Michael Kors’ Style and Wearability Attract Starry Crowd at His New York Fashion Week Show 

Models walk the runway during the Michael Kors Spring/Summer 2026 collection show on September 11, 2025 in New York City. (AFP)
Models walk the runway during the Michael Kors Spring/Summer 2026 collection show on September 11, 2025 in New York City. (AFP)
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Michael Kors’ Style and Wearability Attract Starry Crowd at His New York Fashion Week Show 

Models walk the runway during the Michael Kors Spring/Summer 2026 collection show on September 11, 2025 in New York City. (AFP)
Models walk the runway during the Michael Kors Spring/Summer 2026 collection show on September 11, 2025 in New York City. (AFP)

Michael Kors was feeling loose as he brought his love of nature to urban New York City, for a celebrity-heavy Spring/Summer 2026 show at New York Fashion Week Thursday.

The iconic designer likes to make his guests comfortable in his clothes and at his shows, so he turned an empty warehouse space into a cozy room inspired by his beach house, lit by giant paper lanterns, with wood paneling and side tables filled with ceramic vases and succulent plants.

The front row was buzzing as stars like Gwyneth Paltrow, Olivia Wilde, Leslie Bibb, Ariana DeBose and Suki Waterhouse chatted before the show.

Kors called the collection “earthly elegance” and says he was inspired by recent trips to tropical destinations where they know how to deal with the weather.

“How do you take those lessons, whether it’s, you know, pareos and sarongs from Bali and Polynesia, how do you bring those to Manhattan?” Kors mused to The Associated Press backstage before the show. “How do you take all these wonderful soft draped trousers you would find in Morocco and how do you make that urban and make that work in a city?”

All the clothes had a loose feel, starting with oversized button-down silk blouses paired with loose cargo, or wool crepe draped culotte pants. White linen matching sets of skirts and pants looked like aspirational yacht-wear. The fabrics were all light and often sheer, lending to the comfort and wearability.

The dominating colors were Kors’ typical black, white, and brown, but with accents of buttery yellow and pink. “There’s a lot of beautiful earth tones, so gorgeous shades of brown and branch colors, and olive and all of these colors that you would find in nature,” Kors said. “But then highlighted all of that with beautiful sunset shades of pink that you find in the desert, beautiful yellows that you would find in a gorgeous sunrise.”

Suiting is a must for Kors core, and several looks included oversized blazers in wool gaberdine or linen. Some had a softened look with no lapels — some even sleeveless — but others were more classic with a bikini top underneath for a modern touch.

Shoes were flat sandals or open-toed chunky heels, blending comfort and style. Kors also loves a coat and a brass leather trench with matching metallic purse was a standout moment.

Even the eveningwear had an easy feel, as tank dresses made of hand-embroidered paillettes with sheer bottoms continued the flowy vibe. Paillette covered pants were covered in sheer draped jersey, which could be dressed up or down.

Accessories featured extra-long leather tassels dripping off earrings and handbags, and exaggerated leather belts cinching the models’ waists but dangled down.

Actor Olivia Munn said everything in the collection looked “comfortable and chic.

“What I really love is thin fabrics. I feel that thin fabric just hangs on your body so much nicer, and it just feels light and airy and really feminine,” Munn said after the show.

Actor and recording artist Audra McDonald said she wanted to figure out how to get three of the pieces she saw immediately. “I had Judith Light, and I had Laura Carmichael on the other side of me and we were picking outfits for each other. I like this one, you get that one, you get that one!” she recounted.

Recording artist Kelsea Ballerini called the show beautiful and wearable and said she can’t wait to “get her paws” on some of it.

“I loved the silhouettes — it felt very loose and lived in and natural, especially with the color palette. I did love the pop of pink and obviously a little bit of glitter here never hurt anyone,” she said with a smile.



Zalando Turns to EU Top Court in Fight over Online Content Rules

A person stands next to the logo of fashion retailer Zalando in Berlin, Germany, November 13, 2025. REUTERS/Lisi Niesner
A person stands next to the logo of fashion retailer Zalando in Berlin, Germany, November 13, 2025. REUTERS/Lisi Niesner
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Zalando Turns to EU Top Court in Fight over Online Content Rules

A person stands next to the logo of fashion retailer Zalando in Berlin, Germany, November 13, 2025. REUTERS/Lisi Niesner
A person stands next to the logo of fashion retailer Zalando in Berlin, Germany, November 13, 2025. REUTERS/Lisi Niesner

Zalando, Europe's biggest online fashion retailer, on Thursday took its fight against EU online content rules to Europe's highest court, saying that a lower tribunal had erred in throwing out its challenge.

Zalando had sued the European Commission after it was designated as a very large online platform (VLOP) under the Digital Services Act (DSA) in the same group as Alphabet's Google and Meta and subject to onerous requirements.

The Luxembourg-based General Court in September rejected its argument that it is a hybrid service which sells its own products as well as those provided by partners, making it different from other online giants.

"The General Court's ruling creates an overly broad and incorrect interpretation of what third party content is, impacting many industries across Europe's economic landscape," Zalando said in its appeal to the EU Court of Justice (CJEU).

Reuters quoted it as saying that such a broad interpretation would subject nearly every online service, from media, to supermarkets and tourism to the DSA's rules.

The appeal also argued that the lower tribunal has unfairly flipped the burden of proof by forcing VLOPs to prove they should not have been classified as such in the first place.

The company said the tribunal uses a flawed definition for counting active recipients of the service which decides whether a company is a VLOP or not.


From Gowns to Pantsuits, Michelle Obama Explains her Iconic Fashion Picks in a New Book

FILE - President Barack Obama and first lady Michelle Obama dance at the Obama Home States Inaugural Ball in Washington, Jan. 20, 2009. (AP Photo/Charlie Neibergall, File)
FILE - President Barack Obama and first lady Michelle Obama dance at the Obama Home States Inaugural Ball in Washington, Jan. 20, 2009. (AP Photo/Charlie Neibergall, File)
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From Gowns to Pantsuits, Michelle Obama Explains her Iconic Fashion Picks in a New Book

FILE - President Barack Obama and first lady Michelle Obama dance at the Obama Home States Inaugural Ball in Washington, Jan. 20, 2009. (AP Photo/Charlie Neibergall, File)
FILE - President Barack Obama and first lady Michelle Obama dance at the Obama Home States Inaugural Ball in Washington, Jan. 20, 2009. (AP Photo/Charlie Neibergall, File)

On any day during her eight years as first lady of the United States, Michelle Obama said she could go from giving a speech to meeting with a counterpart from another country to digging in her vegetable garden with groups of schoolchildren.

And her clothes had to be ready for that. There was too much else to do, including raising daughters Sasha and Malia, and she said she did not have time to obsess over what she was wearing.

“I was concerned about, ‘Can I hug somebody in it? Will it get dirty?’” she said Wednesday night during a moderated conversation about her style choices dating to growing up on the South Side of Chicago to when she found herself in the national spotlight as the first Black woman to be first lady. “I was the kind of first lady that there was no telling what I would do.”

Obama would become one of the most-watched women in the world, for what she said and did, but also for what she wore. She chronicled her fashion, hair and makeup journey in her newest book, “The Look,” written with her longtime stylist Meredith Koop and published earlier this month.

The sold-out conversation was taped as part of “IMO: THE LOOK,” a special, six-part companion series to the IMO podcast she hosts with her brother, Craig Robinson.

She wanted her clothes to be welcoming as well as versatile.

“The thing about clothes that I find is that they can welcome people in or they can keep people away, and if you’re so put together and so precious and things are so crisp and the pin is so big, you know, it can just tell people, ‘Don’t touch me,’” The Associated Press quoted her as saying.

She said she would not wear white to events with rope lines in case someone wanted a hug.

“I’m not going to push somebody away when they need something from me, and I’m not going to let the clothes get in the way of that,” Obama said.

Here's what she said about a few of her notable fashion choices:
The gown for Obama's first inauguration The white, one-shoulder chiffon gown was designed by Jason Wu, then an unknown 26-year-old who was born in Taiwan. But when she stepped out at the inaugural ball wearing the gown, the moment changed Wu's life. That was by design, she said.

“We were beginning to realize everything we did sent a message,” Obama said, speaking of herself and her husband, former President Barack Obama. “So that's what we were trying to do with the choices we made, to change lives.”

She would continue to help launch the careers of other up-and-coming designers by wearing their creations.

Chain mail state dinner gown Obama wore the rose gold gown by Versace for the Obama administration's final state dinner, for Italian Prime Minister Matteo Renzi in October 2016.

“So that was a kind of a, 'I don't care' dress,” she said of the shimmery, one-armed gown.

“I put that on. I was like, ‘This is sexy.’ It's the last one,” she said, meaning their final state dinner. “All of my choices, ultimately, are what is beautiful — and what looks beautiful on.”

Pantsuit worn to Joe Biden's inauguration “I was really in practical mode,” Obama said, explaining why she chose the maroon ensemble by Sergio Hudson with a flowing, floor-length coat that she wore unbuttoned, exposing the belt around her waist with a big, round gold-toned buckle. Her boots had a low heel.

“The sitting president was trying to convince us that Jan. 6 was just a peaceful protest,” she said.

The inauguration ceremony at the Capitol was held two weeks after the Jan. 6, 2021, riot there by supporters of President Donald Trump who had sought to overturn Biden's victory.

She said she had been thinking about the possibility of having to run if something else had happened that day.

“I wanted to be able to move. I wanted to be ready,” she said. But she and her team “had no idea” the outfit “was going to break the internet,” she said.

White House East Wing Obama also spoke about the East Wing, the traditional base of operations for first ladies that Trump last month tore down to make room for a ballroom he had long desired.

Obama described the East Wing as a joyful place that she remembers as full of apples, children, puppies and laughter, in contrast to the West Wing, which dealt with “horrible things.” It was where she worked on various initiatives that ranged from combating childhood obesity to rallying the country around military families to encouraging developing countries to let girls go to school.

She said she and her husband never thought of the White House as “our house.” They saw themselves more as caretakers, and there was work to do in the mansion.

“But every president has the right to do what they want in that house, so that’s why we’ve got to be clear on who we let in,” Obama said.


Moody's Downgrades Nike's Debt Ratings on Cost Pressures

Nike sneakers are seen on display at Westfield Stratford City in London, Britain, July 30. REUTERS/Mina Kim
Nike sneakers are seen on display at Westfield Stratford City in London, Britain, July 30. REUTERS/Mina Kim
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Moody's Downgrades Nike's Debt Ratings on Cost Pressures

Nike sneakers are seen on display at Westfield Stratford City in London, Britain, July 30. REUTERS/Mina Kim
Nike sneakers are seen on display at Westfield Stratford City in London, Britain, July 30. REUTERS/Mina Kim

Credit rating agency Moody's Ratings has downgraded several of global footwear and apparel retailer Nike's debt ratings. In downgrading Nike's senior unsecured debt by one notch on Wednesday, Moody's analysts cited cost pressures from higher tariffs among other factors in the agency's decision.

The rating agency simultaneously shifted its outlook on Nike's still high-grade ratings from negative to stable. Nike has experienced stagnant financial performance recently as newer brands such as On and Hoka have chipped away at the sportswear juggernaut's market share. The company's revenue slipped by 10% in its fiscal 2025, while its earnings before interest and taxes declined 42%, according to Moody's. It has revamped its product lineups while clearing out excess products in its lifestyle-focused franchise, Moody's analysts noted, Reuters reported.

Moody's expects Nike's profit margins will recover over time, but slowly due to the impact of tariffs, as well as Nike's cautious discretionary spending and heightened market competition from new and established rivals. These and other factors should "result in diminished cash flow and higher leverage compared to (Nike's) historical credit profile," Moody's Wednesday report noted.

Nike's cash flow generation should "remain constrained by higher capital expenditures and its sizable dividend, which has increased over the past few years," the report added.

The analysts forecast Nike's adjusted debt-to-Ebitda to increase to 2.5x in fiscal 2026 before falling to mid-1x in fiscal 2027.