George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
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George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)

No Hollywood star seems as intrinsically tied to Venice as George Clooney.

Twenty-seven years ago he attended his first Venice Film Festival with the instant classic “Out of Sight”; 20 years ago, it’s where he debuted his sophomore film, “Good Night, and Good Luck,” which earned him his first best director nomination; and 11 years ago, it’s where he exchanged vows with then Amal Alamuddin, at the Aman Venice, a five-star hotel perched alongside the Grand Canal.

Venice is a city that he, like many, thinks is one of the most beautiful in the world. Unlike most people, he also owns 15-bedroom villa a few hours away on Lake Como that famously co-starred in “Ocean’s Twelve.”

This year he’ll be back on the Lido again with Noah Baumbach’s “Jay Kelly,” in which he plays a middle-aged movie star on a journey through Europe with his manager, played by Adam Sandler. And his longtime friend and oft co-star Julia Roberts is making her Venice debut this year with “After the Hunt.”

Here are some of Clooney’s most memorable Venice moments.

1998: “Out of Sight” As legend has it, Clooney’s long term love affair with Venice may have begun with the festival’s premiere of Steven Soderbergh’s Elmore Leonard adaptation “Out of Sight.” Then 37 and doing press alongside Jennifer Lopez, the actor would also make another big jump soon: Leaving “ER” that February.

2003: “Intolerable Cruelty” This Coen brothers joint, co-starring Catherine Zeta-Jones, premiered out of competition at the 60th Venice Film Festival, alongside titles like “Matchstick Men,” “Once Upon a Time in Mexico” and “The Dreamers.” Clooney’s nearby Italian residence was already as famous as him, and a stakeout spot for amateur and professional paparazzi.

In a profile that fall, while shooting “Ocean’s Twelve,” Vanity Fair writer Ned Zeman observed: “That an affable, self-effacing Kentucky-born Hollywood actor is fast becoming the most popular public figure in Italy says a little about Italy and a lot about Clooney, who isn’t Italian, doesn’t speak Italian, and lives here only in summertime.”

2005: “Good Night and Good Luck” Clooney’s acclaimed black-and-white dramatization of journalist Edward R. Murrow’s clash with Joseph McCarthy began its successful run in competition at the 62nd Venice Film Festival. Though it lost the Golden Lion to Ang Lee’s “Brokeback Mountain,” it did go on to pick up six Oscar nominations including for Clooney’s directing.

2007: “Michael Clayton” Tony Gilroy’s “Michael Clayton,” which nabbed Clooney an Oscar nomination for his turn as the titular law firm fixer, played in competition at Venice. The top prize went again to an Ang Lee film: “Lust, Caution,” which also beat out the likes of “I’m Not There,” “Atonement” and “The Assassination of Jesse James by the Coward Robert Ford.”

2008: “Burn After Reading” This Coen brothers comedy featuring Clooney and Brad Pitt opted to debut out of competition in the opening night slot. He said it completed his “trilogy of idiots” that he’d played for the Coens, including “Intolerable Cruelty” and “O Brother, Where Art Thou?” “Looking at the parts we are playing, I’m very concerned about what you think of us,” Clooney said at the press conference. Pitt, who’d won the festival’s acting prize the year prior, added: “Like George ... I’m not sure if I should be flattered or insulted.”

2011: “The Ides of March” Another opening night, out of competition slot debut for this Clooney-directed campaign thriller starring Ryan Gosling and Philip Seymour Hoffman. As usual, Clooney was peppered with political questions in which he observed that, “it’s a very difficult time to govern.”

2013: “Gravity” Alfonso Cuarón’s “Gravity” opened the 70th edition of the Venice Film Festival before going on to win seven Oscars. Clooney, of course, attended the premiere alongside Sandra Bullock and he was self-deprecating about his role: “There were only two parts and Sandy had the other one, so I felt like this was the only one I could get away with.”

2014: George and Amal get married The canals were packed with paparazzi for the nuptials of one of Hollywood’s favorite bachelors. On Sept. 27, Clooney, then 53, and Alamuddin, then 36, exchanged vows in front of 100 of their closest friends and family, including Bono and Matt Damon, at the luxury hotel Aman Grand Canal, originally a grand palazzo built in 1550. She wore a custom Oscar de la Renta dress, of French lace, pearls and diamanté accents. He wore a black wool/cashmere Giorgio Armani tuxedo.

2017: “Suburbicon” Clooney returned to the festival with another of his directing projects, “Suburbicon,” a dark comedic satire about a seemingly idyllic 1950s community with Damon and Julianne Moore. This festival was especially notable for it being the Clooneys’ first public appearance since the birth of their twins, Alexander and Ella, a few months prior.

2023: Spotlight on Amal This time George was the plus one to Amal, who was receiving an award from the Diane von Furstenberg and The Diller-von Furstenberg Family Foundation for her work as a human rights lawyer. The power couple gave the festival some much-needed star power amid the actors strike with an appearance at the adjacent DVF Awards. “I am here in Venice with my husband; he is a rising star,” she said that night. “I just wanted to say, you, my love, like this city, take my breath away.”

2024: “Wolfs” Clooney and Pitt reunited for the Jon Watts action comedy “Wolfs,” that played out of competition. But the spotlight was less on the film and more on the off-screen drama of the AppleTV+ produced film only getting a limited theatrical release, and his then-recent New York Times op-ed urging President Joe Biden to end his reelection bid.

“The person who should be applauded is the president who did the most selfless thing anyone’s done since George Washington,” Clooney said. “All the machinations that got us there, none of that’s going to be remembered. And it shouldn’t be. What should be remembered is the selfless act.”



Manga Productions Announces Its New Project 'Henna' in Collaboration with Bilibili

The film tells the story of a young deaf girl, who embarks on a journey to discover her voice and express herself through the art of henna, (SPA)
The film tells the story of a young deaf girl, who embarks on a journey to discover her voice and express herself through the art of henna, (SPA)
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Manga Productions Announces Its New Project 'Henna' in Collaboration with Bilibili

The film tells the story of a young deaf girl, who embarks on a journey to discover her voice and express herself through the art of henna, (SPA)
The film tells the story of a young deaf girl, who embarks on a journey to discover her voice and express herself through the art of henna, (SPA)

Manga Productions, a subsidiary of Mohammed bin Salman Foundation “Misk,” is participating in the Annecy International Animation Film Festival 2026, one of the world’s leading festivals dedicated to animation and creative content, taking place from June 23 to 26 in Annecy, France.

The company is showcasing a selection of its creative projects and productions that reflect Saudi identity and culture, while further strengthening its international presence and building strategic relationships with global partners in the entertainment and content industry, reported the Saudi Press Agency on Wednesday.

During the Annecy International Animation Film Festival, Manga Productions announced its new animated short film project, “Henna”, in collaboration with the Chinese platform Bilibili. The film tells the story of a young deaf girl, who embarks on a journey to discover her voice and express herself through the art of henna, representing the deaf and hard-of-hearing community in a story that reflects the company's commitment to creating culturally rooted, inspiring human stories for global audiences.

“Henna” marks the first co-produced animation project between Bilibili and an Arab company, and is one of the first outcomes of the strategic partnership signed between Manga Productions and Bilibili in August 2025 to strengthen collaboration in content creation, production, and distribution.

This step is part of Manga Productions’ efforts to expand the reach of Saudi content and Arab creativity in international markets, particularly in China, one of the world’s largest and fastest-growing digital entertainment markets. Bilibili is one of China's leading digital platforms, with more than 107 million daily active users, opening new opportunities for Saudi content to reach a broad global audience.

CEO of Manga Productions Dr. Essam Bukhary stated: "Our participation in the Annecy International Animation Film Festival reflects Manga Productions’ commitment to strengthening the global presence of Saudi creative content and building strategic partnerships that contribute to the growth of the animation industry and cultural sector in the Kingdom.”

“We are also proud to announce our new animated short movie, ‘Henna’, in collaboration with the Chinese platform Bilibili. The project reflects our strategy of creating impactful human stories inspired by our local culture and presented through a global perspective, while showcasing the talent and creativity of the Saudi youth in whom we place great confidence and high expectations,” he added.

“Henna” Director Riyadh Al-Dossary said: “‘Henna’ carries a human message that reflects the power of one’s inner voice and self-expression despite challenges. Through this project, we aim to deliver a visually engaging and emotionally authentic experience inspired by our local culture in a language that resonates with global audiences.”

Manga Productions also highlighted the global success of the Saudi-Japanese anime series “Asateer2: Future’s Folktales”, co-produced with Toei Animation and created with the participation of more than 50 Saudi artists, which achieved over 151 million views and 450+ media features across five continents.

Manga Productions also announced the global expansion of the series through multiple languages and platforms, including the Arabic version on Shahid, Japanese version on Lemino, and French version on Anime Digital Network, in addition to the English and Spanish versions.

The Annecy International Animation Film Festival is considered one of the most prominent global platforms bringing together leading animation studios, content creators, distributors, and investors from around the world, contributing to the exchange of expertise, the development of partnerships, and the exploration of the latest trends in the animation industry.

This participation aligns with Manga Productions’ strategy to expand its global impact and reinforce Saudi Arabia’s position as a growing hub for creative industries, in line with Saudi Vision 2030 objectives to support the creative economy and strengthen the Kingdom’s cultural presence internationally.


Angelina Jolie Turns Personal Pain into Performance for ‘Couture’ Film

Actress Angelina Jolie arrives for a special Maleficent Costume Display at Kensington Palace in London in ths file photo taken May 8, 2014. REUTERS/Luke MacGregor/Files
Actress Angelina Jolie arrives for a special Maleficent Costume Display at Kensington Palace in London in ths file photo taken May 8, 2014. REUTERS/Luke MacGregor/Files
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Angelina Jolie Turns Personal Pain into Performance for ‘Couture’ Film

Actress Angelina Jolie arrives for a special Maleficent Costume Display at Kensington Palace in London in ths file photo taken May 8, 2014. REUTERS/Luke MacGregor/Files
Actress Angelina Jolie arrives for a special Maleficent Costume Display at Kensington Palace in London in ths file photo taken May 8, 2014. REUTERS/Luke MacGregor/Files

Academy Award winner Angelina Jolie faced one of her deepest fears on screen for the French film "Couture" - being diagnosed with cancer.

Based on personal experiences of writer and director Alice Winocour, Jolie plays fictional American filmmaker Maxine Walker, who, while producing a film to accompany a runway show for Paris Fashion Week, discovers she has breast cancer.

Jolie's mother, Marcheline Bertrand, died of breast cancer at the age of 56, and Jolie underwent a double mastectomy in 2013 after discovering she was carrying the same genetic mutation as her mother.

"I thought often of my mother and ⁠how much I ⁠think this film would have been wonderful for her when she was going through this," she told Reuters.

But it wasn't just about her mother; Jolie also got involved to bring Walker’s experience to the world.

"You sit in that chair, and whether it's cancer or anything, whether you're male or female, we've all ⁠had that moment. We've all had that moment where we've gotten some news that has shifted our lives," the “Maria” actor said.

Jolie had to go through a scene where operation lines were placed on her chest by an oncologist.

"It felt a strange moment to have Hollywood in my hospital room," Jolie said.

"Here I am, you know, in my gown, getting my needles, doing all the stuff that I do, but now we are sharing it. And so, it felt very vulnerable,” she added.

Alongside Jolie, the ⁠cast of “Couture” ⁠includes Ada, played by Anyier Anei, who is a model struggling with the fashion industry putting her on a pedestal, and make-up artist Angele, played by Ella Rumpf, who is trying to break out of the fashion scene by becoming a writer.

Jolie hopes that each character’s story will resonate with viewers.

"I think what we found in doing this, and hopefully what the audience will feel, is that we're connected," the 51-year-old said.

"We're connected as human beings, and we all go through something... And it's very necessary to pull us all through being human,” Jolie added.

“Couture” arrives in American movie theaters on Friday.


Clive Davis, Music Industry Starmaker, Dies at 94

Legendary US record producer Clive Davis speaks during the “Recording Academy and Clive Davis' Salute To Industry Icons” pre-Grammy gala at the Beverly Hilton hotel in Beverly Hills, California on January 31, 2026. (AFP)
Legendary US record producer Clive Davis speaks during the “Recording Academy and Clive Davis' Salute To Industry Icons” pre-Grammy gala at the Beverly Hilton hotel in Beverly Hills, California on January 31, 2026. (AFP)
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Clive Davis, Music Industry Starmaker, Dies at 94

Legendary US record producer Clive Davis speaks during the “Recording Academy and Clive Davis' Salute To Industry Icons” pre-Grammy gala at the Beverly Hilton hotel in Beverly Hills, California on January 31, 2026. (AFP)
Legendary US record producer Clive Davis speaks during the “Recording Academy and Clive Davis' Salute To Industry Icons” pre-Grammy gala at the Beverly Hilton hotel in Beverly Hills, California on January 31, 2026. (AFP)

Clive Davis, the record company lawyer who became one of the music industry's most powerful figures, launching or resurrecting the careers of such superstars as Janis Joplin, Whitney Houston, Carlos Santana and Alicia Keys, has died, his family confirmed to the New York Times. He was 94.

Earlier this year, Davis was hospitalized following an upper respiratory issue and was released a few days later. He died in his Manhattan apartment, the Times reported. Messages sent to representatives for Davis were not immediately returned Monday.

Unlike other record moguls whose influence waned as they got older, Davis' might only seemed to grow over his career, which spanned more than five decades, various genres and multiple labels. Into his 80s, he was directing the careers of everyone from Barry Manilow to “American Idol” winners Carrie Underwood and Kelly Clarkson.

His success stories were staggering, with Houston a crowning achievement and devastating tragedy: Davis signed her to his Arista record label when she was just a teen and turned her into America's reigning pop princess: She racked up multiple No. 1 hits and became one of the top-selling artists in pop history before drug abuse hobbled her career. She died in a Los Angeles hotel room in 2012 just hours before she was to appear at the annual pre-Grammy Awards gala hosted by Davis, who had been convinced she was turning her life around.

“Maybe I should have been more skeptical,” Davis wrote in his 2013 memoir, “The Soundtrack of My Life,” “but I’ve always been optimistic, and I felt hopeful. It felt like old times.”

He also launched the career of multiplatinum, multiple Grammy winner Keys — and was quick to note other talents he signed, including Joplin and Billy Joel, Blood Sweat & Tears and other “all-timers,” as he so often put it.

“I signed Patti Smith, the great Renaissance woman ... I signed Lou Reed ... I signed the Grateful Dead,” he proudly touted in an interview with The Associated Press in 1999.

But Davis didn't simply have an eye for new talent — he also knew how to keep veterans relevant decades after their first hit. Aretha Franklin, whose legend was made at Atlantic Records, flourished in her later years at Arista Records, as did Luther Vandross, who made his last albums for another Davis label, J Records.

Davis was also responsible for conceiving of the 1999 album “Supernatural,” which paired guitar god Santana with some of the day's hottest talents. The record went on to win a record tying eight Grammys and gave Santana more success than he had ever enjoyed in his decades-long career.

He had middle aged star Rod Stewart trade in his rock hits for standards from “The Great American Songbook.” The album, released in 2003, sold millions and was so successful it spawned four titles in all.

Davis didn’t always make the right choices; he turned down a chance to sign up Meatloaf. And he and his collaborators didn’t always agree. He and producer David Foster fought bitterly over the arrangement for Houston’s all-time hit, a cover of Dolly Parton’s “I Will Always Love You.” Manilow strongly objected to recording “I Write the Songs,” noting that he didn’t even write the song, a Bruce Johnston ballad that became a signature hit for Manilow, who would have similar latter-day success mining the music of the 1950s, 60s and '70s.

“He's just brilliant at picking ideas he thinks the public will connect,” raved Manilow, who had worked with Davis since he was a budding singer at Columbia Records.

Davis also had his struggles. Though he became president of Columbia Records in 1967 after joining the label in 1960 as a lawyer, by 1973 he was gone in a bitter fallout. The label accused him of mismanagement of funds and he was fired. Although Davis says he was later cleared, it wasn't the end of his problems; he later was indicted on tax evasion charges, pleaded guilty to one count and had to pay a $10,000 fine.

However, Davis would declare victory: he says Columbia gave him the money to start Arista Records to resolve the dispute, and the label would become a huge success with artists like country superstars Brooks & Dunn, sassy R&B group TLC, Babyface, Houston, Franklin and others.

The label had huge success with a debut act — Milli Vanilli. But the male pop duo would become the embarrassment of the industry when, after winning a Grammy, it was revealed that they weren't actually singing their songs (Davis blamed the debacle on the label's European division, which he said signed them; the group was later stripped of its best new artist Grammy).

In 1999, as Arista was celebrating its 25th anniversary, Davis faced another crisis: the label's then-parent company, BMG Entertainment, a division of German media conglomerate Bertelsmann, wanted him to retire; most of its executives were eased out by 60, and Davis was in his mid-60s.

In 2000, despite support from his superstar roster, the company ousted him in favor of producer and songwriter Antonio “L.A.” Reid, who would later become chairman of Island/Def Jam.

However, instead of severing its ties with Davis, BMG helped him launch J Records in what BMG has described as the largest record company startup ever created. Vandross was one of his initial artists, along with forgettable acts like the boy-band O-Town.

J Records was a success from the start, though, and only grew in stature with the arrival of a young singer named Keys, a piano-playing singer-songwriter with powerful pipes and dramatic R&B songs. Keys' albums would go on to sell millions and win several Grammys.

His influence grew even more when Davis was tapped for BMG's US division.

He became a key backer of the careers of the winners of “American Idol,” guiding many albums to platinum status. The show's link to Sony BMG came through a deal between Davis and 19 Recordings Unlimited, the label managed by “Idol” creator Simon Fuller.

In 2007, however, Davis disagreed with the direction of Clarkson's “My December,” and she publicly criticized him. The album was a flop, and she later apologized.

In 2008, Sony BMG replaced Davis as chairman and chief executive officer of the BMG label group, giving him the title of chief creative officer.