Dsquared2 Celebrates 30 Years with a Raucous Runway Show Featuring Doechii, Naomi Campbell 

A model presents a creation by Dsquared2 for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Milan Fashion Week, in Milan on February 25, 2025. (AFP)
A model presents a creation by Dsquared2 for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Milan Fashion Week, in Milan on February 25, 2025. (AFP)
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Dsquared2 Celebrates 30 Years with a Raucous Runway Show Featuring Doechii, Naomi Campbell 

A model presents a creation by Dsquared2 for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Milan Fashion Week, in Milan on February 25, 2025. (AFP)
A model presents a creation by Dsquared2 for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Milan Fashion Week, in Milan on February 25, 2025. (AFP)

Dsquared2 celebrated its 30th anniversary during Milan Fashion Week on Tuesday with a raucous runway show that opened with rapper Doecchi spilling out of an armored vehicle full of dollar bills and closed with fashion royalty Naomi Campbell in a leather biker bodysuit.

The brand founded by Canadian twins Dean and Dan Caten boasts the sexiest renderings of denim and flannel ever known to fashion. As they sum it up on their Instagram page: Born in Canada, Made in Italy.

For their anniversary show against the backdrop of a New York City nightclub, the twins pulled together star-studded cast featuring models Isabeli Fontana and Irina Shayk and rapper NLE Choppa, and a procession of hot rods, including a McClaren, a Porsche, a limo and a police car.

The men's and women’s looks tapped the designers' Canadian heritage with a street-savvy edge.

Short-shorts were paired with laced-up corsets with a T-shirt flowing into a long train; sheer net gowns were layered with big puffer coats and oversized furry hats. For him, oversized shorts were worn over baggy denim; a silver and gold lame puffer and bejeweled jeans.

The collection featured collaborations with Magliano, Vaquera, Better, Ducati and Kiss – including T-shirts and glittery underwear.

Brigitte Nielsen, dressed as a cop, pulled the hand-cuffed twins out of the back of a squad car – though their crimes were not declared. Too much tinsel on the chaps?

“Dsquared takes Hollywood to Milan. They are amazing. The No. 1 show in Milano,” Nielsen proclaimed at the end of the show – which transitioned into a celebratory afterparty featuring Doechii and JT.



At Hermes, Woven Leather and Quiet Confidence Set the Tone for Paris Menswear

 A model wears a creation as part of the men's Hermes Spring-Summer 2026 collection, that was presented in Paris Saturday, June 28, 2025. (AP)
A model wears a creation as part of the men's Hermes Spring-Summer 2026 collection, that was presented in Paris Saturday, June 28, 2025. (AP)
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At Hermes, Woven Leather and Quiet Confidence Set the Tone for Paris Menswear

 A model wears a creation as part of the men's Hermes Spring-Summer 2026 collection, that was presented in Paris Saturday, June 28, 2025. (AP)
A model wears a creation as part of the men's Hermes Spring-Summer 2026 collection, that was presented in Paris Saturday, June 28, 2025. (AP)

While much of Paris Fashion Week chased spectacle, Hermes chose a different path.

On Saturday, artistic director Véronique Nichanian unveiled a Summer 2026 men’s collection that spoke in a language of quiet strength, deep craft and calm luxury.

Models walked beneath soaring mirrors in sharply cut jackets, high-waisted woven leather trousers, and sleeveless tops — pieces that fused house tradition with a modern, easy sensuality.

Nichanian’s colors were cool and exact: coffee, slate, taupe and beige, each one a lesson in subtlety. There was no shouting here, only precision.

What made the collection powerful was its restraint. Where others go wide, Hermes goes narrow, offering tailored silhouettes and a sense of order when the rest of fashion is busy making noise. Fine leather, featherlight silks, and bandanas with a whisper of fringe reminded the crowd that true luxury is about touch, not flash.

Nichanian’s playful touches — zigzag motifs, the wink of an unbuttoned shirt, a glint of silver hardware — kept things human, not stiff. It was a masterclass in how to make classic codes feel new, even radical, simply by refusing to chase trends.

In a season marked by designer shake-ups and economic jitters, Hermes stood alone: confident, focused, and unwilling to compromise. As Nichanian took her bow to cheers, she sent a clear message — at Hermes, luxury is about the pleasure of the wearer, not the applause of the crowd.