Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
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Sparkle and Color Pop Amid More Subdued Tones on Grammys Red Carpet 

Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)
Chappell Roan poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. (Reuters)

The 67th Grammy Awards kicked off Sunday with a red carpet full of black and subdued tones against the backdrop of loss and devastation from the Los Angeles wildfires.

But there was plenty of sparkle and statement looks in huge sleeves and embellishment. The color red had a moment on Haley Kalil and others.

“While the Grammys carpet is one where we see most celebrities take major risks, some of the night’s most notable artists stayed true to their personal style,” said Bianca Betancourt, digital culture editor for Harper's Bazaar.

Madeline Hirsch, fashion features director for InStyle, agreed.

“There was a lot more edge and personality than usual on this red carpet. Everyone followed their own vision and aesthetic, which was fun to watch,” she said.

Here's a few celebrity looks and fashion moments from the red carpet:

Sierra Ferrell evokes a bride with no fashion fears

Sierra Ferrell won BIG with four Grammys. She did it just as BIG in a huge white gown that evoked a way enthusiastic bride with no fashion fears, designed by Jeffrey Kelly Designs.

Ferrell’s dress included huge luminescent sleeves, pearl embellishment all over and a matching choker piece. And she didn’t forget her bold bride’s veil: a head piece with pearls and flower touches above large pearl chandelier earrings. And she had a scepter, where she stashed her acceptance speech.

“Honestly this is kind of hilarious,” she joked after returning to the stage for a third time. “Yikes!” she started her fourth acceptance speech.

Chappell Roan is a whole mood

Chappell Roan walked in a vintage look from Jean Paul Gaultier Haute Couture, long wavy red hair flowing down her back. Her signature white powder makeup was full of color: yellows and blues and pinks and reds.

Roan's look had touches of teal and images of Degas' dancers on the skirt. It was Gaultier vintage from spring 2003.

“The singer has become known for her bold, artistic red carpet choices that reflect her unique sense of style and personality, and tonight was no exception,” said Claire Stern Milch, digital director for Elle.

Roan’s gown is from spring 2003. It was first worn by Beyoncé in Elle that April. The two are up against each other for Grammys.

“Chappell Roan inherently understands that if you want to be a pop star, you need to pave your own lane. She also understands you don’t just wear vintage to wear vintage — you do it to continue your sartorial storytelling,” Betancourt said. 'It’s probably her best red carpet look yet."

The Young Smiths

Jaden Smith walked the red carpet in Louis Vuitton with a large black castle on his head, his face peeking out. His sister, Willow Smith, was at his side. She went for classic young Hollywood in a tiny, sparkling black two piece with a long matching coat.

Willow wore her hair loose and natural as she worked her itty bitty look, a pair of towering black platform sandals on her feet.

Sabrina Carpenter stays close to signature style

Sabrina Carpenter was among those who stuck close to her signature style codes, Betancourt said. She opted for a baby blue satin gown by Jonathan Anderson for Loewe with a tousled updo and plunging back with feather boa detailing.

“It was just the right amount of sexy and old Hollywood glam that her red carpet looks usually aim for,” Betancourt said.

Red was a vibe

Red is an enduring trend in fashion of late, thanks to Taylor Swift’s commitment to the color at boyfriend Travis Kelce’s Kansas City Chiefs games. And it had a moment at the Grammys on Swift and many others.

Swift wore a short red sparkler by Vivienne Westwood. A little chain at one side of the hem dangled with red jewels, including a tiny “T.”

“It's my favorite of hers to date,” Hirsch said of Swift's look. “You can’t go wrong with a Vivienne Westwood minidress, and she’s been wearing the designer quite a bit over the past year.”

Among other vibes: swingy and sparkly metallics. Kacey Musgraves represented in a long, gold belted skirt paired with a simple white muscle T-shirt. Musgraves' look hails from Ralph Lauren Collection for spring 2025.

Beyoncé dazzles in couture

Beyoncé skipped the red carpet but showed up in custom Schiaparelli to collect the best country album award.

The body-hugger was embroidered in a bandana pattern. It’s covered in sparkling sequins and beads in champagne and cream. Her opera gloves elevated the look.

Her gown was a high fashion take on country-western style. She's been doing country couture since her album “Cowboy Carter” was released last March.

Cardi B in gold and feathers

With black detailing, the look evoked tiger stripes. There were feathers at the bottom.

It was a custom Roberto Cavalli Couture creation. The mermaid design is a true body hugger. It was covered in hand-embroidered beads and sequins.

“It was probably her most pared back look yet,” said Betancourt. "Yes, tiger print and feather trim is indeed subdued when it comes to Cardi B."

Goth Lady Gaga

Lady Gaga shut down the carpet in bulky black. Her custom look from designer Samuel Lewis had pointy shoulders, long sleeves and a huge ball gown skirt. Her hair was equally vampirish: short bangs and spiky tendrils.

After moving to more timeless looks over the years, Lady Gaga brought back her classic eye-catching and daring style to the carpet. The singer dressed like she walked straight off the set of her music video for “Disease.”

Olivia Rodrigo in black

Olivia Rodrigo's slinky look had a high neck and deep cutout at the front with a low open back and double straps securing the look.

Miley Cyrus was also in the club of black looks.

“She went for a more subtle design as well, wearing a sultry leather cut out gown from Saint Laurent and a new asymmetrical face framing haircut that kept the look intriguing,” Betancourt said.

It was halter style with a center slit. Her hair was straight and down with bangs.



London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
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London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File

London Fashion Week, better known for nurturing new talent than for its big-name shows, kicks off on Thursday with a tribute to one of its stalwarts Paul Costelloe.

The Irish-American designer, who died aged 80 last November, was a regular fixture on the opening day of the British capital's fashion week since the inception of the show in 1984, AFP said.

Over four decades, his romantic, sartorial catwalks remained a constant: witness to the rise and fall of London Fashion Week (LFW) which has seen the departure of big fashion names to its counterparts in Milan, Paris and New York in recent years.

His son William Costelloe is now the creative director of the brand, which wrote on social media ahead of its LFW Autumn/Winter 2026 opening show: "A new season. A powerful moment. A legacy moving forward."

Tolu Coker, a British-Nigerian designer who launched her brand in 2018, will also show on Thursday her elegant, mainly-unisex designs inspired by diverse identities.

Notable names including Harris Reed and Richard Quinn will return to the catwalk in London, with Burberry closing the week in its usual fashion on Monday evening.

Other labels will bring a royal flavor to the runway, with brands worn by Princess Catherine including Emilia Wickstead, Edeline Lee and Erdem putting on shows.

However, there will be no show from the breakout Northern Irish designer Jonathan Anderson, who was one of the most eagerly awaited at London Fashion Week in recent seasons.

The 41-year-old took over at Dior last June, leaving him little time for his own brand, JW Anderson, which he founded in 2008.

For several years, London has been losing ground to its star-studded rivals in Paris and Milan, but it has clung onto its role as a breeding ground for young talent.

The British Fashion Council's NewGen initiative provides funding for emerging talent, with several up-and-coming designers finding their stride at LFW through the incubator.

'Great support'

Designers like Simone Rocha, Tolu Coker and Roksanda have become fashion week mainstays after making their debut on the NewGen catwalk.

Among the recent breakouts is Joshua Ewusie, a 27-year-old British creator born to Ghanaian parents who is due to put on his second fashion week show with his brand "E.W.Usie".

The young designer was supported by the King's Foundation, a charity founded by King Charles III, in partnership with Chanel, which gave him a studio space shortly after he graduated from the prestigious Central Saint Martins school.

His hometown London, which boasts several notable fashion schools, provides "great support for young designers," Ewusie told AFP ahead of his LFW presentation on Sunday.

"There's so many opportunities, I think, that London gives to help young brands start," he added.

His new collection is inspired by the 1980s, when his mother moved to London, says the designer. It's all about culture and identity, with leather as the star material.

French designer Pauline Dujancourt, known for her work with knitwear, also chose to stick with London Fashion Week after her studies at Paris's Ecole Duperre and Central Saint Martins in London.

"As much as Paris Fashion Week is incredible and I'm dreaming to be part of it one day, maybe there's a bit more room for younger brands in London at the start," said the 31-year-old designer, who will show her collection on Sunday.

"I think people have come to London Fashion Week expecting to see a bit of newness and younger generations as opposed to Paris and Milan, where it's more like established houses."


Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
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Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo

Online seller eBay wants a bigger share of the Gen Z market.

The online seller has agreed to purchase secondhand fashion marketplace Depop from Etsy for about $1.2 billion in cash, the companies said Wednesday, according to The Associated Press.

The deal comes at a time when used clothing has become increasingly popular, sought out by shoppers searching for unique items that cost less than new ones and keep the old stuff from heading to the landfill.

In a statement, eBay's CEO Jamie Ianonne said that the acquisition is an opportunity to capture a younger demographic.

"We are confident that as part of eBay, Depop will be even more well-positioned for long-term growth, benefiting from our scale, complementary offerings, and operational capabilities,” Ianonne said.

As of Dec. 31, 2025, Depop's marketplace had 7 million active buyers, nearly 90% of which are under the age of 34, and more than 3 million active sellers, the joint release said.

The deal comes five years after Etsy bought Depop for $1.6 billion. The app was founded in 2011.

EBay, based in San Jose, California, said it intends to pay cash. Etsy, based in Brooklyn, New York, plans to utilize the proceeds for general corporate purposes, continued share repurchases and investment in its core marketplace, according to the release.

The transaction, which has been unanimously approved by eBay’s and Etsy’s boards, is currently expected to close in the second quarter, the companies said.

Depop is expected to retain its name, brand, platform, and its culture, the companies said.

EBay's shares rose more than 7%, while Etsy's share soared close to 15% in after-hours trading when the news was announced.


French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.