Playing Football Boosts Morale of Syria War Amputees

Syrian amputees who were handicapped in the war take part in a football match organised by a center for physical therapy in Idlib. OMAR HAJ KADOUR / AFP
Syrian amputees who were handicapped in the war take part in a football match organised by a center for physical therapy in Idlib. OMAR HAJ KADOUR / AFP
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Playing Football Boosts Morale of Syria War Amputees

Syrian amputees who were handicapped in the war take part in a football match organised by a center for physical therapy in Idlib. OMAR HAJ KADOUR / AFP
Syrian amputees who were handicapped in the war take part in a football match organised by a center for physical therapy in Idlib. OMAR HAJ KADOUR / AFP

At the referee's whistle, the young forward leans on his crutches and punts the football with his only leg, kicking off a match between war amputees in Syria's battered northwest. 

What follows is a different take on the beautiful game: men of all ages, some using crutches, deftly pass the ball back and forth as they sail across the field. 

The ball reaches the attacker, who steadies himself on his crutches and uses his sole leg to send it flying towards the goal. 

The keeper, who is missing his right arm, dives to his knees to make a save, but the ball bounces past him into the net amid cheers and whistles.

According to Agence France Presse, for the past month, a physiotherapy center in Syria's northwest Idlib province has been training 19 war-wounded men and boys to establish a football team.

Idlib is the last province in Syria still outside regime control and has faced a weeks-long regime assault backed by Russia. 

"Sometimes, the ball crosses right in front of me and I want to shoot it with my left leg, then I feel sorry for myself because my leg's amputated," says Salah Abu Ali, sitting on the sun-soaked edge of the football pitch.

"Some things are still hard, like running or being fast." 

The 23-year-old player was wounded nearly a year ago in a bombardment on his native Raqqa, a northern Syrian city recaptured from ISIS.

He woke up in the hospital to find his leg had been amputated and decided to seek safety to the west in rebel-held territory. 

"When I first arrived in Idlib, I didn't know anyone. I just thought of the past. I didn't want to work, go out. I didn't like to see people or let them see me," says Abu Ali. 

But when he found the football team, he says, it was like getting "a new life". 

"I lost a limb but life goes on -- I want to live my life as positively as possible. I want to play football, swim, come and go."

Founded just over a year ago, the rehabilitation center that runs the football sessions is housed in Idlib's Specialist Hospital.

It has treated some 900 war-wounded, including men and women of all ages with injuries ranging from simple fractures to amputations, says physiotherapist Mohammad Marea. 

"We had a psychological objective in training these guys but also wanted to target their morale," Marea tells AFP. 

"they responded quickly and happily, accepting the idea wholeheartedly," says Marea.

Next the center plans on setting up bodybuilding and swimming classes.  

Footballers train two or three times a week, for sessions of up to two hours.

Those that have prosthetic legs prop them up against the metal fence -- they move faster without them -- and wrap amputated limbs in protective gauze.

At a recent friendly match, opposing players wearing mint-green and red jerseys grappled over the ball on a pitch. 

"Ole, ole, ole!" team members cheered, their arms around each other's shoulders and hopping on one leg. 

Added to the usual cacophony of cheers and referee whistles was the clinking of crutches as players darted across the field. 

At home after his match, Abdulqader al-Youssef drapes his medal around his toddler son's head. 

"Look at what Daddy won today!" says the beaming 24-year-old, a lifetime football lover who played on his local team. 

Youssef hails from Homs, a central Syrian city known as "the capital of the revolution" that erupted across the country in 2011.

He joined the uprising as a rebel fighter and even played football on breaks from the front, but he lost his right leg in clashes against REGIME troops in 2015. 

"Being wounded was a huge shock to me. There were so many things I could do before my injury that I couldn't do afterwards," says Youssef, his dark curly hair pulled back by a black headband. 

Carrying groceries seemed an impossible task, until he joined the physiotherapy football team. 

"Since beginning training, I can do things I couldn't do before. I used to say it was too hard, but now I can lift a gas canister and other things," he says proudly.

"Life doesn't stop at an injury. Don't lose hope or get sad at losing a limb," he adds.

"As our trainers told us today, there's no handicap of the body -- just of the mind." 

Still, war is never far away. On Saturday, one trainee player was killed in a bomb blast in Idlib city. 



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”