It’s All Coming Back: Celine Dion Fans Gear Up for Paris Return

Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
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It’s All Coming Back: Celine Dion Fans Gear Up for Paris Return

Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)

Fans of Canadian superstar Celine Dion are gearing up for an onstage comeback many feared might never happen, with just a day to go until her opening concert in Paris following a years-long battle with a rare neurological disorder.

The 58-year-old will on Saturday perform her first full concert since revealing she was suffering from Stiff Person Syndrome, an incurable condition that forced her to cancel shows and left her struggling to sing.

Some 30,000 fans of the "My Heart Will Go On" singer are expected to see her reclaim the spotlight each night of her 26-date run in the French capital.

"I'm really, really, really looking forward to it -- and the closer it gets, the more excited I am," said fan Elsa, who is going to one of the October shows with her sister and friends.

"We're always singing her songs at karaoke, and so many of them bring back those memories," said the 39-year-old, who preferred not to give her full last name.

She said she had been due to see Dion once before only for the concert to be cancelled after the singer fell ill -- making her all the more determined not to miss out this time.

"She's one of those artists -- one of the very few -- I really wanted to fight to get a ticket for," she said.

- 'Goosebumps' -

Dion -- whose hits include "It's All Coming Back to Me Now" and "Because You Loved Me" -- has sold around 260 million albums in English and French over a four-decade career.

She kicks off her residency at the Plenitude Arena outside Paris on Saturday evening, with 16 sold-out shows in September and October before returning for another 10 next May.

Resale tickets are scarce, with one site showing just two seats available for her September 26 show listed at an eye-watering 1,035 euros ($1,202) and another at 862 euros.

Hotel prices are also seeing a boost, with holiday booking site Kayak showing a 50 percent bump on some of her concert dates.

Florence Monsellier, a 36-year-old French IT project manager, was "absolutely delighted" to have secured six seats.

"I'll be going with my mum, my sister and my three cousins," said the self-described "lifelong fan", who last saw Dion perform in 2007.

Even those without tickets may still get a chance to see the global superstar.

Admirers have gathered outside the Royal Monceau hotel each day, where Dion has regularly emerged for impromptu exchanges with fans.

Videos posted on social media show Dion singing and dancing with fans, even seemingly taking the phone number of one after being impressed by his rendition of her new single "Bonjour, Pardon, Merci" (Hello, Excuse Me, Thank you).

Stephanie, who works near the Royal Monceau, told AFP she left work early one day last week to make sure she saw the singer after narrowly missing her the night before.

"She put on a show... I got goosebumps," said Stephanie, who declined to give her last name.

- Six-year wait -

Dion's return to the stage caps a comeback that, for years, was far from certain.

The singer revealed in December 2022 that she had been diagnosed with a rare and incurable autoimmune disorder that can cause severe muscle stiffness and agonizing spasms.

The illness forced Dion to cancel concerts, but she repeatedly vowed to fight her way back to the stage.

"I'm going to come onstage because I'm ready. And my vocal cords will not scare me, because I'm going to be ready, and I'm going to hit those notes," she told NBC two years ago.

She stunned fans with a surprise appearance at the 2024 Paris Olympics opening ceremony, belting out the Edith Piaf classic "Hymn to Love" from the Eiffel Tower.

For Elsa, watching Dion retake the stage, however briefly, was emotional.

"By the end of her song, I was crying like a baby," she said.

Now, with her return to a full-length concert just days away, Dion has kept much of the show -- including its setlist -- under wraps, while teasing fans with a few hints and some practical advice.

"Usually I do a one-hour-40-minute show, but this one's longer," she told the crowd one night.

Her tip for those lucky enough to have tickets: "Make sure you wear good shoes."



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
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Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
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UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".