Fashion Week Brings Another Layer of Chaos to Paris

Pharrell Williams returns a year after his lavish debut as Louis Vuitton creative director. JULIEN DE ROSA / AFP
Pharrell Williams returns a year after his lavish debut as Louis Vuitton creative director. JULIEN DE ROSA / AFP
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Fashion Week Brings Another Layer of Chaos to Paris

Pharrell Williams returns a year after his lavish debut as Louis Vuitton creative director. JULIEN DE ROSA / AFP
Pharrell Williams returns a year after his lavish debut as Louis Vuitton creative director. JULIEN DE ROSA / AFP

Paris Fashion Week returns on Tuesday, bringing some much-needed light relief to a country in the throes of political chaos.
Menswear week runs until next Sunday, followed immediately by the haute couture shows until June 27.
France has been in turmoil since President Emmanuel Macron called surprise legislative elections after a surge by the far-right in European polls, said AFP.
But for fashionistas, the biggest issue might be getting around Paris, which is also finalizing preparations to host next month's Olympic Games, with a tenfold increase in traffic congestion due to road and site closures.
The Olympics have brought the menswear and couture weeks forward from July (womenswear takes place in September).
With fashion already working at a punishing pace, that has forced some houses to abandon this season, including Olivier Rousteing's Balmain, which told AFP it had pulled out at the last minute.
Valentino and Givenchy are also skipping this week's shows.
As for the big names who are appearing, hip-hop mogul Pharrell Williams will continue his high-profile leadership at Louis Vuitton, marking a year since his ultra-lavish debut show when he took over the Pont Neuf bridge and painted its paving stones gold.
But the highlight will be a mega-party organized by Vogue on Sunday bringing together the doubly lucrative worlds of sports and fashion.
It is the third edition of Vogue World -- a sort of traveling Met Gala that has already seen events in New York and London -- and comes as the brand seeks new ways to stay relevant in a world of dwindling magazine sales.
Several top brands will display collections, including Dior, Jacquemus, Hermes and Balenciaga, each paired with an Olympic discipline from athletics to breakdancing.
Chanel shock
There have been some big movements at the heads of fashion houses.
The biggest shock was the announcement last week that Chanel has dropped Virginie Viard, who worked for 20 years alongside her predecessor Karl Lagerfeld and took over after his death in 2019.
It appears the split was less than amicable, since Viard will not be present for Chanel's couture show on June 25, despite overseeing record sales for the brand last year.
"It will be a studio collection and Virginie Viard will not be present," a Chanel spokesperson told AFP.
The end of the Lagerfeld era has set off fashionistas' favorite pastime: speculating on who comes next.
Among the names circulating: France's Marine Serre, Hedi Slimane of Celine, Pierpaolo Piccioli (who recently left Valentino) and Simon Porte Jacquemus, whose eponymous label has been one of the big independent success stories of recent years.
While Valentino awaits the debut of its high-profile new creative director Alessandro Michele (formerly of Gucci), Givenchy is still looking for a lead designer since the departure of Matthew Williams last year.
This week will also see the final show by Belgian designer Dries Van Noten on Saturday.
Though not a household name, the 66-year-old is retiring as a favorite among serious fashion fans for his avant-garde styles and expert tailoring.



Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
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Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI

Celebrities swarmed Milan Fashion Week on the last big day of runway shows on Saturday, sending crowds of adoring fans from venue to venue.
Madonna sat in a front-row seat at Dolce & Gabbana, along with Naomi Campbell and Victoria De Angelis of Maneskin. Her bandmate, Maneskin frontman Damiano David, showed up at Diesel, one of the season's hottest tickets, across town. Jacob Elordi took a seat on a bunny-shaped bean bag chair to take in the Bottega Veneta show.
Highlights from Milan Fashion Week's mostly womenswear previews for next spring and summer on Saturday, The Associated Press said.
Dolce & Gabbana Celebrate Madonna
Madonna attempted a semi-stealth entrance to the Dolce & Gabbana runway show draped in a black veil for a runway show referencing her 1990s heyday and celebrating the cone bra.
Models in bleach-blonde wigs strutted in Domenico Dolce and Stefano Gabbana’s signature corsets and fitted jackets, each featuring the aggressively feminine cone bra, in a collection that notes said “pays homage to an ironic and powerful female figure.”
Madonna wasn't cited specifically, but the stars of the Milan designers and pop star have been aligned ever since they made costumes for her 1993 Girlie Show tour. The tour promoted Madonna's “Erotica” album launched alongside her taboo-breaking coffee table book, “Sex.”
“Madonna has always been our icon. It’s thanks to her that a lot of things in our lives changed,'' the designers said in a note.
The collection, dubbed “Italian Beauty,” perfectly captured that moment in time. Cone bras peeked out of cropped jackets with a pencil skirt, garters swung from corsets and coats sculpted the body. Floral prints returned, accenting a color scheme of black, nude, red and white. Oversized cross earrings finished the looks. Heels were unapologetically high.
After taking their bows, the designers walked down the runway to greet their guest of honor. Madonna, still covered by the Chantilly long lace veil fastened by a gold and crystal crown, stood to embrace them both.
Bottega Veneta taps wonder Bottega Veneta's sometimes misproptioned, sometimes crinkled, always provocative collection explores the intersection between the real world and fantasy, adulthood and childhood. Creative director Matthieu Blazy's meaning is simple: To delight.
“We need beauty. We need joy,'' Blazy said backstage. ”We need that experimental act. It is also an act of freedom.”
In this universe, a dental clinic receptionist wears a skirt with a trouser on just one leg, which Blazy asserts as a playful act. In a familiar scene, a well-dressed father carries his daughter's pink and purple school bag. “Do we like the bag? I don’t know. Does it tell a story? Yes,'' Blazy said.
Each detail is deliberate, from a flat collar on a dress shaped like bunny ears to big colorful raffia wigs, even if their ultimate purpose is just for fun. Crinkled clothes signify a child's attempt to dress up, only to be ruined by the end of the day.
Blazy's characters carried what appeared to be ordinary plastic grocery bags, but which were made out of nylon and leather — part of the brand's ongoing technological innovations. The faux plastic bags signified everyday life, and were accompanied by brand’s trademark woven bags, one for a violin, another a wine bottle.
Ferragamo’s freedom of movement Ferragamo creative director Maximilian Davis celebrated the freedom of movement inherent in ballet in his new collection, inspired by archival photos of brand founder Salvatore Ferragamo fitting African American ballet dancer Katherine Dunham for shoes.
Dunham often trained and worked in the Caribbean, which allowed the British designer’s with Jamaican roots “to find a link between Ferragamo’s Italian-ness and my heritage.”
The collection recalls a 1980s way of dressing, with strong shoulders and oversized tailoring, also an homage to Russian ballet star Rudolf Nuryev, another historic Ferragamo customer.
To emphasize movement, Davis created long parachute dresses in silk nylon, suede and organza with a billowing bubble shape. The ballet dancer is honored in cashmere dancer wraps color-blocked with layered leotards. More subversively, shorts with frayed denim suggested a tutu.
Diesel elevates denim Diesel models tramped a field of 14,800 kilograms (nearly 33,000 pounds) of denim scraps “to highlight the beauty of waste, creating a dystopian backdrop for the brand’s latest collection of elevated denim.
The Veneto-based brand under creative director Glenn Martens has become a laboratory for textile experimentation. Short-shorts are embroidered with a cascade of extra-long fringe, for a skirt-like effect. Jeans are lasered to look destroyed; necklines on cotton sweatshirts look distressed but the effect is actually a jacquard with the cotton burned away to the tulle.
Marten's said the brand's “disruption” goes beyond its design. "We are pushing for circularity in our production,'' he said. In that vein: A coat was made from leftover spools of denim thread, while oversized jeans were from recycled cotton, some from Diesel's own production. And the scraps piled on the floor were to be repurposed after the show.