Beirut Art Exhibit Takes on Civil War's Old Wounds

File photo: A man takes a picture of the historic Beit Beirut building, during a ceremony marking the end of its restoration in Beirut. (Mohamed Azakir / REUTERS)
File photo: A man takes a picture of the historic Beit Beirut building, during a ceremony marking the end of its restoration in Beirut. (Mohamed Azakir / REUTERS)
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Beirut Art Exhibit Takes on Civil War's Old Wounds

File photo: A man takes a picture of the historic Beit Beirut building, during a ceremony marking the end of its restoration in Beirut. (Mohamed Azakir / REUTERS)
File photo: A man takes a picture of the historic Beit Beirut building, during a ceremony marking the end of its restoration in Beirut. (Mohamed Azakir / REUTERS)

Zena El Khalil's art exhibit has tapped into wounds that are more than 40 years old in war-scarred Lebanon.

"Sacred Catastrophe: Healing Lebanon" is being hosted in a landmark building in the center of Beirut that is a powerful reminder of the country's 1975-1990 civil war. Pockmarked and riddled with bullet holes, the building stands on the former demarcation line that bisected Beirut into warring sections: east and west.

According to The Associated Press, the nearly 100-year-old house became a favorite for snipers, who turned the structure into a killing machine during the war. El Khalil has brought her work to what is now the Beit Beirut museum — a collection of paintings, photographs, videos, installations and recorded poetry produced from over 100 locations around Lebanon.

The exhibit is the first in Beit Beirut, which was declared a cultural center in 2003 when the city bought it.

Spaces, like humans, need healing, El Khalil said. And in Beit Beirut, she has planted a seed for a dialogue over reconciliation.

"We never had a reconciliation process after our war ended so as a community we are still carrying a lot of pain," El Khalil said. "If we are going to step into a peaceful future, we need to come to terms with the pain that we are carrying. We need to release. Otherwise we are going to continue to self-sabotage to be aggressive and disconnected."

El Khalil said she wants to transform objects left over from the war into works of art. Healing ceremonies that are part of the exhibit include chanting, burning debris to produce ink and drawing on canvasses. The ceremonies are sealed with a whirling dance meant to preserve the new energy.

At the end of the conflict in 1990, a general amnesty was issued and the subject of the civil war has never been formally discussed. Students don't study the war's history because officials can't agree on which version of the war to include in textbooks.

As sectarian tension rocks the region, Lebanon seems to be looking inward. A recent film, "The Insult," also touches on reconciliation, drawing mostly praise for successfully addressing the wounds of the war and yearning for justice without blaming any one side.

On a recent day, hundreds of visitors walked through the restored building as chants from healing ceremonies played in the background and people walked into preserved sniper's nests.

The healing theme is clear: daily workshops include yoga and Reiki sessions. Poetry sessions included odes to those killed in wars.

Participants shared war memories, shedding tears, exchanging hugs and sometimes blame. Speakers spoke of "art as a form of resilience" and children painted mantras El Khalil used in her healing ceremonies: compassion, love, peace and forgiveness.

In one workshop, visitors weaved woolen patches on looms to cover bullet holes around the building, symbolic dressings for the war wounds.

El Khalil's project began as a personal journey after she visited her family's home in south Lebanon for the first time since Israel's withdrawal in 2000, following years of occupation. The house was used as a military detention center and signs of torture and abuse shocked her, the AP said.

She began documenting the violence, starting with her grandparents' house in Beirut, where a bomb fell but failed to detonate. She then included her mother's house, which she said was destroyed by missiles lobbed from the sea by the USS New Jersey targeting Syrian batteries stationed in Lebanon in the early 1980s.

For five years, she researched and performed ceremonies in over 100 places in Lebanon.

One installation is dedicated to the memory of the 17,000 Lebanese missing since the war's end. Inspired by the location, a collection of 17,000 green wooden sticks, some painted by families of the missing, are shaped like shrubs and weeds that grew along the deserted demarcation line when snipers kept people away.

An investigation into the fate of the missing was never launched.

On a recent visit, US Ambassador to Lebanon Elizabeth Richard said El Khalil's work has put a "spotlight" on a long overdue reconciliation process.



An Iconic Puzzle Comes Home as Production of the Rubik’s Cube Returns to Hungary

Hungarian architect and inventor Ernő Rubik attends the opening event of Rubik's Cube production line of the Jasz-Plasztik plastic processing company in Jaszbereny, Hungary, 10 November 2026. (EPA)
Hungarian architect and inventor Ernő Rubik attends the opening event of Rubik's Cube production line of the Jasz-Plasztik plastic processing company in Jaszbereny, Hungary, 10 November 2026. (EPA)
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An Iconic Puzzle Comes Home as Production of the Rubik’s Cube Returns to Hungary

Hungarian architect and inventor Ernő Rubik attends the opening event of Rubik's Cube production line of the Jasz-Plasztik plastic processing company in Jaszbereny, Hungary, 10 November 2026. (EPA)
Hungarian architect and inventor Ernő Rubik attends the opening event of Rubik's Cube production line of the Jasz-Plasztik plastic processing company in Jaszbereny, Hungary, 10 November 2026. (EPA)

More than half a century ago, a Hungarian architect, sculptor and professor invented what would become one of the world's most popular and beloved puzzles whose appeal has spanned generations: the colorful, mind-bending, six-sided Rubik's Cube.

Now, after selling more than half a billion units and becoming a worldwide cultural touchstone, production of the cube is returning to Hungary, where its inventor, Ernő Rubik, first conceived of the iconic object that bears his name.

Hungary “is the home of the cube. The cube was born here,” Rubik, 82, said on Tuesday at the opening of a new, fully automated Rubik's Cube production line in the Hungarian city of Jászberény.

The journey of the Rubik's Cube began in 1974, when Rubik was teaching design at the Academy of Applied Arts and Design in Budapest. Seeking to create a three-dimensional object that was “infinite,” he said, he completed a prototype — then made of wood — of a cube that could rotate on multiple axes and was made up of 27 blocks.

Recognizing its consumer value, Rubik soon began producing more of the puzzles. Beginning in 1977, an initial 5,000 units of what was then called the “Magic Cube” were sold at specialty shops in the Hungarian capital.

The invention — or what Rubik prefers to describe as a “discovery” — gained popularity, and after having difficulties procuring materials for the cubes in then-socialist Hungary, he realized: “We were not prepared for that size of production ... We can’t fulfill the needs of the market worldwide.”

The cube was licensed to a British and then a US toy company, and its production was moved abroad. By the early 1980s, its popularity had exploded in what Rubik called “the first big wave,” in which he said 200 million units were sold between 1980 and 1983.

While sales of the cube dipped after its initial success, it still attracts plenty of users eager to try their hand at solving the puzzle. Millions are sold every year.

At the new production line in Hungary, a series of robotic arms assembles the cubes and tests them for functionality and durability — a level of automation Rubik said was “very different” than in the early days when the cubes were assembled by hand.

The new line in Jászberény plans to produce 1 million cubes annually.

Steve Radewych, a senior vice president with Canadian toy company Spin Master, which owns the Rubik's Cube trademark, said at Tuesday's opening that the theme of the day was: “Back to its roots: The cube comes home.”

“Ernő, your discovery is more than a toy,” Radewych told Rubik. “It's a global social phenomenon.”

Radewych noted the “incredible staying power” of the Rubik's Cube, and the fact that the puzzle continues to hold the fascination of young people even today.

“The cube represents an intellectual journey, a symbol of intelligence, problem-solving and cognitive discipline,” he added, which “has brought joy — and frustration — to many generations.”

The cube has enjoyed another surge in popularity in recent years as global competitions have proliferated, measuring who can solve the puzzle the fastest.

The current record, set only last month in China by nine-year-old Xuanyi Geng, is 2.51 seconds, according to the World Cube Association, which organizes and certifies competitions across the world.

Rubik, who does not consider himself a speed competitor, said that for him, the cube represents a “transformable sculpture,” the place where art and engineering meet and users can manipulate and change the cube in nearly endless variations.

“If you are doing something, creating something, you have the chance to do something that is meaningful — that’s one part — and beautiful,” he said.


SpaceX Starship Test to Attempt First-Ever Spaceship ‘Catch'

SpaceX's mega rocket Starship is stacked and prepared for a test flight from Starbase, Texas, Thursday, Nov. 12, 2026. (AP)
SpaceX's mega rocket Starship is stacked and prepared for a test flight from Starbase, Texas, Thursday, Nov. 12, 2026. (AP)
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SpaceX Starship Test to Attempt First-Ever Spaceship ‘Catch'

SpaceX's mega rocket Starship is stacked and prepared for a test flight from Starbase, Texas, Thursday, Nov. 12, 2026. (AP)
SpaceX's mega rocket Starship is stacked and prepared for a test flight from Starbase, Texas, Thursday, Nov. 12, 2026. (AP)

Elon Musk's SpaceX was poised Friday to carry out its latest test of the world's biggest and most powerful rocket, the Starship, with plans for a groundbreaking "catch" of the spaceship following a day in orbit.

A successful capture of the Starship upper stage would mark a significant milestone in the space industry's decades-long pursuit of fully reusable spacecraft that can drastically reduce mission costs and make frequent travel possible.

"If successful, this will mark the first full recovery of an orbital launch system and a breakthrough moment in making Starship a reliable, rapidly reusable rocket," SpaceX said.

For the 15th Starship test flight Friday, SpaceX aims to recover both stages of the massive 124-meter (407-foot) launch vehicle.

The company has caught the booster, dubbed Super Heavy, on three previous occasions, with the first stage descending vertically back to the launch site shortly after blastoff and nestling into mechanical "chopstick" arms.

It will now attempt to do the same with the spaceship. Some versions of the vessel are designed to launch internet satellites and data centers into orbit, while others will be made to ferry people to the Moon and Mars.

A spacecraft that can be fully reused is the "Holy Grail" of the space industry, said Clayton Swope, an aerospace expert at the Center for Strategic and International Studies.

"No one's really been able to do that so far," he said. "People have been trying to do that since the (NASA) space shuttle. But the space shuttle ended up being kind of a compromise because a lot of the vehicle wasn't reusable."

Reusing the Starship spacecraft would require the vessel to withstand the extreme heat of reentering Earth's atmosphere and then return to service without extensive refurbishment.

- Refueling challenge -

Musk, the world's richest person, has already revolutionized the space sector with the partially reusable Falcon rockets, which are regularly employed to launch satellites and carry astronauts to the International Space Station.

The Starship project, however, has been plagued by years-long delays as SpaceX grapples with novel engineering challenges -- even as NASA is counting on the spaceship to serve as a lunar lander for its Artemis program.

Other technical challenges include transferring fuel to Starship in orbit -- a requirement for any journey to the Moon or Mars.

Following SpaceX's high-profile stock market debut in June, the company carried out the first orbital flight of Starship in September, though the mission was cut short due to an engine issue.

It is also investing heavily in additional launch sites for its mega-rocket in Louisiana and Florida.

- Complex capture -

Friday's launch is scheduled to take place at SpaceX's "Starbase" in southern Texas at 4:45 pm (2245 GMT).

Following liftoff and the mid-air separation of the two stages, SpaceX plans to bring Super Heavy back to Earth six and a half minutes later, catching it at the launch site on the Gulf of Mexico coastline.

The spaceship will continue to reach Earth's orbit, where it will deploy 26 satellites into Musk's Starlink satellite internet constellation that has become a major revenue stream for SpaceX.

It will then circle the planet 14 times, before returning 22 hours later and -- SpaceX hopes -- descending safely into the chopstick arms.

This capture attempt is more complex than that of the booster, as the spaceship will be descending much faster and from a much greater altitude.

SpaceX has said it would proceed with these maneuvers only if conditions are optimal, and in the past has made last-minute changes to test flights under Musk's "fail fast" strategy of learning through crashes, explosions and other mishaps.

As of late Thursday, the US Federal Aviation Administration had not yet given its final approval for the test flight.


Delhi Overtakes Lahore as World’s Most Polluted City as Air Quality Drops

Traffic moves on a smoggy morning as air pollution spikes in New Delhi, India, November 13, 2026. (Reuters)
Traffic moves on a smoggy morning as air pollution spikes in New Delhi, India, November 13, 2026. (Reuters)
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Delhi Overtakes Lahore as World’s Most Polluted City as Air Quality Drops

Traffic moves on a smoggy morning as air pollution spikes in New Delhi, India, November 13, 2026. (Reuters)
Traffic moves on a smoggy morning as air pollution spikes in New Delhi, India, November 13, 2026. (Reuters)

India's capital Delhi overtook Lahore in Pakistan to become the world's most polluted city on Friday, with air quality reaching hazardous levels and visibility dropping as smog blanketed the city of 20 million people.

Air quality index (AQI) in Delhi was "hazardous" at 334, making ‌it the ‌most polluted global major ‌city, ⁠according to Swiss group ⁠IQAir, which measures air quality levels based on the concentration of toxins.

An AQI reading up to 50 is considered good with little or no ⁠health risk.

India's official ‌Central Pollution ‌Control Board pegged the AQI higher at ‌403 and rated it "severe".

The ‌Swiss and Indian readings vary due to the different AQI scales and methodologies used to calculate and ‌classify air pollution levels.

Cars and motorcycles emerged from dense ⁠smog, ⁠which also appeared to obscure streetlights on the city's main roads, videos from news agency ANI showed.

Pollution is a seasonal problem in many parts of northern India and neighboring Pakistan, as the cold, heavy air of winter traps vehicle emissions, construction dust and smoke from agricultural burning.