George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
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George Clooney’s Italian Job: Memorable Moments from the Venice Film Festival and Beyond 

George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)
George Clooney, left, and Amal Alamuddin arrive in Venice, Italy, on Sept. 26, 2014, for their upcoming wedding. (AP)

No Hollywood star seems as intrinsically tied to Venice as George Clooney.

Twenty-seven years ago he attended his first Venice Film Festival with the instant classic “Out of Sight”; 20 years ago, it’s where he debuted his sophomore film, “Good Night, and Good Luck,” which earned him his first best director nomination; and 11 years ago, it’s where he exchanged vows with then Amal Alamuddin, at the Aman Venice, a five-star hotel perched alongside the Grand Canal.

Venice is a city that he, like many, thinks is one of the most beautiful in the world. Unlike most people, he also owns 15-bedroom villa a few hours away on Lake Como that famously co-starred in “Ocean’s Twelve.”

This year he’ll be back on the Lido again with Noah Baumbach’s “Jay Kelly,” in which he plays a middle-aged movie star on a journey through Europe with his manager, played by Adam Sandler. And his longtime friend and oft co-star Julia Roberts is making her Venice debut this year with “After the Hunt.”

Here are some of Clooney’s most memorable Venice moments.

1998: “Out of Sight” As legend has it, Clooney’s long term love affair with Venice may have begun with the festival’s premiere of Steven Soderbergh’s Elmore Leonard adaptation “Out of Sight.” Then 37 and doing press alongside Jennifer Lopez, the actor would also make another big jump soon: Leaving “ER” that February.

2003: “Intolerable Cruelty” This Coen brothers joint, co-starring Catherine Zeta-Jones, premiered out of competition at the 60th Venice Film Festival, alongside titles like “Matchstick Men,” “Once Upon a Time in Mexico” and “The Dreamers.” Clooney’s nearby Italian residence was already as famous as him, and a stakeout spot for amateur and professional paparazzi.

In a profile that fall, while shooting “Ocean’s Twelve,” Vanity Fair writer Ned Zeman observed: “That an affable, self-effacing Kentucky-born Hollywood actor is fast becoming the most popular public figure in Italy says a little about Italy and a lot about Clooney, who isn’t Italian, doesn’t speak Italian, and lives here only in summertime.”

2005: “Good Night and Good Luck” Clooney’s acclaimed black-and-white dramatization of journalist Edward R. Murrow’s clash with Joseph McCarthy began its successful run in competition at the 62nd Venice Film Festival. Though it lost the Golden Lion to Ang Lee’s “Brokeback Mountain,” it did go on to pick up six Oscar nominations including for Clooney’s directing.

2007: “Michael Clayton” Tony Gilroy’s “Michael Clayton,” which nabbed Clooney an Oscar nomination for his turn as the titular law firm fixer, played in competition at Venice. The top prize went again to an Ang Lee film: “Lust, Caution,” which also beat out the likes of “I’m Not There,” “Atonement” and “The Assassination of Jesse James by the Coward Robert Ford.”

2008: “Burn After Reading” This Coen brothers comedy featuring Clooney and Brad Pitt opted to debut out of competition in the opening night slot. He said it completed his “trilogy of idiots” that he’d played for the Coens, including “Intolerable Cruelty” and “O Brother, Where Art Thou?” “Looking at the parts we are playing, I’m very concerned about what you think of us,” Clooney said at the press conference. Pitt, who’d won the festival’s acting prize the year prior, added: “Like George ... I’m not sure if I should be flattered or insulted.”

2011: “The Ides of March” Another opening night, out of competition slot debut for this Clooney-directed campaign thriller starring Ryan Gosling and Philip Seymour Hoffman. As usual, Clooney was peppered with political questions in which he observed that, “it’s a very difficult time to govern.”

2013: “Gravity” Alfonso Cuarón’s “Gravity” opened the 70th edition of the Venice Film Festival before going on to win seven Oscars. Clooney, of course, attended the premiere alongside Sandra Bullock and he was self-deprecating about his role: “There were only two parts and Sandy had the other one, so I felt like this was the only one I could get away with.”

2014: George and Amal get married The canals were packed with paparazzi for the nuptials of one of Hollywood’s favorite bachelors. On Sept. 27, Clooney, then 53, and Alamuddin, then 36, exchanged vows in front of 100 of their closest friends and family, including Bono and Matt Damon, at the luxury hotel Aman Grand Canal, originally a grand palazzo built in 1550. She wore a custom Oscar de la Renta dress, of French lace, pearls and diamanté accents. He wore a black wool/cashmere Giorgio Armani tuxedo.

2017: “Suburbicon” Clooney returned to the festival with another of his directing projects, “Suburbicon,” a dark comedic satire about a seemingly idyllic 1950s community with Damon and Julianne Moore. This festival was especially notable for it being the Clooneys’ first public appearance since the birth of their twins, Alexander and Ella, a few months prior.

2023: Spotlight on Amal This time George was the plus one to Amal, who was receiving an award from the Diane von Furstenberg and The Diller-von Furstenberg Family Foundation for her work as a human rights lawyer. The power couple gave the festival some much-needed star power amid the actors strike with an appearance at the adjacent DVF Awards. “I am here in Venice with my husband; he is a rising star,” she said that night. “I just wanted to say, you, my love, like this city, take my breath away.”

2024: “Wolfs” Clooney and Pitt reunited for the Jon Watts action comedy “Wolfs,” that played out of competition. But the spotlight was less on the film and more on the off-screen drama of the AppleTV+ produced film only getting a limited theatrical release, and his then-recent New York Times op-ed urging President Joe Biden to end his reelection bid.

“The person who should be applauded is the president who did the most selfless thing anyone’s done since George Washington,” Clooney said. “All the machinations that got us there, none of that’s going to be remembered. And it shouldn’t be. What should be remembered is the selfless act.”



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.