Stars Deliver Modern and Colorful Looks on Oscars Red Carpet

Maria Ekerhovel, from left, Elle Fanning, Joachim Trier, center, Eskil Vogt, Anders Danielsen Lie, Renate Reinsve, and Inga Ibsdotter Lilleaas accept the award for interntional feature film for "Sentimental Value" during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Maria Ekerhovel, from left, Elle Fanning, Joachim Trier, center, Eskil Vogt, Anders Danielsen Lie, Renate Reinsve, and Inga Ibsdotter Lilleaas accept the award for interntional feature film for "Sentimental Value" during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Stars Deliver Modern and Colorful Looks on Oscars Red Carpet

Maria Ekerhovel, from left, Elle Fanning, Joachim Trier, center, Eskil Vogt, Anders Danielsen Lie, Renate Reinsve, and Inga Ibsdotter Lilleaas accept the award for interntional feature film for "Sentimental Value" during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Maria Ekerhovel, from left, Elle Fanning, Joachim Trier, center, Eskil Vogt, Anders Danielsen Lie, Renate Reinsve, and Inga Ibsdotter Lilleaas accept the award for interntional feature film for "Sentimental Value" during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Pops of color dominated the Oscars red carpet as stars like Renate Reinsve to Chase Infiniti stunned in colorful gowns that put a modern twist on traditional Oscar’s red carpet dressing.

Reinsve radiated on the carpet in a bright red Louis Vuitton strapless dress with a high side slit and curved train. She paired the look with a red lip and her hair slicked back. For her first Academy Award ceremony, Infiniti opted for a pale lavender mermaid-style ruffle dress also by Louis Vuitton that she wore with a shimmering jeweled choker. The Hollywood darling has delivered strikingly stylish looks across award show season for her role in “One Battle After Another.”

For cinema’s biggest night, some stars marked their moment with designs that evoked old Hollywood glamour.

Rose Byrne arrived in a timeless custom black Dior gown embroidered with colorful beaded flowers. Actor Wunmi Mosaku of “Sinners” showcased classic elegance in an off-the-shoulder teal sequined Louis Vuitton dress while also showing off her baby bump.

Inspired by Grace Kelly's 1956 Oscar's dress, Jessie Buckley wore a color-blocked Chanel dress with a light pink skirt and lipstick-red shawl over her shoulders.

“This was a much more colorful carpet than past events throughout the awards season,” Halie LeSavage, Marie Claire’s senior fashion news editor, said. ”It feels like the nominees and the presenters are loosening up and really getting into a celebratory mood for the last big show of the season.”

In keeping with their colorful animated film, the cast of “KPop Demon Hunters” delivered a splash of eye-catching colors to the red carpet in their regal gowns.

Arden Cho chose Korean designer Miss Sohee with a structured black lace mermaid gown and an opulent vibrant green silk stole designed with an intricate nature scene. Co-star Ji-young Yoo posed in a two-toned blue Carolina Herrera ball gown with a romantic sweetheart-shaped neckline.

Cloud Dancers Balanced among all the colorful attire, the Pantone color of the year, Cloud Dancer, once again had its moment. Actors in off-white gowns glistened in front of the cream backdrop of the carpet. Emma Stone sparkled in her simple yet captivating opalescent paillette dress with its low back and scoop neckline, The Associated Press reported.

Elle Fanning added a romantic touch to the carpet in her white Givenchy by Sarah Burton dramatic ball gown adorned with wisteria flowers. Fanning accented her scene-stealing dress with a Cartier wisteria-shaped necklace from 1903.

Like Fanning, ELLE’s Beauty Director, Kathleen Hou said the red carpet stars sported polished and slicked back updos to draw the attention to their gowns.
Gwyneth Paltrow kept it minimalist and sexy with her Giorgio Armani Privé ivory silk strapless gown that revealed one long cut out down the sides of her dress.

Red carpet risk-taker Timothée Chalamet stayed on trend in an off-white Givenchy by Sarah Burton suit with matching white shirt, tie and shoes. He accessorized his looks with rings and sunglasses. Chalamet famously wore a butter yellow suit by the same designer last year.

“For his whole Oscars campaign, Timothée has really used fashion to tell a story, to promote his role in ‘Marty Supreme’,” Hine said. “All white suggests he’s at the end of the tour.”

Stars take flight with feathers Gowns on the carpet featured luxurious fabrics, textures and even feathers. Demi Moore emerged on the carpet in a whimsical, fully feathered, green-toned Gucci dress. Moore, who was not nominated for an Oscar, certainly stole the spotlight from her peers with her dramatic gown.

Actor Pedro Pascal integrated feathers in a more subtle way with a large, feathered brooch fastened to his custom Chanel look by Matthieu Blazy.

The latest designer to helm the French house has been the talk of the town with fashionistas lining up at Chanel stores to buy his collection.

Fashion trailblazer Teyana Taylor wore a fitted feathered white and black sheer dress on the carpet by Blazy.

“Teyana’s dress is also my front-runner for best dressed of the night because it took a lot of those Chanel codes that fashion fans really love and made them feel so fresh and so Teyana,” LeSavage said. “They’re a house that doesn’t do a lot of bodycon or sheer. It tapped into a whole bunch of different elements that felt very glamorous and very Oscars but also aligned with all of the risks that Teyana has been taking throughout her awards season run this year.”

In another take on feathers by Blazy, Nicole Kidman wore an off-white feathered gown with a corseted peplum bodice that was dipped into a cream color at the hem.

Men follow suit with tailoring While the women flaunted vivid colors on the carpet, the men subverted traditional codes of black-tie attire with their suiting.

Oscar night performer Shaboozey rarely disappoints on the carpet with his modern takes on black tie attire. The red-carpet style maven sported a Balenciaga tailcoat look with a vest and a pearl pocket chain and matching pearl earrings.

“Sinners” star Michael B Jordan brought out a golden pocket chain that accentuated his Louis Vuitton suit. His costar Miles Caton was one of the few male actors to add color to the carpet. Caton walked the carpet in an all-plum colored look from AMIRI with a matching plum jacket, tie and trousers.

“What we have been seeing in recent years is men embracing designer fashion spins on the traditional tuxedo, especially younger actors,” Samuel Hine, GQ’s global fashion correspondent said. “Their participation in the fashion world is an important part of the promotion of their personal brands.”

“Sinners” director Ryan Coogler and actor Jacob Elordi were some of the few Oscar attendees that donned the traditional black tie look of a bow tie.

Fashion made political Oscar attendees sometimes make more than fashion statements. Actors chose to make political statements on the carpet by calling for a ceasefire in Gaza with their ‘Artists4Ceasefire’ pins. The organization issued new pins with a design by Shepard Fairey that now feature a dove and a lotus flower wrapped with a barbed wire. Actor Charithra Chandran added the pin on the carpet to her lush, bright-green ball gown.

Saja Kilani of “The Voice of Hind Rajab” wore the pin with her chic black dress on the carpet.

“Our struggles are all connected, so is our liberation,” she told The Associated Press.

After the US invasion of Iraq in 2003, Javier Bardem said he wore a pin to protest the war. On Sunday he re-wore the pin, which read, “No a la Guerra” or “No to war” on the carpet. Onstage while presenting, Bardem spoke out against the current global turmoil, saying, “No to war and free Palestine.”



LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
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LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo

LVMH, the world's leading luxury group, said Monday its sales edged higher in the third quarter despite a slowdown in China hitting its fashion and leather goods segment.

The group, whose brands include Louis Vuitton, Dior, Celine and drinks maker Hennessy, took in 18.5 billion euros ($20.6 billion) in the three months to the end of September, beating the consensus of analysts polled by Factset financial data firm.

The 1.2 percent sales gain beat the marginal 0.1 percent increase registered in the second quarter. The group's sales slumped six percent in the first three months of the year.

"Backed by its diverse range of businesses, LVMH remained very solid in an uncertain geopolitical and economic environment," AFP quoted the company as saying in a statement.

But the fashion and leather goods segment saw sales drop five percent excluding currency effects and changes to the business as it was "affected in the third quarter by the slowdown in demand in China."

Louis Vuitton saw its public image take a hit in China after pursuing a local tea company for copying its logo. While it won the case, it provoked a wave of indignation on social media and a call to boycott the brand.

The drop for fashion and leather goods follows the segment posting its first sales gain in two years in the second quarter.

But LVMH's selective retailing division, which includes the Sephora perfume and cosmetics retail chain, posted an eight percent sales increase, while the watches and jewelry and wines and spirits segments both managed six percent gains.

LVMH's share price has dropped 40 percent since the start of the year, with the group losing its place as the leading company on the Paris CAC 40 index in terms of capitalization to L'Oreal.


Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
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Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)

Belgian fashion designer Anthony Vaccarello will leave his post as chief designer at Saint Laurent after a decade in charge, the French house's parent company Kering announced Friday.

"Anthony Vaccarello has played a key role in Saint Laurent's development, helping to strengthen its identity and influence across the worlds of fashion and culture," Kering said in a statement, without giving any reason for Vaccarello's departure.

The designer had hinted at his potential exit at his final show for Saint Laurent on September 29.

Saint Laurent is the last major Kering brand to switch creative director as a ⁠luxury ⁠industry slowdown prompted designer changes last year at Gucci, Balenciaga and Bottega Veneta.

"The focus of the new designer will be in currently under-represented product categories, such as women's daywear and menswear, in high-end leather goods, and less penetrated regions such as China/Asia," Barclays analysts said in a note.

Industry speculation points to Chemena Kamali, currently creative director at Chloe and previously womenswear design director at Saint Laurent, as Vaccarello's likely successor.
Saint Laurent's gross revenues fell by 9% and 6% in 2024 and 2025, before largely stabilizing this year, according to Kering.


Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
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Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)

Chanel’s artistic director Matthieu Blazy sent the fashion house's suits stretching towards sportswear and evening dresses drifting through clouds, with Nicole Kidman, Dua Lipa and Pedro Pascal in the audience as he unveiled his spring-summer 2027 collection.

The Monday night show underscored that a year into his creative revival, Blazy has made the house feel newly unpredictable.

The former Bottega Veneta designer succeeded Virginie Viard, who took over after Karl Lagerfeld ’s death in 2019. Viard’s tenure brought record sales but Blazy’s contribution has been to restore a sense that Chanel’s familiar ingredients can produce something unexpected.

That renewal is visible in his treatment of the house’s symbols: tweed can stretch; formal jackets sit against bare skin; quilted bags turn slouchy.

The appeal lies in giving established clients something recognizable, and newer ones something to reinterpret.

Beneath illuminated birds at the Grand Palais, Blazy's collection traced Gabrielle “Coco” Chanel’s passage from Edwardian constraint towards the freedom she sought in dress.

“It’s about the women within a woman,” Blazy wrote in his notes.

Across 83 looks, that meant expanding the possibilities of a Chanel wardrobe: knits that skimmed the body, masculine tailoring, airy eveningwear and sharply abbreviated skirts.

Raw-edged waistcoats and narrow skirt suits reworked men’s formal clothes. A pearl-embroidered corset top paired with black trousers brought the tension between restriction and ease into focus.

Older fashions lingered in ruffled collars, peplums and traces of corset boning.

The strongest development was Chanel’s new “smocked tweed,” designed to stretch and move with something of athleticwear’s ease. It was a useful proposition for an expensive, familiar garment: preserve its character while improving its possibilities.

Competing patterns and frothy tutus sometimes tipped towards costume. Dres

ses made from layered, printed silk were more persuasive, turning cloud formations and changing light into shifting color, The Associated Press reported.

Model Dyanira Hurbuscher opened and closed the collection — carrying Gabrielle Chanel’s own 2.55 handbag, borrowed from the famed archives.

That element neatly framed the collection’s ambition: continuity with room for change — a balance Blazy’s revitalization of Chanel rests on.

He has made Chanel's heritage feel available for play, backed by serious work in the ateliers.

Lipa wore a sleeveless skirt suit with pink heels. Kidman attended with her daughter Faith Margaret.