenger” seemed lost in the waste. But on Thursday, the earnestly gory reboot of the classic 1984 B-movie from Troma Entertainment was in Comic-Con's vaunted Hall H like it was a regular blockbuster.

The movie was shot in 2021 and had a festival premiere in 2023, but struggled to find a distributor. It had been deemed unreleaseable by some with its ultra-graphic, though weirdly warm comic violence, most of it incurred by the tutu-wearing title character's toxic mop.

Cineverse is now giving it an unrated wide release on Aug. 29.

Blair said he had a few non-negotiables that were gladly granted when he agreed to make the film.

“He had to have a tutu. He had to have a mop,” the director said, and, he said. No CGI.

“I was pretty insistent that we had to have a performer in a suit,” Blair said.

Peter Dinklage plays the hero in his pre-toxic form and provides the voice throughout the film that also stars Elijah Wood, Taylour Paige and Jacob Tremblay. All but Bacon were on the stage.

“There's other people up here!” Dinklage said after the first bunch of questions during the Q&A were all for him. “Ever seen 'Lord of the Rings?!' I wasn't in that!”

Wood, the “LOTR” star sitting next to him, laughed as much as anyone in the room.

Comedy takes over Hall H

Comedians Gabriel “Fluffy” Iglesias and Jo Koy whipped Hall H into a frenzy during a mostly-packed session to promote their massive 2026 comedy show at Los Angeles' SoFi Stadium.

The pair traded light — and mostly family-suitable — banter about their inspirations and heroes (Iglesias cited his mother, which led Koy to want to change his answer from Eddie Murphy) and their passionate fan bases.

They said their show would involve each doing at least 90-minute sets, special guests and befitting a show at a football stadium, probably some tailgating. They said fans should expect to be there all day.

Koy joked that it was “challenging to get back here" and that he was ignoring calls from family and friends to get them passes to the convention.

They ended the session handing out autographed Funko collective figures of their likenesses and a selfie with the crowd. They warned anyone who was there with someone they shouldn't be to take cover. “We're not Coldplay,” Iglesias joked, citing the viral kiss cam saga involving a tech company CEO captured embracing an employee at one of the band's concerts.



Now It’s All Come Together: Forgotten Beatles Photos Released

The Beatles in New York in 1968. (AFP)
The Beatles in New York in 1968. (AFP)
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Now It’s All Come Together: Forgotten Beatles Photos Released

The Beatles in New York in 1968. (AFP)
The Beatles in New York in 1968. (AFP)

The venue that hosted The Beatles' only concerts in Japan has released long-forgotten photos of the legendary British band six decades after the gigs.

At the height of Beatlemania in 1966, when the quartet was the world's most famous pop group, the Beatles staged five summer performances in Tokyo in front of screaming fans.

Crowds reportedly thronged their hotel, where they stayed in the finest suite.

Then in 2009, more than 100 photos shot during the gigs "were discovered on a shelf" inside an office at the concert venue Nippon Budokan, the arena's operator told AFP.

But the 19 rolls of negative film -- reportedly wrapped in paper and labelled in such a way that it suggested they belonged to Japanese newspaper the Yomiuri Shimbun -- remained "stored as they were" until recently, the operator in a statement.

However, as the 60th anniversary of the Japan tour approached, the venue operator asked a Beatles expert to examine the negatives, and "his assessment revealed that the photos appear to have never been published" in newspapers or other media.

Among the photos released by the concert venue is a shot of John Lennon smiling beside a Japanese doll that resembles a figurine featuring on the album cover of the 1967 album "Sgt. Pepper's Lonely Hearts Club Band".

The global stars were under tight security during their visit, but the doll may have been purchased during a hurried shopping trip, the Yomiuri Shimbun daily said.

The newspaper is investigating who took the photos and why the negatives had been kept in Nippon Budokan despite being wrapped in paper labelled "The Yomiuri Shimbun archives room", it said.

The photos capture "the atmosphere of that one and only Japan tour -- now remembered as a historic event -- as well as various moments from their stay in Japan," the Nippon Budokan statement said.


AI-generated Artists Break Through in Country Music

"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
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AI-generated Artists Break Through in Country Music

"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP
"Whiskey & Water," a song by Cain Walker featuring Cade Winslow, is one of many AI-generated country music tunes. TIMOTHY A. CLARY / AFP

AI-generated singers routinely rank among the top-streamed country music artists in the United States -- a trend that for now is limited to a genre that industry observers fear is becoming too formulaic.

Breaking Rust, Cain Walker, Aventhis, and Outlaw Gospel have more in common that cowboy hats, denim and leather. They are all completely computer-generated, from their faces to their melodies, said AFP.

And they are all hitmakers.

"That's a phenomenon I didn't see coming," said Jennie Hayes Kurtz of the country music band Brother and The Hayes.

"I thought AI was going to be curing cancer or something."

Many of the AI country tunes tap into the genre's archetype of the lone cowboy: a rugged, taciturn, plain-spoken man who, above all, refuses to apologize for simply existing.

Lyrics are delivered in raspy, gravelly voices that sound as authentic as the real thing.

"It's scary as songwriters," said Kassie Jordan, who forms the singing duo Blue Honey with her husband Troy Brooks.

"We are starting to see a lot of people just putting words into these chatbots and it is writing songs for them," she said. "As a songwriter, it's kind of like, is anyone going to even think I really wrote this?"

Berklee College of Music professor Joe Bennett noted that a sampling of AI singers suggests that the words used to "prompt" AI songs were "not particularly detailed."

None of the producers behind AI-generated music projects responded to AFP's requests for comment.

So how did AI find a place in a genre that is fundamentally rooted in the human experience and storytelling, blending folk, blues, and even gospel influences?

For Bennett, the emergence of modern country music in the early 2000s -- with a highly polished, more pop sound and repeated "melodic shapes" -- is key.

AI models could become adept at replicating such a sound, when fueled with those elements, he explained.

- 'Superficial' -

Once overshadowed by rap and Latin music, and hindered by the industry's shift to digital music formats, country music has nevertheless staged a comeback thanks to a generation of artists with stronger pop, not folk, sensibilities.

Following in the footsteps of country-turned-pop megastar Taylor Swift, today's headliners are more likely to sport baseball caps than wide Stetsons.

Their music breaks genre boundaries, while artists such as Beyonce and Post Malone win fans and sell albums with their crossover efforts.

Last year, country stars Morgan Wallen and Zach Bryan were both in the top 10 most streamed artists on Spotify.

Some in the industry believe country's rebirth signifies a dulled-down formula designed to appeal to the widest possible audience.

"The lyrics aren't as deep as they used to be," Jordan said.

"A big portion of popular country music has become kind of shallow, so that is pretty easy to duplicate."

Bennett says the industry must do a better job of identifying AI-generated music, noting that Deezer is the only major streaming platform to clearly label such material.

"We need AI detection," Bennett maintained.

"It will happen, and there is a consumer demand for it."

Hayes Kurtz said there is a large audience of "passive" listeners who don't care whether music is made by AI, but there are also "active listeners" who attend concerts, buy band merchandise, and deeply respect the integrity of the artists.

"That audience seems to really care it the music is made by the actual humans they are going to see," Hayes Kurtz said.

Jordan says she remains optimistic about the future.

"There's another wave of country artists that are coming that is really into doing it the old school way and showing emotion," she said.

"That will be harder for AI to duplicate. That might save the genre."


'Charlie's Angels' Stars Reunite for Show's 50th Anniversary

Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
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'Charlie's Angels' Stars Reunite for Show's 50th Anniversary

Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP
Aired over five seasons between 1976 and 1981, 'Charlie's Angels' became a cultural phenomenon. VALERIE MACON / AFP

The stars of legendary American crime drama "Charlie's Angels" reunited Monday at Los Angeles' PaleyFest to celebrate 50 years since the show catapulted the trio to fame.

Aired over five seasons between 1976 and 1981, the show became a cultural phenomenon that left its mark on television and starred Kate Jackson, Jaclyn Smith and Cheryl Ladd -- who joined after Farrah Fawcett left the show to pursue a movie career.

The series followed three powerful women who left the daily grind of the Los Angeles police force to become private detectives working for a mysterious boss named Charlie Townsend who spoke to them through an intercom.

It hoped to highlight the strength of women and fight against the archetype that women needed rescuing, Smith -- who played Kelly Garrett -- told AFP on the red carpet at Hollywood's legendary Dolby Theatre.

"Women came into their own, it was groundbreaking (and a) game changer for women," she said.

"Here we were chasing danger (and) we were not being rescued. We were not a wife, a nurse, a secretary, a girlfriend... we were these strong women that could take down a 200-pound man."

Jackson, 77, said she had "never doubted" the show's potential or that it would become a hit big enough to captivate audiences half a century later.

"It was unique, it was unusual, and the three of us had chemistry... we're still sisters today," the 77-year-old who played Sabrina Duncan told AFP.

Although the cast of "Charlie's Angels" changed several times, Smith, Jackson and Ladd formed the series' most enduring trio with Fawcett, who died in 2009, returning as a guest star in a few episodes as Ladd's older sister.

PaleyFest, organized by the Paley Center for Media, celebrates the best of American television.