Tony Shalhoub Explores Global Cultures Through Bread in New CNN Series ‘Breaking Bread’

 This image released by CNN shows Tony Shalhoub, center, in a scene from his series "Breaking Bread," which follows the actor across the globe as he explores cultures and food through the lens of bread. (CNN via AP)
This image released by CNN shows Tony Shalhoub, center, in a scene from his series "Breaking Bread," which follows the actor across the globe as he explores cultures and food through the lens of bread. (CNN via AP)
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Tony Shalhoub Explores Global Cultures Through Bread in New CNN Series ‘Breaking Bread’

 This image released by CNN shows Tony Shalhoub, center, in a scene from his series "Breaking Bread," which follows the actor across the globe as he explores cultures and food through the lens of bread. (CNN via AP)
This image released by CNN shows Tony Shalhoub, center, in a scene from his series "Breaking Bread," which follows the actor across the globe as he explores cultures and food through the lens of bread. (CNN via AP)

To make bread, you need flour, water, salt and, usually, a rising agent, like yeast. To break bread, CNN has enlisted someone special — Tony Shalhoub.

The Broadway and “Monk” star enters the crowded field of celebrity travel hosts this fall with “Breaking Bread,” which follows the actor across the globe as he explores cultures and food through the lens of bread.

“It is about bread, but bread really as a kind of a vehicle, a vessel, to illustrate and billboard history and culture and people and find out what they do and why they do what they do,” he says.

The series, which debuts on Sunday night, follows Shalhoub as he samples baguettes and bouillabaisse in Marseille, France, and scarfs down fluffy milk bread and red bean paste buns in Tokyo.

‘Delicious bread’

The first episode is set in Shalhoub's current hometown of New York City and he eats old-fashioned pumpernickel and rye breads, as well as Irish soda bread scones. He goes to Chinatown for fried dough and the Little Caribbean neighborhood in Brooklyn for black cake and currant rolls.

“I don’t know how you convinced people to make this a show. We just get to eat delicious bread,” guest Lin-Manuel Miranda tells Shalhoub as he munches on an everything bagel with cream cheese and jam.

Shalhoub finds himself in Brazil in the second episode, reveling in the influences Lebanese immigrants like him have given to São Paulo’s food scene: Flatbreads, za’atar, pistachios and kibbeh. He visits a cassava farm, learns about fermentation and Afro-Brazilian heritage in things like a deep fried bread ball made from black eye pea flour.

Crowded field

Shalhoub is part of a crowded field of celeb travel hosts, which includes Rainn Wilson, Eugene Levy, Stanley Tucci, Orlando Bloom, Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Eva Longoria and Ewan McGregor.

They are all following in the wake of the late Anthony Bourdain, whose “Parts Unknown” series on CNN was part travelogue, part history lesson and part love letter to food.

Amy Entelis, executive vice president for talent, CNN Originals and creative development for CNN Worldwide, worked on Bourdain's show and greenlit Shalhoub's.

“No one we work with tries to be Tony Bourdain and nobody thinks they’re going to be,” she says. “We try to work with people to go on that mission, but to make it theirs.”

Shalhoub collected three Emmy Awards for his work as obsessive-compulsive private detective Adrian Monk over eight seasons. After the show ended in 2009, Shalhoub went on to earn three Tony Award nominations, winning in 2018 for “The Band’s Visit” and starred in “The Marvelous Mrs. Maisel,” winning another Emmy.

“I don’t want the show to be about me. I feel like I’m acting more as a tour guide, so to speak. I want it to be more about the other people — the people that I meet, the people I interview, the new places that I get to visit,” Shalhoub says.

“I don’t know that TV audiences need to see that much more of me after all these years. I certainly don’t want to see that much of me.”

Bringing the family

“Breaking Bread” is a travel and food show, but it's also a family affair, with Shalhoub's oldest child, Josie, joining him in Marseille as they trace his father's 1920 journey through the city. His wife, Brooke Adams, and daughter Sophie join him in Iceland, while his siblings and nephews feature in a Wisconsin-based episode.

“Bread to me is tied to memory, tied to our childhood, tied to our parents and our grandparents and all their contemporaries,” he says. “We’re drawing from the past, but it’s also something that we want to pass down to my grandchildren and forward and onward.”

Entelis says Shalhoub's show is endearing in large part because he's never done something like this, coming off as a fish-out-of-water who reveals an open heart wherever he goes.

“You get somebody who’s really fresh and new to this kind of work but comes at it with a sort of deep love and passion for food and people and travel,” she says. “This is the Tony behind the actor and I feel we’re really getting a good understanding of that person.”

But there is one moment that may rankle some natives of his current hometown. During the New York episode, Shalhoub is lured across the river to Jersey City, where he is introduced to the “finest pizza in New York.”

The best New York pizza is in New Jersey? “I’m going to be going incognito now for probably the rest of my life,” he jokes.



Spain’s Eurovision Boycott Puts It on ‘the Right Side of History’, Says PM

People attend a song protest concert against Israel at the Maria Theresien Square in the city center of Vienna, Austria, during the 70th Eurovision Song Contest week, Friday, May 15, 2026. (AP)
People attend a song protest concert against Israel at the Maria Theresien Square in the city center of Vienna, Austria, during the 70th Eurovision Song Contest week, Friday, May 15, 2026. (AP)
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Spain’s Eurovision Boycott Puts It on ‘the Right Side of History’, Says PM

People attend a song protest concert against Israel at the Maria Theresien Square in the city center of Vienna, Austria, during the 70th Eurovision Song Contest week, Friday, May 15, 2026. (AP)
People attend a song protest concert against Israel at the Maria Theresien Square in the city center of Vienna, Austria, during the 70th Eurovision Song Contest week, Friday, May 15, 2026. (AP)

Spain's boycott of the Eurovision song contest over Israel's war in Gaza puts it "on the right side of history", Prime Minister Pedro Sanchez said on Friday, ahead of the final in Austria.

"In the face of illegal war and also genocide, silence is not an option. And we cannot remain indifferent to what continues to happen in Gaza and in Lebanon," Sanchez said in a video message posted on X.

"This year, therefore, will indeed be different. We will not be in Vienna, but we will do so with the conviction that we are on the right side of history."

Spain is one of the top financial contributors to Eurovision, the international song contest organized by the European Broadcasting Union (EBU).

Israel's KAN public broadcaster is in the EBU, so Israeli acts participate in the event.

Spain is boycotting the event this year along with Iceland, Ireland, the Netherlands and Slovenia over Israel's conduct in the war in Gaza, which was launched in retaliation for the October 7, 2023, attack in Israel by the Palestinian movement Hamas.

The countries' position reflects a view that Israel reacted with disproportionate deadly force against Gaza's civilian population.

The International Criminal Court in 2024 issued an arrest warrant for Israeli Prime Minister Benjamin Nethanyahu on charges of war crimes and crimes against humanity in Israel's offensive, including by intentionally targeting civilians and using starvation as a method of war.

Sanchez, in his video, drew a parallel with Israel's war in Gaza and Russia's war on Ukraine.

"When Russia invaded Ukraine, it was excluded from the contest and Spain supported that decision," he said.

He added: "Those principles must also be applied when we talk about Israel. There cannot be double standards."

The Eurovision finals typically reach more than 150 million viewers around the world. Israel's act will be among those competing in the competition on Saturday.


Afrobeats’ Tiwa Savage Nurtures Africa’s Future Talent

Nigerian singer Tiwa Savage poses for a photograph at the Muson School of Music in Lagos, on April 24, 2026. (AFP)
Nigerian singer Tiwa Savage poses for a photograph at the Muson School of Music in Lagos, on April 24, 2026. (AFP)
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Afrobeats’ Tiwa Savage Nurtures Africa’s Future Talent

Nigerian singer Tiwa Savage poses for a photograph at the Muson School of Music in Lagos, on April 24, 2026. (AFP)
Nigerian singer Tiwa Savage poses for a photograph at the Muson School of Music in Lagos, on April 24, 2026. (AFP)

Nigerian Afrobeats sensation Tiwa Savage walked around a music center in Lagos, smiling, listening and giving words of encouragement to scores of young artists in an elite music training program.

The multi-talented Savage, a prominent face in Nigeria's flourishing music scene, recently brought together 100 young, aspiring artists -- selected from 2,000 applications -- for instrumental workshops, vocal coaching and masterclasses on the inner workings of the music industry.

The group is the first cohort of her newly established music foundation.

Savage is partnering with the prestigious Berklee College of Music in the United States, where she studied around two decades ago.

"When I'm no longer here, I'm praying that a recipient of this foundation will be the next Michael Jackson, the next Quincy Jones, the next Wizkid, the next great artist or producer or songwriter," said the artist, whose global hits include "Koroba" and "Kele Kele".

Born in Lagos 46 years ago as Tiwatope Omolara Savage and raised partly in Britain, she established herself in the early 2010s after returning to Nigeria.

She is one of the most influential female voices in Afrobeats, a genre that has attracted a global audience by blending traditional African rhythms with contemporary pop sounds, with its roots in Nigeria.

Vocal drills, musical notes and frequent peals of laughter echoed from the classrooms where Berklee tutors worked with the students.

"I'm evolving as a beat maker and producer, and refining my piano artistry," said 24-year-old student Aliyu Olukoya, who called the experience "amazing".

The instructors from Berklee -- which is extending its academic program for the first time to the cultural behemoth that is Africa's most populous country -- adjusted and corrected the students as Savage watched closely.

"Being secure in who you are and what you have to offer, even in a competitive environment, is your superpower, and that's what we teach here," said vocal coach Nichelle J. Mungo, 51, whom Savage met at Berklee.

- 'Too good to just compete locally' -

Savage recalled seeing very few African students at the East Coast American college.

It was there that she started nurturing the idea of making it easier for young Africans to access high-level musical training.

"The problem isn't lack of talent or gift," she told AFP. "The problem is access -- access to education, music education in particular."

"As a musician in whatever capacity, you need to study the industry, especially the global industry, because we're too good to just compete locally," she said.

If Afrobeats is to match the staying power of R&B or rock'n'roll, Savage believes the entire ecosystem needs to become more professional.

"If we only focus on the artists, how are we going to sustain the industry for many, many years and decades to come?" she said, urging the professional development of producers, sound engineers, songwriters and marketers.

She also aims to raise the profile of talented artists who lack visibility due to limited resources, in a country marked by deep social inequalities.

"I see so much talent," she said, referring to already highly skilled musicians forced to practice without regular access to instruments.

Several young artists have already caught the attention of the Berklee professors who came to Nigeria to teach.

After their concert at the National Theater in Lagos, 18 students received scholarships to Berklee, with a total value of $2.1 million.

At the popular music hub in Lagos, the Muson Center, singer Irene Ugwuorah said that being one of the 100 artists selected for the new foundation was a "great opportunity".

"At every moment, at every turn, there's always something to learn. I'm already gaining a lot and I hope to use every single minute to gather as much knowledge as I can to help me grow as an artist," Ugwuorah said.

Savage's foundation provides the training for free and she hopes that will also make it accessible to people from other African countries.

"I definitely, definitely want to make this pan-African. It has to be pan-African. Talent doesn't stop in Nigeria. It's everywhere," she said.


Taylor Swift, Beyoncé, Chaka Khan and Vince Gill Recordings Enter National Registry

US singer Taylor Swift arrives for the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (AFP)
US singer Taylor Swift arrives for the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (AFP)
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Taylor Swift, Beyoncé, Chaka Khan and Vince Gill Recordings Enter National Registry

US singer Taylor Swift arrives for the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (AFP)
US singer Taylor Swift arrives for the MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on September 12, 2023. (AFP)

Albums and songs from Taylor Swift, Beyoncé, Chaka Khan and The Go-Go’s are joining America’s audio canon.

The new inductees into the National Recording Registry at the Library of Congress include Swift’s blockbuster 2014 pop album “1989,” Beyoncé’s era-defining 2008 anthem “Single Ladies (Put a Ring on It),” Khan’s genre-blending hit “I Feel for You,” Vince Gill’s emotional ballad “Go Rest High on That Mountain” and The Go-Go’s groundbreaking debut album “Beauty and the Beat.”

They were among the 25 recordings entering the archive in the class of 2026, acting Librarian of Congress Robert Newlen announced Thursday. The selections were chosen for their “cultural, historical or aesthetic importance in the nation’s recorded sound heritage”, The Associated Press said.

“Music and recorded sound are essential, wonderful parts of our daily lives and our national heritage,” Newlen said in a statement. “The National Recording Registry works to preserve our national playlist for generations to come.”

Other recordings entering the registry include Ray Charles’ groundbreaking country crossover album “Modern Sounds in Country and Western Music,” Reba McEntire’s “Rumor Has It,” Rosanne Cash’s “The Wheel” and Weezer’s self-titled debut known as “The Blue Album.”

Classic singles from Gladys Knight and the Pips, The Byrds, José Feliciano and Paul Anka also earned inclusion.

Among the more unconventional selections are the soundtrack to the influential 1993 video game "Doom" and the radio broadcast of “The Fight of the Century,” the legendary 1971 heavyweight boxing match between Muhammad Ali and Joe Frazier.

The oldest recording in this year’s class is Spike Jones and His City Slickers’ 1944 single “Cocktails for Two.” The newest is Swift’s “1989.”

This year also marks the first recordings by Swift and Beyoncé selected for the registry. The Library of Congress said more than 3,000 public nominations were submitted for consideration this year.