Palestinian Kamel al-Basha Wins Top Acting Prize at Venice Film Festival

Palestinian actor Kamel al-Basha holds aloft the Volpi Cup for best actor for his role in 'The Insult' during the award ceremony at the 74th Venice Film Festival. (AP)
Palestinian actor Kamel al-Basha holds aloft the Volpi Cup for best actor for his role in 'The Insult' during the award ceremony at the 74th Venice Film Festival. (AP)
TT

Palestinian Kamel al-Basha Wins Top Acting Prize at Venice Film Festival

Palestinian actor Kamel al-Basha holds aloft the Volpi Cup for best actor for his role in 'The Insult' during the award ceremony at the 74th Venice Film Festival. (AP)
Palestinian actor Kamel al-Basha holds aloft the Volpi Cup for best actor for his role in 'The Insult' during the award ceremony at the 74th Venice Film Festival. (AP)

Palestinian actor Kamel al-Basha won the top acting prize at the 74th edition of the Venice Film Festival on Saturday.

He earned the prize for the Lebanese film, “The Insult,” which also stars Lebanon’s Adel Karam.

The fact that this is the movie’s only award is an indication that it was discussed thoroughly by the jury, chaired by actress Annette Bening, before granting Basha the festival’s top acting honor.

The Golden Lion was awarded to critics’ favorite “The Shape of Water,” a dark fantasy directed by Mexico’s Guillermo del Toro and starring Sally Hawkins.

A trial is the common factor between three films that were in competition at the Venice festival, two of which earned prizes. The movies are Lebanon’s “The Insult”, France’s “Custody,” and Japan’s “The Third Murder.” The Lebanese movie was undoubtedly the best because it managed to avoid being political while addressing a strictly political issue.

The film focuses on two victims, each of whom claims that they were the victim of the other. The first is a Lebanese man, played by Karam, who is influenced by hateful sectarianism directed against Palestinians, believing that the entire system in Lebanon works for them and not the Lebanese people. The second is a Palestinian, played by Basha, who works for a municipal company when the Lebanese man dumps a bucket of water on him and then insults him. The rest of the movie depicts the ensuing trial between Karam and Basha’s characters.

Perhaps the prize went to Basha, who is a professional theater actor living in Jerusalem, because he deserves it for being Palestinian. This is likely because the Israeli film “Foxtrot”, which criticizes the Israeli military, won the festival’s Grand Jury Prize. The Venice jury and its chair, Bening, was mainly comprised of left-leaning members, which also fell in Basha’s favor. This does not undermine his acting achievement, which is fully deserved as he expressed the quiet despair endured while living in Lebanon.

Karam, in contrast, is an open book from the onset of the movie. This is not his fault as it would be difficult to portray him as a gray character given the negative values he stands for. Director Ziad Douery succeeded in allowing the audience to feel some empathy towards the character.

Given its film festival success, it seems likely that Lebanon will submit “The Insult” as a nominee for the Best Foreign Film category at next year’s Academy Awards. It remains to be seen if it will be selected from among the several dozen films that will be submitted from around the world.



EU Commission Proposes Under-13s Social Media Ban

European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
TT

EU Commission Proposes Under-13s Social Media Ban

European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK

European Commission President Ursula von der Leyen on Thursday set out a sweeping plan to keep children safe from online dangers, proposing to ban under 13s from social media and require online services to design safe children's accounts.

The move follows similar initiatives in Australia, Britain, China, India, Turkey and several EU countries underscoring rising concerns about the impact Meta's Facebook and Instagram, TikTok, Google's YouTube and ChatGPT have on children's mental health ⁠and safety.

Australia's challenges ⁠in enforcing its world-first social media ban for children under 16 however could see Europe facing an uphill battle as well.

"Today, our children are engaging with some of the most sophisticated technology ever created, and it was not created with children's well-being ⁠and development in mind," von der Leyen told a press conference, according to Reuters.

She said the proposed EU Kids Act "will set clear boundaries in the digital world just as we do it on a daily basis in the real world".

Under the proposal, which will need to be negotiated with EU countries and the European Parliament in the coming months before it can become law, accounts for children between 13 and 15 will ⁠be ⁠under parental control.

Social media and video-sharing services, online video games, AI companions and chatbots for children below 18 will be subject to a list of dos and don'ts.

These include a ban on addictive features, profiling-based recommender feeds, infinite scroll, reward tricks and unsolicited contact from strangers. AI companions and chatbots must be turned off by default.

Online platforms must design algorithms safe for children and provide easy-to-use parental controls and tools to block and mute users.


Buckingham Palace Hits Back at Claims in Princess Diana Book

Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
TT

Buckingham Palace Hits Back at Claims in Princess Diana Book

Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)

Buckingham Palace has hit back at claims by the late Princess Diana's brother that King Charles III acted insensitively following her death in a car crash almost 30 years ago.

The palace issued an unusually strong statement after Charles Spencer claimed in his new memoir that the then-prince, Diana's former husband, said "rest assured, we'll forget her soon enough" days after she died in 1997.

"While we do not comment on books as a matter of principle," a palace spokesperson said late Wednesday, according to AFP.

"His Majesty is mindful that the pain of fraternal grief can cloud reason, affect judgment and color memory in ways others do not recognize, even many years after such a loss."

"Swan Song: Diana, My Sister" is due to be published next week.

In the book, serialized in the Daily Mail, Spencer claims that Charles subjected him to a "stream of anger" after he insisted Diana would not have wanted her sons, princes William and Harry, then aged 15 and 12, to walk in her funeral procession.

"He unleashed down the phone what I have always taken to be his pent-up contempt for Diana, and his horror that the world was so bowled over by her death. 'Rest assured', he hissed, 'we'll forget her soon enough!'," Spencer writes.

Diana, who was extremely popular in the UK, died in Paris at the age of 36 after the car she was travelling in crashed as it tried to get away from paparazzi photographers.

Her death sparked an outpouring of grief in Britain and led to accusations that the monarchy failed to show the appropriate empathy.

UK media likened the language in the palace's statement to the late Queen Elizabeth II's response in 2021 to claims of racism in the royal family from Harry and his wife Meghan.

The queen said that "some recollections may vary".


Indonesia Cash-for-photos Scheme Turns Animal Hunters Into Protectors

This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
TT

Indonesia Cash-for-photos Scheme Turns Animal Hunters Into Protectors

This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)

Indonesian villager Octavius wades through the forest in rubber boots and tattered joggers, ears pricked, eyes peeled, a telephoto lens on his phone primed to capture orangutans, monkeys or birds.

The daily photo hunt earns Octavius and hundreds of others in Borneo cash as part of a conservation program seeking to make animals worth more alive than dead.

Locals on the island have long made money from hunting wild songbirds and selling them, mainly to domestic customers.

The KehatiKu project aims to break that cycle by paying individuals in nine participating villages in West Kalimantan province for photos or recordings of animals instead.

Payments range from 5,000 rupiah (about $0.30) for observing a common bird, to 130,000 rupiah for an endangered orangutan -- the top prize.

The most successful observers earn up to 10 million rupiah a month -- equivalent to about $570, several times an average farmworker's income.

The extra cash "really helps, especially to pay for my children's college", said 50-year-old Octavius, who like many Indonesians uses a single name.

The program, run by environmental consultancy Borneo Futures, began two years ago and produces data on wildlife distribution and population changes.

Most participants are small-scale farmers of rice, cacao, durian and the stimulant kratom.
Early signs suggest the scheme is working.

"People have started to realize that where previously they caught one bird and it was worth 50,000 rupiah, now they just need to take a photo, send it to us, and they can receive a payment of 5,000 to 10,000 rupiah," Borneo Futures Indonesia director Nardiyono told AFP.

"If they take just five photos, they (may) earn 50,000 rupiah, and the bird is still in their environment, still observable, and still able to reproduce, so the potential income from observing birds is far greater than from hunting birds."

That shifting logic has prompted two participating villages to voluntarily introduce hunting bans since the project started, added Nardiyono.

The program is funded by philanthropic foundations and has received about $300,000 to date, according to Borneo Futures.

Half has gone towards development, including a mobile app for uploading animal sightings and an AI system that helps humans verify observations.

So far, users have submitted over 350,000 observations, about half of which have been validated and paid for.

Invalid entries might include multiple observations of the same animal, or a species that is not on the program's list.

In September, Octavius and dozens of others gathered at the tiny office in Labian village -- population 683 -- for their monthly payments.

His share was four million rupiah, or nearly $230.

"This is a side-job; it doesn't interfere" with farming, he told AFP as he showed off a patch where he grows kratom and cacao.

"Sometimes when we're working, when everyone is gathered to collect kratom leaves, we hear birds calling, so we go over, observe them -- if we can take a photo, we take a photo; if not, we just make a sound recording."

The program's model is "likely better for both environmental and social impacts than an unincentivized, top-down conservation project design," said researcher Paul Ferraro of the US-based Johns Hopkins University.

The main challenge will be maintaining funding, he added.

"People may revert to their prior behavioral patterns because the incentive payments are insufficient when the enthusiasm has waned," said Ferraro, an expert in human behavior and public policy.

For now, Borneo Futures has funding secured through 2028, and two more villages will join next month.

It pays for observations of 73 species, including birds, monkeys, wild cats and deer.

Antonia Uneng says she never has to venture too far from her home in Sungai Ajung, a village of fewer than 400 people, for observations.

She bought her first fridge with her earnings, as well as a karaoke machine, complete with flashing lights and two microphones, that occupies pride of place in her living room.

The project has given women in the village a sense of independence, said the 36-year-old part-time nursing assistant, whose husband works abroad.

"I have my own income... so I am not dependent on my husband."

Imelda, a farmer in Labian, goes into the forest daily with friends to record bird sounds and, if they are lucky, orangutans.

"It makes us healthier, walking in the forest," said the 72-year-old.

In the past, some in the community considered wild boar and deer pests for damaging their gardens and crops, she said.

But now, "we really, really want to protect them".