Tod's shares Rise after Operating Profit Beat

FILE PHOTO: Models present creations from the Tod's Fall/Winter 2023/2024 collection during Fashion Week in Milan, Italy, February 24, 2023. REUTERS/Alessandro Garofalo/File Photo
FILE PHOTO: Models present creations from the Tod's Fall/Winter 2023/2024 collection during Fashion Week in Milan, Italy, February 24, 2023. REUTERS/Alessandro Garofalo/File Photo
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Tod's shares Rise after Operating Profit Beat

FILE PHOTO: Models present creations from the Tod's Fall/Winter 2023/2024 collection during Fashion Week in Milan, Italy, February 24, 2023. REUTERS/Alessandro Garofalo/File Photo
FILE PHOTO: Models present creations from the Tod's Fall/Winter 2023/2024 collection during Fashion Week in Milan, Italy, February 24, 2023. REUTERS/Alessandro Garofalo/File Photo

Shares in Tod's rose as much as 5% on Thursday after the Italian luxury group's first half operating profit more than tripled compared to the same period of last year, beating analysts expectations.

Earnings before interest and taxes (EBIT) reached 60 million euros ($64.3 million) in the January-June period, led by growth in sales and a more favorable product mix, Reuters quoted the group as saying in a statement.

Given the better-than-expected results, the group has scope to beat the current analysts' consensus on full year sales and operating profit, Chief Financial Officer Emilio Macellari said in a post results conference call on Wednesday evening.

Analysts expected sales to reach 1.147 billion euros and EBIT to total 85 million euros in 2023, according to a consensus published by the company on its website.

However, Macellari cautioned that profit growth in the second half will be hit by higher marketing expenses.

Sales grew 23% in the first six months of the year, driven by a strong performance in Greater China, as already indicated by preliminary data published in July.

Growth in sales returned to more normal levels in July and August compared to the aggressive rate seen in the previous months, Macellari added.

This applied both to China and Europe. In the latter, tourist demand was still strong, but the domestic consumption was weaker, he added.

The group is also confident it will find a substitute for its creative director Walter Chiapponi, who will leave the company after this month's Milan fashion show, in time for its next collection, Macellari said.

He also pointed out that the new creative director is not expected to perform a "revolution" but rather an "evolution" of what Chiapponi started, supported by the internal team.



Bold Looks Among Boulders at Michael Kors’ New York Fashion Week Show 

A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
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Bold Looks Among Boulders at Michael Kors’ New York Fashion Week Show 

A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)

Fashion sometimes involves risk and designer Michael Kors would tell you some risks aren’t worth taking. Last year, his September show was held outside and the weather did not cooperate, so he decided his spring/summer 2025 collection at New York Fashion Week would bring nature inside instead.

Kors and his team created a unique runway in a cavernous raw space in a midtown building, with stark metal benches lining the rectangular walls and gigantic faux black rocks scattered in the center and sides, similar to the rocky beaches of the Amalfi Coast. The drama of Italian cliffs in an urban setting was part of Kors’ abstract inspiration.

Kors says he’s “glued” to pop culture and was especially fascinated by the recent Netflix series “Ripley,” based on Patricia Highsmith’s classic novel, “The Talented Mr. Ripley.” The dark story is set in coastal Italy where a man who covets a friend’s wealthy life kills him and takes over his identity, killing anyone else who threatens his new persona.

“Seeing this romantic, moody, dark story shot all in black and white, I thought it brought something very different to the romance of it,” Kors told The Associated Press backstage before the show. “There was this sort of dark side of romance that’s not sweet, not insipid, and mysterious. And then also, this is my 35th anniversary of working with Italian artisans and I really wanted to play up all of the incredible tailors and craftspeople in Italy.”

The result was a show that used stark lighting and a haunting instrumental score to set the mood for a lot of black and white and muted colors with looks that evoke Ripley’s 1950’s hybrid style of city and resortwear.

“There’s lots of texture, black raffia, white embroideries. Everything is very tactile,” Kors explained. “It’s all the colors that you would find in the Mediterranean. So all of the natural colors have very soft browns and creams. And then of course, there’s going to be blue.”

The brand’s craftsmanship was on display with intricate peekaboo lace dresses and skirts and several dresses, skirts and coats adorned with flower applique’. Accessories stood out in the collection with leather handbags, hats and shoes teeming with black raffia that looked like leather straw. Nearly every look had a belt — some styled loosely but extra-long and knotted to dangle, and others wide and tight at the waist. The ever-present trench coat appeared for men and women on the runway, mostly oversized and slouchy.

This season’s shows brought guests and media to all corners of the city and surroundings, showing off its beauty and designers’ creativity — from a horse ranch in the tony Hamptons for Ralph Lauren, to a giant ferry boat docked on the East River for Tommy Hilfiger, to an old Domino sugar factory in Brooklyn for Tory Burch.

The show’s front row was packed with celebrities, including Kerry Washington, Mary J. Blige, Shailene Woodley, Mindy Kaling, and Lindsay Lohan.

“I’m always really inspired by the simplicity, the craftsmanship. He has a real kind of a love for women that is so kind of understated, but just so consistent,” Olivia Wilde said. “I always feel so beautiful in his clothes.”

Suki Waterhouse was wearing a pink lace Kors dress and matching fluffy coat. “The straw shoes with the matching bag was my absolute favorite,” the actor and recording artist said after the show. “I need to book a holiday to be able to wear those things.”