Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
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Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)

The 67th Grammy Awards kicked off Sunday with a red carpet full of black and subdued tones against the backdrop of loss and devastation from the Los Angeles wildfires.

But there was plenty of sparkle and statement looks in huge sleeves and embellishment. The color red had a moment on Haley Kalil and others.

“While the Grammys carpet is one where we see most celebrities take major risks, some of the night’s most notable artists stayed true to their personal style,” said Bianca Betancourt, digital culture editor for Harper's Bazaar.

Madeline Hirsch, fashion features director for InStyle, agreed.

“There was a lot more edge and personality than usual on this red carpet. Everyone followed their own vision and aesthetic, which was fun to watch,” she said.

Here's a few celebrity looks and fashion moments from the red carpet:

Sierra Ferrell evokes a bride with no fashion fears

Sierra Ferrell won BIG with four Grammys. She did it just as BIG in a huge white gown that evoked a way enthusiastic bride with no fashion fears, designed by Jeffrey Kelly Designs.

Ferrell’s dress included huge luminescent sleeves, pearl embellishment all over and a matching choker piece. And she didn’t forget her bold bride’s veil: a head piece with pearls and flower touches above large pearl chandelier earrings. And she had a scepter, where she stashed her acceptance speech.

“Honestly this is kind of hilarious,” she joked after returning to the stage for a third time. “Yikes!” she started her fourth acceptance speech.

Chappell Roan is a whole mood

Chappell Roan walked in a vintage look from Jean Paul Gaultier Haute Couture, long wavy red hair flowing down her back. Her signature white powder makeup was full of color: yellows and blues and pinks and reds.

Roan's look had touches of teal and images of Degas' dancers on the skirt. It was Gaultier vintage from spring 2003.

“The singer has become known for her bold, artistic red carpet choices that reflect her unique sense of style and personality, and tonight was no exception,” said Claire Stern Milch, digital director for Elle.

Roan’s gown is from spring 2003. It was first worn by Beyoncé in Elle that April. The two are up against each other for Grammys.

“Chappell Roan inherently understands that if you want to be a pop star, you need to pave your own lane. She also understands you don’t just wear vintage to wear vintage — you do it to continue your sartorial storytelling,” Betancourt said. 'It’s probably her best red carpet look yet."

The Young Smiths

Jaden Smith walked the red carpet in Louis Vuitton with a large black castle on his head, his face peeking out. His sister, Willow Smith, was at his side. She went for classic young Hollywood in a tiny, sparkling black two piece with a long matching coat.

Willow wore her hair loose and natural as she worked her itty bitty look, a pair of towering black platform sandals on her feet.

Sabrina Carpenter stays close to signature style

Sabrina Carpenter was among those who stuck close to her signature style codes, Betancourt said. She opted for a baby blue satin gown by Jonathan Anderson for Loewe with a tousled updo and plunging back with feather boa detailing.

“It was just the right amount of sexy and old Hollywood glam that her red carpet looks usually aim for,” Betancourt said.

Red was a vibe

Red is an enduring trend in fashion of late, thanks to Taylor Swift’s commitment to the color at boyfriend Travis Kelce’s Kansas City Chiefs games. And it had a moment at the Grammys on Swift and many others.

Swift wore a short red sparkler by Vivienne Westwood. A little chain at one side of the hem dangled with red jewels, including a tiny “T.”

“It's my favorite of hers to date,” Hirsch said of Swift's look. “You can’t go wrong with a Vivienne Westwood minidress, and she’s been wearing the designer quite a bit over the past year.”

Among other vibes: swingy and sparkly metallics. Kacey Musgraves represented in a long, gold belted skirt paired with a simple white muscle T-shirt. Musgraves' look hails from Ralph Lauren Collection for spring 2025.

Beyoncé dazzles in couture

Beyoncé skipped the red carpet but showed up in custom Schiaparelli to collect the best country album award.

The body-hugger was embroidered in a bandana pattern. It’s covered in sparkling sequins and beads in champagne and cream. Her opera gloves elevated the look.

Her gown was a high fashion take on country-western style. She's been doing country couture since her album “Cowboy Carter” was released last March.

Cardi B in gold and feathers

With black detailing, the look evoked tiger stripes. There were feathers at the bottom.

It was a custom Roberto Cavalli Couture creation. The mermaid design is a true body hugger. It was covered in hand-embroidered beads and sequins.

“It was probably her most pared back look yet,” said Betancourt. "Yes, tiger print and feather trim is indeed subdued when it comes to Cardi B."

Goth Lady Gaga

Lady Gaga shut down the carpet in bulky black. Her custom look from designer Samuel Lewis had pointy shoulders, long sleeves and a huge ball gown skirt. Her hair was equally vampirish: short bangs and spiky tendrils.

After moving to more timeless looks over the years, Lady Gaga brought back her classic eye-catching and daring style to the carpet. The singer dressed like she walked straight off the set of her music video for “Disease.”

Olivia Rodrigo in black

Olivia Rodrigo's slinky look had a high neck and deep cutout at the front with a low open back and double straps securing the look.

Miley Cyrus was also in the club of black looks.

“She went for a more subtle design as well, wearing a sultry leather cut out gown from Saint Laurent and a new asymmetrical face framing haircut that kept the look intriguing,” Betancourt said.

It was halter style with a center slit. Her hair was straight and down with bangs.



Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

The brightest stars in Hollywood, music, sports and style -- led by Beyonce, Madonna and Nicole Kidman -- hit the red carpet Monday for the Met Gala, the Manhattan charity ball that doubles as fashion's biggest night.

The A-listers were asked to dress for the theme "Fashion is Art," which dovetails with the exhibit "Costume Art" at the Metropolitan Museum of Art's Costume Institute.

And while not everyone followed the guidelines to the letter, the gala -- traditionally held on the first Monday in May -- certainly delivered as one of the world's top red carpets, with blinding star power.

Beyonce, one of the event's co-chairs who was making her first appearance in a decade, was one of the last to arrive, but she did not disappoint, stunning the crowd in a bejeweled skeleton gown topped with a dramatic feather coat and a headpiece.

Her rap mogul husband Jay-Z -- in a tuxedo with tails -- and daughter Blue Ivy Carter, in a white strapless gown and sparkling heels -- joined her.

Earlier, the singer's fellow co-chairs, tennis legend Venus Williams and Oscar-winning actress Nicole Kidman, kicked off the proceedings.

Kidman stunned in a shimmering red long-sleeved Chanel column dress with wide feather cuffs, while Williams glistened in a black crystal Swarovski gown with an elaborate neck plate.

From there, the stars kept on coming. Rock royalty Madonna, Cher and Stevie Nicks joined music's new generation of stars in Sabrina Carpenter, Doja Cat and Tyla.

Rihanna and A$AP Rocky were hours late, as per usual, making a grand entrance.

Bad Bunny, who is having a blockbuster 2026 with major Grammy wins and the Super Bowl halftime show under his belt, wore prosthetics and a white wig to explore how he would look as an old man, according to Vogue.

Rapper Doja Cat, one of several members of a gala "host committee," wore a draped latex Saint Laurent gown with a demure neckline -- but slit up to her waist.

Donatella Versace, Tom Ford, Stella McCartney, Anthony Vaccarello and Haider Ackermann were among the many fashion designers on hand for the evening.

Olympic gold medalists Alysa Liu and Eileen Gu -- whose dress had a built-in bubble maker -- led a strong contingent of athletes to the red carpet, along with NFL superstar Russell Wilson and several men's and women's basketball stars.

And actress Blake Lively made a surprise appearance at the gala, just hours after she settled a major court case over her film "It Ends with Us" with her co-star and director Justin Baldoni.

Of course, the entire evening is overseen by Vogue's global editorial director Anna Wintour -- the ultimate tastemaker in US fashion who has helmed the event for 30 years.

The gala is a fundraiser for the Met's Costume Institute, and this year has raised a record $42 million (after $31 million in 2025), the museum's CEO Max Hollein told reporters early Monday.

This year's exhibit juxtaposes elegant fashion looks with paintings and sculpture: think a Saint Laurent design next to Van Gogh's "Irises", or a John Galliano gown for Maison Margiela paired with an antique statue.

"When I think about the show, if there's one word to describe it, I suppose it would be equitability or equivalency, equivalency between artworks," the Costume Institute's curator Andrew Bolton told AFP.

"So there's no hierarchy between sculpture, painting, fashion, photography and no hierarchy between bodies, between the classical body or the disabled body."

The Met Gala was first organized in 1948 and for decades was reserved for New York high society -- until Wintour transformed the party into a high-profile catwalk for the rich and famous in the 1990s.

The "Costume Art" exhibit, which opens on May 10 at the venerable museum in Manhattan, will seek to explore the "dressed body" in artworks across the centuries.


Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
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Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)

German fashion group Hugo Boss reported quarterly operating profit above expectations on Tuesday, despite a challenging market environment.

The company posted first-quarter earnings before interest and taxes (EBIT) of 35 million euros, down from 61 million euros a year earlier, but above analyst's forecast of 30 million euros in a company-provided poll.

The German firm reported ‌revenue of ‌905 million euros for the period, exceeding ‌analysts' ⁠forecast of 887 ⁠million euros.

"Following our successful finish to 2025, we entered the year with a clear roadmap. However, the market environment has become more challenging over the course of the first quarter, caused by recent developments in the Middle East," CEO Daniel Grieder ⁠said in a statement.

The war in ‌the Middle East has ‌roiled global markets, driving oil prices higher and re-igniting concerns ‌over global inflation and growth, with the vital ‌Strait of Hormuz remaining closed.

The company said the conflict in the region led to a notable decline in store traffic in the region from March onwards, while global ‌consumer sentiment stayed muted throughout the quarter, having a negative impact of around 1% ⁠on ⁠group sales in the first quarter.

However, Grieder said the firm had made progress streamlining product assortments and refining its global distribution footprint despite the geopolitical uncertainty.

"Against an increasingly challenging external backdrop, we remain firmly focused on executing our strategy, actively managing the business with flexibility and discipline," he added.

Hugo Boss has sought to boost the popularity of its brand through selected marketing investments, while increasing profits by limiting costs, despite weakening consumer demand.

The company confirmed its full-year guidance for 2026.


Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
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Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)

From beyond the museum walls Monday, works of art will move and take shape as the glitterati of guests from Beyonce, Nicole Kidman to Venus Williams will fashionably ascend the Metropolitan Museum of Art’s steps and exhibit their creative interpretations of this year's dress code, “Fashion is art.”

The question of whether fashion is art has long been topic of conversation for fashion insiders, and this first Monday in May the dress code is leaving nothing up for debate.

The dress code for the starry fundraising event calls for guests to “express their relationship to fashion as an embodied art form."

Fashion has long drawn inspiration from works of art, leaving guests with no shortage of artistic references to show off.

But will guests pull from the fashion archives on Monday or wear custom artistic creations from fashion houses?

Archival fashion looks have become a red carpet phenomenon with fashion savvy stars wanting to get their hands on some of the rarer pieces of fashion history.

Designer Elsa Schiaparelli famously collaborated in 1937 with Spanish artist Salvador Dalí to design a white silk dress with a lobster printed on the front. Years later, Yves Saint Laurent would design shift dresses filled with Piet Mondrian’s blocks of color in 1965, and more recently, Marc Jacobs collaborated with artist Takashi Murakami in 2002 to add his designs to Louis Vuitton.

Monday’s carpet is also a chance for celebrities to deliver their own performance art.

The late designer Alexander McQueen was heavily regarded by fashion insiders as an artist. He closed his Spring 1999 show with a piece of performance art when machines sprayed Shalom Harlow’s white dress with black and yellow spray paint as she posed on a rotating turntable.

Past Gala dress codes have honored designers and pulled from literature. Last year, the art of tailoring was center stage with the dress code “Tailored for you.” The high-profile event raises money for the museum's Costume Institute, and each year the dress code for the gala takes cues from the Costume Institute’s spring exhibition.

On display this Spring, the “Costume Art” exhibit will “examine the centrality of the dressed body.”

The relationship between fashion and art has not always been embraced. Art historian and author Nancy Hall-Duncan writes in her book, “Art X Fashion: Fashion Inspired by Art” that in the 19th century, art was perceived as classical and fashion was frivolous.

When Yves Saint Laurent held the Met’s first fashion exhibit in 1983, the exhibit was met with heavy criticism. Since then, the museum has held countless fashion exhibits throughout the years with museums around the world following suit. The Louvre put on its first fashion exhibition “Louvre couture” last year.

The dress code set by Wintour and the Met's Costume Institute curator, Andrew Bolton, is the final seal of approval that fashion is art, Hall-Duncan told The Associated Press.

“Isn’t that a giant step?” she said. “It will indeed change perceptions.”

The red carpet spectacle is available for all to watch online with the Vogue livestream. Ashley Graham, La La Anthony and Cara Delevingne will be hosting the livestream with Emma Chamberlain interviewing guests throughout the night.

The Associated Press will have a livestream of celebrities leaving a pair of New York hotels on their way to the gala on APNews.com and YouTube. It's the first chance to see what attendees will be wearing before they hit the gala's carpet.