Paris Fashion Week to Showcase Industry Makeover With String of Debuts

Models walk the runway during the Michelle Nassar collection show at Panama Fashion Week in Panama City on September 26, 2025. (Photo by MARTIN BERNETTI / AFP)
Models walk the runway during the Michelle Nassar collection show at Panama Fashion Week in Panama City on September 26, 2025. (Photo by MARTIN BERNETTI / AFP)
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Paris Fashion Week to Showcase Industry Makeover With String of Debuts

Models walk the runway during the Michelle Nassar collection show at Panama Fashion Week in Panama City on September 26, 2025. (Photo by MARTIN BERNETTI / AFP)
Models walk the runway during the Michelle Nassar collection show at Panama Fashion Week in Panama City on September 26, 2025. (Photo by MARTIN BERNETTI / AFP)

Paris Fashion Week kicks off on Monday with a dozen new faces set to make their debuts at major labels, including Matthieu Blazy at Chanel.

Reflecting an unprecedented shake-up of creative directors, the Spring-Summer 2026 season will showcase the renewal of the top ranks of the global luxury clothing industry on a scale rarely seen.

The sector, facing a slowdown in spending from the world's elite, is banking on the changes to infuse fresh excitement and hopefully boost sales, AFP reported.

"We're opening a new chapter, not so much for Fashion Week itself, but for what fashion will be over the next 10 years," said Pierre Groppo, fashion editor-in-chief of Vanity Fair magazine in France.

Although the first Chanel show by Matthieu Blazy is expected to be the biggest highlight, the VIPs and fashionistas jostling for highly coveted invitations will have to wait until the penultimate day on October 6 to glimpse the 41-year-old.

The Franco-Belgian, poached from Kering-owned Bottega Veneta, faces the daunting task of modernizing Chanel's identity and turning the page on the Karl Lagerfeld era of more than three decades.

The "Kaiser" defined the hugely profitable brand up to his death in 2019 and was succeeded by his long-time co-worker Virginie Viard, who was seen as a successful continuity candidate.

Blazy, who first caught the eye as a designer at Maison Martin Margiela, took one of the most coveted spots in the fashion business in December after regenerating Bottega Veneta and its signature handwoven "intreccio" leather patterns.

Another hotly awaited moment will be Jonathan Anderson's first women's collection for LVMH-owned Dior, on October 1, after the Northern Irish designer presented a well-received debut men's line in June.

Attention will also turn to Pierpaolo Piccioli at Balenciaga, who is succeeding the provocative Demna, and to Duran Lantink at Jean Paul Gaultier, the brand's first permanent artistic director since its founder retired in 2020.

For Claire Thomson-Jonville, editorial director of Vogue France, "the massive arrival of new creative directors is the sign of a new era: they bring a more global, inclusive and responsible vision, while reinventing the heritage of the houses."

The week will also see the debut of Jack McCollough and Lazaro Hernandez at Loewe, Miguel Castro Freitas at Mugler and Mark Thomas at Carven.

"We can call this a historic Fashion Week," added Thomson-Jonville.

Some major designers will be showing only their second collections -- often considered by industry insiders as more meaningful than the debuts -- including Sarah Burton for Givenchy, Glenn Martens for Maison Margiela and Haider Ackermann for Tom Ford.

Alongside the newcomers will be collections from Louis Vuitton and Hermes, and the return of long-absent labels such as Celine and Thom Browne, promising a Fashion Week "without downtime," said Elvire von Bardeleben, fashion editor at Le Monde.

Among the new brands, Belgian designer Julie Kegels makes her Paris debut, as does her compatriot Meryll Rogge.

The Paris event comes at a turbulent time for the luxury industry, facing slowing demand in China, US tariffs on exports and uncertainty over the global economy.

Each year, four Fashion Weeks set the rhythm of the calendar: menswear in January and June, and womenswear in February/March and September, the latter being the most closely watched.

These are distinct from Haute Couture, shown only in Paris in January and July, featuring unique handmade pieces destined for red carpets and major events.



Ruffles, Biker Leather and Celebs at Louis Vuitton's New York Show

Models present creations by designer Nicolas Ghesquiere during the Louis Vuitton Cruise 2027 collection show in New York City, US, May 20, 2026. REUTERS/Jeenah Moon
Models present creations by designer Nicolas Ghesquiere during the Louis Vuitton Cruise 2027 collection show in New York City, US, May 20, 2026. REUTERS/Jeenah Moon
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Ruffles, Biker Leather and Celebs at Louis Vuitton's New York Show

Models present creations by designer Nicolas Ghesquiere during the Louis Vuitton Cruise 2027 collection show in New York City, US, May 20, 2026. REUTERS/Jeenah Moon
Models present creations by designer Nicolas Ghesquiere during the Louis Vuitton Cruise 2027 collection show in New York City, US, May 20, 2026. REUTERS/Jeenah Moon

French fashion house Louis Vuitton combined ruffles, biker leather and the graphic art of Keith Haring for its celebrity-packed cruise 2027 show at a New York museum on Wednesday night.

Under the gaze of Zendaya, Anne Hathaway and Cate Blanchett, Louis Vuitton's artistic director for women's wear Nicolas Ghesquiere presented a collection built on contrasts and bright pops of color, said AFP.

Structured leather jackets were paired with fluffy Medici collars.

Ensembles were punctuated by the Pop Art movement's orange, pink and green, while also giving way to deep purple, dusty pink and teal.

Whether the models donned heels or sneakers, the shoes were metallic, and legs were on display with boxer shorts, biker shorts and tailored Bermuda suits.

Hats -- bucket or brimless -- topped models' heads when hair wasn't left loose and marked with the horizontal streaks popularized by figure skater Alysa Liu, the brand's new ambassador.

The show was held at The Frick Collection, marking the first time a fashion show has been hosted by the museum since its renovation last year.

Formerly the mansion of a steel magnate, the museum teems with an impressive collection of European paintings and art dating back to the Renaissance. Models stalked down the runway, passing under archways and past famed artworks.

"Within the timeless rooms of The Frick Collection, beauty and art transcend time in a quiet dialogue, while beyond its walls, New York City pulses with constant reinvention -- a convergence of contrasts," the fashion house posted on Instagram, with the brand and the museum announcing a three-year patronage partnership.

Notably, Louis Vuitton will fund three temporary major exhibitions and host free visitor after-hours evenings at the museum on the first Fridays of every month for a year.

Europe's major fashion houses have shown exceptional interest in the American market and culture recently.

Louis Vuitton's men's collection by hip hop star Pharrell Williams drew inspiration from the Big Apple, and Gucci and Dior have recently unveiled their cruise collections in New York and Los Angeles, respectively.

In December, Chanel held its show in the New York subway.


Coach Owner Tapestry Targets International Markets for 70% of Growth

 Recycled Coach bags are displayed at their store on Fifth Avenue in New York City, US, September 9, 2025. (Reuters)
Recycled Coach bags are displayed at their store on Fifth Avenue in New York City, US, September 9, 2025. (Reuters)
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Coach Owner Tapestry Targets International Markets for 70% of Growth

 Recycled Coach bags are displayed at their store on Fifth Avenue in New York City, US, September 9, 2025. (Reuters)
Recycled Coach bags are displayed at their store on Fifth Avenue in New York City, US, September 9, 2025. (Reuters)

Tapestry expects ‌about 70% of its growth over the next few years to come from international markets, with the Coach handbag owner's expansion plans focused on China and Europe.

"Our penetration right now is relatively lower in international markets," Tapestry CEO Joanne Crevoiserat told Reuters on Monday.

China accounts for about 15% of the ‌US company's ‌business, but offers significant potential, particularly ‌among ⁠younger consumers.

"There is so ⁠much more potential if we think about the population in China, particularly with young consumers," Crevoiserat said, adding that Tapestry aims to become a first luxury bag purchase, which helps build ⁠long-term brand loyalty.

Tapestry's sales in ‌China had been ‌growing by double digits over the last ‌two years, at a time when ‌the market for handbags actually was weak, she added.

"We see a tremendous opportunity to continue to grow in that market," she said ‌on the sidelines of the Financial Times Business of Luxury Summit ⁠in ⁠Italy, adding that the group is increasing investments in the area.

In Europe, which accounts for around 6% of total sales, Tapestry has shifted its focus away from tourist-driven demand toward younger consumers and local customers.

Asked about potential M&A, Crevoiserat told the event that Tapestry is focused on organic growth, building on momentum at Coach and reigniting growth at Kate Spade.


Dr. Martens’ Annual Profit Surges 61% on Cost Cuts and Fewer Discounts

Dr. Martens shoes are displayed inside a shop in Manchester, Britain, May 26, 2023. (Reuters)
Dr. Martens shoes are displayed inside a shop in Manchester, Britain, May 26, 2023. (Reuters)
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Dr. Martens’ Annual Profit Surges 61% on Cost Cuts and Fewer Discounts

Dr. Martens shoes are displayed inside a shop in Manchester, Britain, May 26, 2023. (Reuters)
Dr. Martens shoes are displayed inside a shop in Manchester, Britain, May 26, 2023. (Reuters)

Dr. Martens on Tuesday posted a 61.3% jump in full-year adjusted pre-tax profit, as the British bootmaker began to ‌see results from ‌a tighter ‌control ⁠on costs and fewer ⁠discounts.

The company, known for its iconic lace-up chunky boots, has deliberately pulled ⁠back on clearance ‌activity ‌across its direct-to-consumer and ‌wholesale channels to ‌improve the quality of its sales.

Dr. Martens posted adjusted pre-tax ‌profit of 55 million pounds ($73.78 million) for ⁠the ⁠year ended March 29, up from the 34.1 million pounds posted last year, with shoes being the standout performer.