‘Taxi Therapy’ for Young Cancer Patients in Italy

Caterina Bellandi dancing around her first taxi, now a monument in the Garden of Horticulture in Florence. Nadia Shira Cohen for The New York Times
Caterina Bellandi dancing around her first taxi, now a monument in the Garden of Horticulture in Florence. Nadia Shira Cohen for The New York Times
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‘Taxi Therapy’ for Young Cancer Patients in Italy

Caterina Bellandi dancing around her first taxi, now a monument in the Garden of Horticulture in Florence. Nadia Shira Cohen for The New York Times
Caterina Bellandi dancing around her first taxi, now a monument in the Garden of Horticulture in Florence. Nadia Shira Cohen for The New York Times

The black-and-white checkered floor of the taxi looks a bit like home flooring. The seats are yellow, purple and orange leather, while the pea-green interiors are plastered with daisy stickers. When riding in the cab, passengers can play with plastic swords and a megaphone, or make soap bubbles.

Welcome to Milano 25, the Florentine taxi that for 16 years has offered free travel, by day, between a pediatric hospital and the homes of young cancer patients — and, in the evening, carried regular clients around Tuscany’s main city.

Its soul and operator, Caterina Bellandi, 52, is better known in Florence and across the country as Zia Caterina (Auntie Caterina). She drives her Chrysler taxi wearing a flashy green-and-azure cloak topped by a straw top hat decorated with pompoms, and fabric roses and gerberas. An army of little bells sound at the movement of her wrists and of her necklace, a polka-dot rosary of yellow, orange and red.

“This is not a show,” she said, looking in the rear mirror through her fluorescent glasses. Her warm smile was accented by her red lipstick. “My children may be sick, but they can and have to be happy.”

Ms. Bellandi’s partner, the original owner of Milano 25, died prematurely in 2001. His taxi license was his legacy to her.

“I found such a profound love in him and in his death that I decided to make his taxi live on,” she explained. “I wanted to pay homage to him, making his Milano 25 the most wonderful cab in the world, so special to be remembered by anyone.”

Ms. Bellandi surely succeeded. With a sense of style reminiscent of Mary Poppins, she and her taxi are one-of-a-kind.

Not even Patch Adams, the American doctor in a clown suit whom she highly regards for his work with sick children, could get her to wear the outfits that those attending his clown tours in hospitals worldwide usually put on. In 2007, she drove 1,800 miles from Florence to Moscow to attend his course in clown therapy, but she refused to wear a red nose.

“I am not a clown,” she explained. “I am a taxi driver. So I do taxi-therapy.”

Her creative idea initially ran into city rules. Taxis usually look alike here, and hers carries unusual items, like a stuffed figure of Disney’s dwarf Grumpy on the passenger seat.

The local authorities also objected to the pictures she glued to the windows, saying they could hamper the driver’s view. After getting multiple tickets, she complained vigorously.

“She is an extraordinary engine of solidarity and I felt her city should help her a little,” said Eugenio Giani, now president of Tuscany’s regional cabinet, who interceded for her with the municipal police.

He is planning to recognize Ms. Bellandi as “Tuscany’s Solidarity Ambassador,” an honorific title signaling the region’s institutional backing.

“She is capable of involving ill children in anything, from soccer matches to trips abroad, and she does it from one child to another, nonstop,” Mr. Giani said. “She puts a positive spell on them.”

Ms. Bellandi is not only a taxi driver for these young patients, but a friendly presence throughout these challenging moments of their lives. She visits families in their homes and arranges vacations. She takes sick children to watch sports games and shake hands with their sports heroes, and has even taken some to the Vatican to meet Pope Francis.

A generous network of people helps Ms. Bellandi. A Florentine bakery donates a crunchy flatbread and pizza that even patients undergoing chemotherapy can swallow. Mothers sew her cloaks. A designer fabricates her extravagant hats.

She is so well known these days that some parents of children who are battling serious illnesses search for her on the internet. A new version of the Monopoly board game that has famous figures of Tuscany on the play money includes Ms. Bellandi.

“I was desperate and I was looking for support,” said Francesca Scaturro, mother of Giulia, a 5-year-old who had an aggressive form of brain cancer. So she wrote an email to Ms. Bellandi’s website.

Ms. Bellandi showed up in style at the hospital where Giulia was being treated. She brought pizza with her and insisted that Ms. Scaturro, 34, have a slice.

Ms. Bellandi became a frequent presence during Giulia’s year of treatment, spending weekends with her and other families facing similar medical challenges, and even coming on a holiday in Sicily last summer.

She is now considered a family member, Ms. Scaturro said. Giulia calls her “Auntie.”

“It is enough just to see her,” Ms. Scaturro said. “Her hug is everything to me.”

The New York Times



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”