Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
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Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)

Alessandro Michele’s Valentino couture debut was the most anticipated ticket of Paris Couture Week, and the designer didn't disappoint with a lavish spectacle at the Palais Brongniart, a fittingly historic backdrop for his past-meets-present storytelling.

Known for his “more is more” aesthetic, Michele delivered a VIP-filled show on Wednesday brimming with historical reverence, theatricality, and his signature offbeat twists.

Michele, who previously spent nearly eight years redefining Gucci with his eclectic maximalism, has long drawn inspiration from history. It's an obsession that traces back to his childhood in Rome, where he would rummage through his mother’s closet, captivated by the textures of bygone eras.

His tenure at Gucci transformed the brand into a powerhouse of layered nostalgia and offbeat opulence, making his appointment at Valentino — a house steeped in aristocratic elegance — both a natural evolution and a challenge.

His arrival was a significant shift from Valentino's former designer Pierpaolo Piccioli, who was celebrated for his pared-down romanticism.

The opening look set the tone: a harlequin-patterned gown of enormous proportions, fusing the whimsy of the circus with regal splendor.

Full skirts billowed with 18th-century grandeur against a stark black runway, while ’70s-inspired ruffles added his distinctive vintage-inflected edge. A standout floral gown, evocative of Marie Antoinette, received the New Romantics treatment, a nod to the late ‘70s and early ’80s era that has long fascinated the designer.

Though the collection largely played to Michele’s strengths, with exuberance tempered by couture-level precision, some elements felt overdone. A polka dot jacket with an oversized bow veered into twee territory, an example of how his fondness for embellishment can sometimes tip into excess. Yet, the overall balance leaned toward refinement, with a relative restraint compared to his past work at Gucci.

Michele’s couture debut reaffirmed his reputation as a designer who finds beauty in historical excavation.



For Roberto Cavalli Designer, Dreams Come in All Black

 A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
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For Roberto Cavalli Designer, Dreams Come in All Black

 A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)

Black may have been the color chosen by Roberto Cavalli's creative director for the new women's collection at Milan Fashion Week, but Fausto Puglisi is hardly feeling negative.

The nearly all-black palette -- accentuated with romantic jolts of lilac and plum -- used by Puglisi Thursday night at Milan Fashion Week was instead a defiant statement for the label known for its bold, often aggressive colors and animal prints.

"I wanted the collection to be black because I still have my dreams," Puglisi told AFP backstage after the show, where a version of the Eurythmics' 1980s pop classic "Sweet Dreams (Are Made of This)" accompanied the models down the catwalk.

Stiff embossed black leather on cropped jackets or skirts jutted out dramatically like mushroom caps while slouchy, low-slung trousers sewn from black vinyl shimmered like black liquid.

The dark collection nevertheless celebrated lightness and texture, with a strong dose of see-through black lace -- on tight sleeves, barely there slip dresses or paired with black velvet.

Persian lamb -- faux, of course -- had its moment, on trousers, coats, jackets and intermixed with black velvet to form the ruffles of a long skirt paired with lace-up boots.

"It's fake," enthused Puglisi proudly of the glossy, tightly curled Persian lamb.

"I love animals, I would never use real fur."

- 'Continue to dream' -

Puglisi recreated the look of fur, its wispiness and color variations, by printing it on flowing fabric, while a long black form-fitting tunic used sheer cut-outs to reproduce the stripes of a zebra.

A mood board backstage showed Old Master floral still lifes, Roman centurion breastplates and leather strips worn as armor, as well as black-and-white photographs of goth-like images and other inspirations.

Did Puglisi find it hard to be working in fashion in the current state of the world?

"I think it's important to create beauty. Always. It's like telling a director to stop, it's the same thing," he said, calling fashion, films and music "escapism".

"I think it's very important to keep creating with the vision of a child, with naivety and freshness," he added.

"I will not allow any dictator to stop my creativity. I continue to create and I continue to dream," he said.

To that effect, the last look of the night was a showstopper.

Its high necked top mixed lace, cut-outs and ruffles while its skirt looked like it had been sewn from a million black faux feathers.

All the better for Puglisi's dreams to take flight.


Dressed for Succession? Kim Jong Un, Daughter Fuel Speculation with Matching Coats

This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
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Dressed for Succession? Kim Jong Un, Daughter Fuel Speculation with Matching Coats

This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)

North Korean leader Kim Jong Un donned matching jackets with his daughter at a military parade, state media photos showed Thursday, stoking speculation she is being groomed as heir.

Kim's teenage daughter Ju Ae featured prominently in state photos published to mark the closing stages of the ruling Workers' Party congress.

The duo donned matching leather jackets as they stood side-by-side to watch over a vast military procession.

Kim's wife, Ri Sol Ju, also appeared alongside the duo in a similar attire, AFP reported.

The Kim family has ruled North Korea with an iron grip for decades, and a cult of personality surrounding their "Paektu bloodline" dominates daily life in the isolated country.

Ju Ae has long been seen as the next in line, a perception stoked by a string of recent high-profile outings.

Analyst Lim Eul-chul said the jackets - a staple of leader Kim's wardrobe, especially during key public appearances - were more than a fashion statement.

"In North Korea's political symbolism, that look carries weight -- it's tied to the image of the leader as the ultimate guarantor of national security and future prosperity.

"So when that same symbolic attire is put on his young daughter, it's hard to see it as accidental."

Other photos from the parade showed Ju Ae striding a red carpet next to her father as he received salutes from North Korea's military top brass.

Ju Ae has been clearly "designated as a successor", South Korea's national intelligence service said earlier this month.

Korean affairs expert Leif-Eric Easley said Ju Ae's latest appearance demonstrated her elevated status.

"But she still appears in her capacity as the leader's daughter.

"She is probably not yet old enough to participate in the congress with an official party title."

Ju Ae was publicly introduced to the world in 2022 when she accompanied her father to an intercontinental ballistic missile launch.

Before then, the only confirmation of her existence had come from former NBA star Dennis Rodman, who visited the North in 2013.

Pyongyang has never confirmed Ju Ae's exact age, but analysts believe she is in her early teens.

Ju Ae has drawn attention for her taste in luxury fashion, appearing in Gucci sunglasses and wearing a Cartier watch.

At other times, she has mirrored her father's distinctive style, wearing matching leather jackets and dark glasses.


Maria Grazia Chiuri’s Fendi Homecoming Feted in Milan

 Fendi's Italian fashion designer Maria Grazia Chiuri is pictured at the end of the Fendi collection show at Milan's Fashion Week Womenswear Fall/Winter 2026/2027 in Milan on February 25, 2026. (AFP)
Fendi's Italian fashion designer Maria Grazia Chiuri is pictured at the end of the Fendi collection show at Milan's Fashion Week Womenswear Fall/Winter 2026/2027 in Milan on February 25, 2026. (AFP)
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Maria Grazia Chiuri’s Fendi Homecoming Feted in Milan

 Fendi's Italian fashion designer Maria Grazia Chiuri is pictured at the end of the Fendi collection show at Milan's Fashion Week Womenswear Fall/Winter 2026/2027 in Milan on February 25, 2026. (AFP)
Fendi's Italian fashion designer Maria Grazia Chiuri is pictured at the end of the Fendi collection show at Milan's Fashion Week Womenswear Fall/Winter 2026/2027 in Milan on February 25, 2026. (AFP)

Designer Maria Grazia Chiuri marked her return to Fendi at Milan Fashion Week on Wednesday, presenting a sensual and lightweight collection featuring "remodelled" furs and leathers crafted like lace.

The homecoming of the respected designer -- the first ever woman at the creative helm of Dior and a veteran of Valentino -- was one of the city's most anticipated events on day two of fashion week, with actors Monica Bellucci and Jude Law in the front row along with Fendi ambassador Bang Chan of the Korean boy band Stray Kids.

An experienced designer who has worked for Dior and Valentino, Chiuri received a standing ovation after Wednesday's runway show, some 35 years after her debut at the Roman fashion house.

Chiuri began her career in accessories at the luxury label, where fashion great Karl Lagerfeld presided for over 50 years and which is now owned by French fashion conglomerate LVMH.

"I am here to give back what they have given me," the designer told Vogue magazine this week of the Fendi sisters behind the business.

The designer's first Autumn-Winter collection, for both men and women, featured black, white and green furs, all restyled, and a minimalist color palette of mostly black, white and pale blue.

With delicately flowing slip dresses -- including a scarlet one that could have been in homage to the late Valentino -- and peekaboo lace, Chiuri explained that she wanted to present a "personal geography" of fashion, highlighting Fendi's history and collaboration with other designers, a method she had already successfully championed at Dior.

With stiff shirt collars worn as necklaces by women -- paired with plunging necklines -- and oversized furs for men, Chiuri also hoped to "go beyond the distinction between women's and men's wardrobes".

The designer collaborated with young artist SAGG Napoli for football T-shirts and scarves with slogans in Italian such as "Rooted but not stuck" or "Loyal but not obedient".

A dozen anti-fur activists demonstrated outside Fendi's Milan headquarters where the show was held, calling on Milan Fashion Week to ban fur, as London and New York have done.

Chiuri, a Rome native, began at Fendi in 1989 as an accessories designer, working side by side with Pierpaolo Piccioli to mark the beginning a long collaboration.

Coming to Valentino in 1999, Chiuri spent the next 17 years at the Roman design house, serving as co-creative director with Piccioli upon the retirement of Valentino Garavani in 2008.

Named to head Dior in 2016 after Raf Simons, Chiuri became the first woman creative director of the storied French couture house, bringing an unapologetic feminist and global eye in reworking Christian Dior's celebrated hourglass silhouette.

How the designer would envision her task at Fendi -- whose roots are in fur and leather goods -- following the departure of artistic director Kim Jones in 2024 had been much discussed in fashion circles.