George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
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George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)

No Hollywood star seems as intrinsically tied to Venice as George Clooney.

Twenty-seven years ago he attended his first Venice Film Festival with the instant classic “Out of Sight”; 20 years ago, it’s where he debuted his sophomore film, “Good Night, and Good Luck,” which earned him his first best director nomination; and 11 years ago, it’s where he exchanged vows with then Amal Alamuddin, at the Aman Venice, a five-star hotel perched alongside the Grand Canal.

Venice is a city that he, like many, thinks is one of the most beautiful in the world. Unlike most people, he also owns 15-bedroom villa a few hours away on Lake Como that famously co-starred in “Ocean’s Twelve.”

This year he’ll be back on the Lido again with Noah Baumbach’s “Jay Kelly,” in which he plays a middle-aged movie star on a journey through Europe with his manager, played by Adam Sandler. And his longtime friend and oft co-star Julia Roberts is making her Venice debut this year with “After the Hunt.”

Here are some of Clooney’s most memorable Venice moments.

1998: “Out of Sight” As legend has it, Clooney’s long term love affair with Venice may have begun with the festival’s premiere of Steven Soderbergh’s Elmore Leonard adaptation “Out of Sight.” Then 37 and doing press alongside Jennifer Lopez, the actor would also make another big jump soon: Leaving “ER” that February.

2003: “Intolerable Cruelty” This Coen brothers joint, co-starring Catherine Zeta-Jones, premiered out of competition at the 60th Venice Film Festival, alongside titles like “Matchstick Men,” “Once Upon a Time in Mexico” and “The Dreamers.” Clooney’s nearby Italian residence was already as famous as him, and a stakeout spot for amateur and professional paparazzi.

In a profile that fall, while shooting “Ocean’s Twelve,” Vanity Fair writer Ned Zeman observed: “That an affable, self-effacing Kentucky-born Hollywood actor is fast becoming the most popular public figure in Italy says a little about Italy and a lot about Clooney, who isn’t Italian, doesn’t speak Italian, and lives here only in summertime.”

2005: “Good Night and Good Luck” Clooney’s acclaimed black-and-white dramatization of journalist Edward R. Murrow’s clash with Joseph McCarthy began its successful run in competition at the 62nd Venice Film Festival. Though it lost the Golden Lion to Ang Lee’s “Brokeback Mountain,” it did go on to pick up six Oscar nominations including for Clooney’s directing.

2007: “Michael Clayton” Tony Gilroy’s “Michael Clayton,” which nabbed Clooney an Oscar nomination for his turn as the titular law firm fixer, played in competition at Venice. The top prize went again to an Ang Lee film: “Lust, Caution,” which also beat out the likes of “I’m Not There,” “Atonement” and “The Assassination of Jesse James by the Coward Robert Ford.”

2008: “Burn After Reading” This Coen brothers comedy featuring Clooney and Brad Pitt opted to debut out of competition in the opening night slot. He said it completed his “trilogy of idiots” that he’d played for the Coens, including “Intolerable Cruelty” and “O Brother, Where Art Thou?” “Looking at the parts we are playing, I’m very concerned about what you think of us,” Clooney said at the press conference. Pitt, who’d won the festival’s acting prize the year prior, added: “Like George ... I’m not sure if I should be flattered or insulted.”

2011: “The Ides of March” Another opening night, out of competition slot debut for this Clooney-directed campaign thriller starring Ryan Gosling and Philip Seymour Hoffman. As usual, Clooney was peppered with political questions in which he observed that, “it’s a very difficult time to govern.”

2013: “Gravity” Alfonso Cuarón’s “Gravity” opened the 70th edition of the Venice Film Festival before going on to win seven Oscars. Clooney, of course, attended the premiere alongside Sandra Bullock and he was self-deprecating about his role: “There were only two parts and Sandy had the other one, so I felt like this was the only one I could get away with.”

2014: George and Amal get married The canals were packed with paparazzi for the nuptials of one of Hollywood’s favorite bachelors. On Sept. 27, Clooney, then 53, and Alamuddin, then 36, exchanged vows in front of 100 of their closest friends and family, including Bono and Matt Damon, at the luxury hotel Aman Grand Canal, originally a grand palazzo built in 1550. She wore a custom Oscar de la Renta dress, of French lace, pearls and diamanté accents. He wore a black wool/cashmere Giorgio Armani tuxedo.

2017: “Suburbicon” Clooney returned to the festival with another of his directing projects, “Suburbicon,” a dark comedic satire about a seemingly idyllic 1950s community with Damon and Julianne Moore. This festival was especially notable for it being the Clooneys’ first public appearance since the birth of their twins, Alexander and Ella, a few months prior.

2023: Spotlight on Amal This time George was the plus one to Amal, who was receiving an award from the Diane von Furstenberg and The Diller-von Furstenberg Family Foundation for her work as a human rights lawyer. The power couple gave the festival some much-needed star power amid the actors strike with an appearance at the adjacent DVF Awards. “I am here in Venice with my husband; he is a rising star,” she said that night. “I just wanted to say, you, my love, like this city, take my breath away.”

2024: “Wolfs” Clooney and Pitt reunited for the Jon Watts action comedy “Wolfs,” that played out of competition. But the spotlight was less on the film and more on the off-screen drama of the AppleTV+ produced film only getting a limited theatrical release, and his then-recent New York Times op-ed urging President Joe Biden to end his reelection bid.

“The person who should be applauded is the president who did the most selfless thing anyone’s done since George Washington,” Clooney said. “All the machinations that got us there, none of that’s going to be remembered. And it shouldn’t be. What should be remembered is the selfless act.”



'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
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'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier

"Michael," the big-budget Michael Jackson spectacle, shrugged off bad reviews and a troubled production to launch with $97 million in US and Canada theaters, according to studio estimates Sunday, shattering a record debut for music biopics.

A highly authorized portrayal of the King of Pop, co-produced by the Jackson estate, Lionsgate’s “Michael” far surpassed previous biopic top performers like “Straight Outta Compton” (a $60.2 million debut in 2015) and “Bohemian Rhapsody” ($51 million in 2018).

International sales were also strong, The Associated Press reported. “Michael” collected $120.4 million overseas, to give it a $217.4 million global opening — a new high for a music biopic. Universal picked up distribution in most international markets.

Even in the lucrative market of music biopics, “Michael” was an audacious bet by Lionsgate on an extraordinarily popular but controversial figure. The reputation of Jackson, who died in 2009 at the age of 50, has been repeatedly tarnished by allegations of sexual abuse of children. Jackson and his estate have maintained his innocence, though the pop star acknowledged sharing a bedroom with other people’s children. He was acquitted in his sole criminal trial in 2005.

Some Jackson family members opposed the film. Janet Jackson was uninvolved and doesn’t appear in it. Jackson’s daughter, Paris, called it “fantasy land.” But three years after “Leaving Neverland,” the 2009 documentary about Jackson’s alleged sexual abuse of children, “Bohemian Rhapsody” producer Graham King announced plans for the biopic. Jackson’s nephew, Jaafar Jackson, was cast to star.

“Michael” had an unusually rocky production. After shooting was completed, producers realized they had made a costly mistake. The third act focused on the accusations of Jordan Chandler, then 13 years old, whom Jackson paid $23 million to in a 1994 settlement. The terms of that settlement barred the Jackson estate from ever mentioning Chandler in a movie.

A huge chunk of the film had to be cut. Reshoots for as much as $50 million were done at the estate’s expense. Director Antoine Fuqua and screenwriter John Logan reworked the movie to conclude in 1988, before any accusations were made.

Yet as bad as things once looked for “Michael,” the movie turned into a hit. The film’s total production cost came close to $200 million. To defray costs, Lionsgate sold international distribution rights to Universal. A sequel, while not yet announced, is expected.

Critics slammed the film for glossing over some of the less convenient aspects of Jackson’s life. It scored a paltry 38% on Rotten Tomatoes. But audiences were far more enthusiastic.

“Michael” earned an “A-” CinemaScore.

The opening for “Michael” added to a strong spring for Hollywood boosted by box-office hits like Amazon MGM’s “Project Hail Mary” and Universal’s “The Super Mario Galaxy Movie.” After three weeks atop the box office, the “Mario” sequel slid to second place, with $21.2 million. It four weeks, it’s collected $386.5 million domestically.


Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
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Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)

Members of the screenwriters union overwhelmingly ratified a four-year agreement with Hollywood studios and streamers on Friday, bringing an end to a surprisingly smooth and quick process that brought a prolonged strike the last time around.

Union leaders said 90% voted to approve the deal struck between the Writers Guild of America West, Writers Guild of America East and Alliance of Motion Picture and Television Producers. Studios will now shift to negotiations with actors and directors.

Leaders of the unions emphasized gains in health coverage.

“In the face of industry contraction and runaway health care cost inflation, writers were able to secure a contract that returns our Health Fund to a sustainable path and builds on gains from the 2023 strike,” WGA West President Michele Mulroney said in a statement.

Guild leaders said the deal also includes minimum pay hikes, especially for comedy and variety writers, with more money in residuals for the re-airing of their work.

The AMPTP congratulated the union on the ratification.

“This deal reflects a collaborative approach that supports both writers and the industry’s long-term stability,” it said in its own statement.

An April 4 tentative agreement came about three weeks after negotiations began — a stark contrast to the contentious contract negotiation that along with an actors strike brought the industry to a standstill in 2023.

The Writers Guild has had its own labor struggles with its staff, whose strike brought the cancellation of their annual awards ceremony in March.

Actors, through their union SAG-AFTRA, are still negotiating their new contract. The groups have negotiated for about a month and are set to resume Monday after a break.

SAG-AFTRA President Sean Astin said in a February interview with The Associated Press that he has seen signs that the studios want “to work as partners again."

The Directors Guild begins its contract talks on May 11.


Concert Pays Tribute to Swiss Fire Disaster Victims

Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026.  (Photo by Fabrice COFFRINI / AFP)
Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026. (Photo by Fabrice COFFRINI / AFP)
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Concert Pays Tribute to Swiss Fire Disaster Victims

Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026.  (Photo by Fabrice COFFRINI / AFP)
Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026. (Photo by Fabrice COFFRINI / AFP)

A benefit concert was held Wednesday in tribute to the victims of a New Year's fire that killed 41 people at an upscale Swiss ski resort, nearly four months on from the tragedy.

The concert brought together the families of victims and some of those who survived the fire, which erupted at a bar in the Alpine town of Crans-Montana in the early hours of January 1.

Most of those killed in disaster at Le Constellation bar were teenagers, while 115 people were injured.

At the concert, staged at the Salle Metropole theatre in Lausanne, the performing artists came onto the stage to a song written about the tragedy called "Etoile de nos coeurs" ("Star of our Hearts"), and lined up holding white roses.

Beforehand, the families of the victims gathered in the foyer. There were hugs, smiles and some tears.

"It's about solidarity. To all the victims, up there or here on Earth, it means one thing: we haven't forgotten you," Laetitia Brodard-Sitre, whose 16-year-old son Arthur was among those killed, told AFP.

"We're in survival mode. Half of our hearts have been ripped away," she added.

"It keeps alive the memory of all those who were hurt, both physically and emotionally."

Tickets cost from 90 Swiss francs ($115), with the proceeds going towards Swisshearts -- an association founded by parents affected by the disaster.

The participating artists -- performing for free -- included Gjon's Tears, who finished third for Switzerland at the 2021 Eurovision Song Contest.

"There were a lot of young people, and even today, four months later, they find it hard to talk about it," the singer told AFP.

"These were young people who just wanted to party and have fun.

"Being close in age to the majority of the victims... I think we can relate to it," the 27-year-old said.

Also on the bill was the veteran Italian singer Richard Cocciante.

"We need to think about the people who are no longer here," the 80-year-old told AFP, adding that music "certainly helps; I don't know if it can heal, but it helps".

A total of 13 people are under criminal investigation in connection with the disaster, including the bar's owners and several current and former local officials.

The fire hit the Lausanne region hard.

Several of those killed were from the suburb of Lutry. Its football team lost seven players in the fire, with more injured in the disaster.

For many survivors badly burned in the fire, the journey towards resuming a normal life, where possible, is far from over, with lengthy hospital treatment followed by spells in rehabilitation and readaptation clinics.

Switzerland's Federal Office for Civil Protection told AFP on Wednesday that 38 patients were still in hospitals and clinics, including 19 in neighboring countries.